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Edited Book No access
Screening the Nonhuman
Representations of Animal Others in the Media
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Publisher:
2016
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Bibliographic data
Edition
1/2016
Copyright year
2016
ISBN-Print
978-1-4985-1374-6
ISBN-Online
978-1-4985-1375-3
Publisher
Lexington, Lanham
Language
English
Pages
213
Product type
Edited Book
Table of contents
ChapterPages
Table of Contents No access
Acknowledgments No access
Introduction: Critical Media Studies and Critical Animal Studies at the Crossroads No access
Chapter 1: The Brown Wizard’s Unexpected Politics: Speciesist Fiction and the Ethics of The Hobbit No access
Chapter 2: The Passing Faerie and the Transforming Raven: Animalized Compulsory Re-covery, Endurance, and Dis/ability in Maleficent No access
Chapter 3: Jabbering Jaws: Reimagining Representations of Sharks Post-Jaws No access
Chapter 4: Horseplay: Beastly Cinematic Performances in Steven Spielberg’s War Horse No access
Chapter 5: Would Bugs Bunny Have Diabetes?: The Realistic Consequences of Cartoons for Non/Human Animals No access
Chapter 6: I Am Legend (2007), U.S. Imperialism, and the Liminal Animality of “The Last Man” No access
Chapter 7: Ape Anxiety: Intelligence, Human Supremacy, and Rise and Dawn of the Planet of the Apes No access
Chapter 8: The Vicious Cycle of Disnification and Audience Demands: Representations of the Non/Human in Martin Rosen’s Watership Down (1978) and The Plague Dogs (1982) No access
Chapter 9: The “Nature-Run-Amok” Cinema of the 1970s: Representation of Non/Human Animals in Frogs and Orca No access
Chapter 10: Cyberbeasts: Substitution and Trivialization of the Non/Human Animal in Home Movies, Memes, and Video Games No access
Chapter 11: Pet-Animals in the Concrete Jungle: Tales of Abandonment, Failures, and Sentimentality in San Hua and Twelve Nights No access
Chapter 12: In Defense of Non/Humans: Mystification and Oppression in the Sports Mascoting Process No access
Chapter 13: On Empathy, Anthropocentrism, and Rhetorical Tropes: An Analysis of Online “Save the Bees!” Campaign Images No access
