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The Culture of Jazz

jazz as critical culture
Authors:
Publisher:
 2008

Summary

The Culture of Jazz is a collection of essays that view jazz from an anthropological perspective. It focuses on aspects of jazz culture and the ways in which jazz scrutinizes the American lifestyle. Jazz musicians filter their perspective on culture based on African roots. They have an obligation to tell truth to power and provide views of alternative realities. These essays explore many dimensions of the jazz life and its perspectives on cultural realities. Heavily influenced by the perspectives of Neil Leonard and Alan Merriam, The Culture of Jazz covers a broad range of topics making it an unparalleled compilation.



Bibliographic data

Edition
1/2008
Copyright Year
2008
ISBN-Print
978-0-7618-4135-7
ISBN-Online
978-0-7618-4207-1
Publisher
Hamilton Books, Lanham
Language
English
Pages
246
Product Type
Monograph

Table of contents

ChapterPages
    1. Contents No access
    2. Introduction No access
  1. Chapter One. The Culture of Jazz and Jazz as Critical Culture No access Pages 1 - 19
  2. Chapter Two. Music and Anthropology No access Pages 20 - 22
  3. Chapter Three. Teaching the Culture of Jazz No access Pages 23 - 28
  4. Chapter Four. Africa as a Metaphor of Authenticity in Jazz No access Pages 29 - 43
  5. Chapter Five. The Spread of American Music to the International Scene No access Pages 44 - 49
  6. Chapter Six. Jazz and Its Impact on European Classical Music No access Pages 50 - 59
  7. Chapter Seven. Creole Performance and the Mass No access Pages 60 - 69
  8. Chapter Eight. Jazz in Rochester in the Context of the Wider Scene No access Pages 70 - 82
  9. Chapter Nine. Stereotype and Reality: Social and Cultural Characteristics of Members of the Down Beat Hall of Fame No access Pages 83 - 95
  10. Chapter Ten. Laughin' Louie: An Analysis of Louis Armstrong's Record and Its Relationship to African-American Musical Humor No access Pages 96 - 109
  11. Chapter Eleven. Dizzy, Humor, and Subversion of Accepted Reality No access Pages 110 - H1
  12. Chapter Twelve. From the Cotton Club to the Cathedral No access Pages 120 - 128
  13. Chapter Thirteen. Boppers and Moldy Figs: A Tale of Two Cultures No access Pages 129 - 142
  14. Chapter Fourteen. The Force Primeval: The Image of Jazz in American Literature No access Pages 143 - 154
  15. Chapter Fifteen. Puttin' It On No access Pages 155 - 165
  16. Chapter Sixteen. Did They Make the Scene or Did the Scene Make Them?: Expatriate Jazz Musicians in Europe No access Pages 166 - 182
  17. Chapter Seventeen. Close Enough for Jazz: Humor and Jazz Reality No access Pages 183 - 197
  18. Chapter Eighteen. He Sang Away My Blues No access Pages 198 - 209
  19. Chapter Nineteen: Music and Emotion No access Pages 210 - 223
  20. Chapter Twenty. The Good Die Young: The Tragedy of the Jazz Life No access Pages 224 - 236
  21. Chapter Twenty-One. Conclusion No access Pages 237 - 238
  22. References No access Pages 239 - 246

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