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The Culture of Jazz
jazz as critical culture- Authors:
- Publisher:
- 2008
Summary
The Culture of Jazz is a collection of essays that view jazz from an anthropological perspective. It focuses on aspects of jazz culture and the ways in which jazz scrutinizes the American lifestyle. Jazz musicians filter their perspective on culture based on African roots. They have an obligation to tell truth to power and provide views of alternative realities. These essays explore many dimensions of the jazz life and its perspectives on cultural realities. Heavily influenced by the perspectives of Neil Leonard and Alan Merriam, The Culture of Jazz covers a broad range of topics making it an unparalleled compilation.
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Bibliographic data
- Copyright year
- 2008
- ISBN-Print
- 978-0-7618-4135-7
- ISBN-Online
- 978-0-7618-4207-1
- Publisher
- Hamilton Books, Lanham
- Language
- English
- Pages
- 246
- Product type
- Book Titles
Table of contents
ChapterPages
- Contents No access
- Introduction No access
- Chapter One. The Culture of Jazz and Jazz as Critical Culture No access Pages 1 - 19
- Chapter Two. Music and Anthropology No access Pages 20 - 22
- Chapter Three. Teaching the Culture of Jazz No access Pages 23 - 28
- Chapter Four. Africa as a Metaphor of Authenticity in Jazz No access Pages 29 - 43
- Chapter Five. The Spread of American Music to the International Scene No access Pages 44 - 49
- Chapter Six. Jazz and Its Impact on European Classical Music No access Pages 50 - 59
- Chapter Seven. Creole Performance and the Mass No access Pages 60 - 69
- Chapter Eight. Jazz in Rochester in the Context of the Wider Scene No access Pages 70 - 82
- Chapter Nine. Stereotype and Reality: Social and Cultural Characteristics of Members of the Down Beat Hall of Fame No access Pages 83 - 95
- Chapter Ten. Laughin' Louie: An Analysis of Louis Armstrong's Record and Its Relationship to African-American Musical Humor No access Pages 96 - 109
- Chapter Eleven. Dizzy, Humor, and Subversion of Accepted Reality No access Pages 110 - H1
- Chapter Twelve. From the Cotton Club to the Cathedral No access Pages 120 - 128
- Chapter Thirteen. Boppers and Moldy Figs: A Tale of Two Cultures No access Pages 129 - 142
- Chapter Fourteen. The Force Primeval: The Image of Jazz in American Literature No access Pages 143 - 154
- Chapter Fifteen. Puttin' It On No access Pages 155 - 165
- Chapter Sixteen. Did They Make the Scene or Did the Scene Make Them?: Expatriate Jazz Musicians in Europe No access Pages 166 - 182
- Chapter Seventeen. Close Enough for Jazz: Humor and Jazz Reality No access Pages 183 - 197
- Chapter Eighteen. He Sang Away My Blues No access Pages 198 - 209
- Chapter Nineteen: Music and Emotion No access Pages 210 - 223
- Chapter Twenty. The Good Die Young: The Tragedy of the Jazz Life No access Pages 224 - 236
- Chapter Twenty-One. Conclusion No access Pages 237 - 238
- References No access Pages 239 - 246





