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Book Titles Partial access
Kinematographische Differenz
Film und Wahrnehmung- Authors:
- Series:
- Film
- Publisher:
- 2016
Summary
The Film as an organisation principle: about noises, sounds, thoughts, time, space, and their perception.
Keywords
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Bibliographic data
- Copyright year
- 2016
- ISBN-Print
- 978-3-8376-3713-7
- ISBN-Online
- 978-3-8394-3713-1
- Publisher
- transcript, Bielefeld
- Series
- Film
- Volume
- 0
- Language
- German
- Pages
- 128
- Product type
- Book Titles
Table of contents
ChapterPages
- FrontmatterPages 1 - 4 Download chapter (PDF)
- InhaltPages 5 - 6 Download chapter (PDF)
- Anstelle einer Vorbemerkung No access Pages 7 - 8
- [vor-läufig] No access Pages 9 - 18
- [Öffnung] No access Pages 19 - 22
- Lost Highway, David Lynch, 1997 No access Pages 23 - 30
- [Angst], [organloser Körper], [Wunschmaschine] No access Pages 31 - 50
- [Vorläufigkeit], [Verschränkung] [Bewegung], [Schema], [Bild], [Modell] No access Pages 51 - 82
- [Kinematograph] No access Pages 83 - 88
- In den Tagebuchaufzeichnungen Dsiga Wertows No access Pages 89 - 98
- Kasimir Malewitsch beklagt sich No access Pages 99 - 108
- Philosophischer Begriff und der Weiße Wal No access Pages 109 - 120
- Literatur No access Pages 121 - 122
- Filmverzeichnis No access Pages 123 - 123
- Backmatter No access Pages 124 - 128





