Right This Way
A History of the Audience- Autor:innen:
- Verlag:
- 2023
Zusammenfassung
When you sit down at a play, movie, or concert—or even just watch TV or scroll on your phone—you are taking part in one of the oldest and most meaningful forms of behavior. Being part of an audience is a universal experience, one that has remained a constant feature of human societies even as it has evolved from colosseums to tiny glowing screens.
Right This Way is a pop history of audiences through the ages. Delving into the distinctive aspects of what he calls “audiencing,” former Playbill editor Robert Viagas renders the view from the cheap seats in energetic prose. He walks us through the different types of audiences and the history of their changing behaviors, what science has to say about how our brains respond to our experiences, how technology will continue to shape audiences, and why, during COVID-19, people risked a deadly virus to be part of a crowd.
Drawing on perspectives from critics, performers, scholars, and many others, Right This Way is a lively, thought-provoking meditation on the audience experience. You’ll never sit and watch something the same way again.
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Bibliographische Angaben
- Copyrightjahr
- 2023
- ISBN-Print
- 978-1-4930-6455-7
- ISBN-Online
- 978-1-4930-6456-4
- Verlag
- Rowman & Littlefield, Lanham
- Sprache
- Englisch
- Seiten
- 294
- Produkttyp
- Monographie
Inhaltsverzeichnis
- Preface Kein Zugriff Seiten i - x
- Introduction Rolling in the Aisles Kein Zugriff Seiten 1 - 4
- 1 Gathering Around the Fire Kein Zugriff Seiten 5 - 20
- 2 What Does the Audience Want? Kein Zugriff Seiten 21 - 44
- 3 The Mind and Body of the Audience Kein Zugriff Seiten 45 - 62
- 4 Religion and Morality Kein Zugriff Seiten 63 - 82
- 5 The Audience in the Performing Space Kein Zugriff Seiten 83 - 100
- 6T echnology Kein Zugriff Seiten 101 - 130
- 7 Group Behavior Kein Zugriff Seiten 131 - 168
- 8 Violence Kein Zugriff Seiten 169 - 206
- 9 Race, Ethnicity, and Gender Kein Zugriff Seiten 207 - 226
- 10 The Professional Audience Kein Zugriff Seiten 227 - 240
- 11 Involving the Audience Kein Zugriff Seiten 241 - 254
- Conclusion What’s Next? Kein Zugriff Seiten 255 - 258
- Bibliography Kein Zugriff Seiten 259 - 270
- Index Kein Zugriff Seiten 271 - 294




