Dance [and] Theory

Gabriele Klein; Gabriele Brandstetter

doi:10.14361/transcript.9783839421512

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Bibliographic data

Edition: 1/2014
Copyright year: 2014
ISBN-Print: 978-3-8376-2151-8
ISBN-Online: 978-3-8394-2151-2
Publisher: transcript, Bielefeld
Series: TanzScripte
Volume: 25
Language: English
Pages: 324
Product type: Edited Book

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Contents Full access Pages 5 - 10
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Dance [and] Theory. Introduction No access Pages 11 - 18
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Dancing and Theorizing and Theorizing Dancing No access Pages 19 - 32
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Artistic Research: Between Experiment and Presentation No access Pages 35 - 44
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A Few Remarks about Research in Dance and Performance or – The Production of Problems No access Pages 45 - 50
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Knowledge and Collective Praxis No access Pages 51 - 62
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It does not matter or The Artist Out (of the Picture) No access Pages 63 - 68
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Artistic Research between Dance and Theory – A Response in Six Questions No access Pages 69 - 74
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References No access Pages 75 - 78
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Aesthetic Experience No access Pages 81 - 88
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The Question of the Aesthetic No access Pages 89 - 96
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The Resistance to Dance Theory. Being-With, the Aesthetic Event No access Pages 97 - 102
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Beautiful Affects in Choreography No access Pages 103 - 106
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Intertwinings: The Dis/Positions of Dance Aesthetics No access Pages 107 - 114
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Unexpected Horizons of Meaning No access Pages 115 - 118
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Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted No access Pages 119 - 128
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References No access Pages 129 - 134
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Dance Theory as a Practice of Critique No access Pages 137 - 150
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Dance and Politics No access Pages 153 - 158
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Pitfalls of ''the Political.'' Politization as an Alternative Tool for Dance Analysis? No access Pages 159 - 166
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The Politics of Time No access Pages 167 - 172
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Contemporary Dance and the Critical Ontology of Actuality No access Pages 173 - 176
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Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain No access Pages 177 - 182
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Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography No access Pages 183 - 186
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Remarks Concerning the Ontology of Dance No access Pages 187 - 190
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References No access Pages 191 - 194
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Dis/Balances. Dance and Theory No access Pages 197 - 210
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Steps and Gaps: Curatorial Perspectives on Dance and Archives No access Pages 213 - 218
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Body, Archive No access Pages 219 - 222
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The Constructive Compromise No access Pages 223 - 226
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Dance/Archive/Exhibition? Moving between Worlds No access Pages 227 - 230
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The Archive in Motion No access Pages 231 - 234
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"Mal d''Archive" – in a Different Sense than Jacques Derrida''s No access Pages 235 - 240
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Leaving and Pursuing Traces ''Archive'' and ''Archiving'' in a Dance Context No access Pages 241 - 246
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References No access Pages 247 - 250
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Thoughts on the Now in the Future No access Pages 253 - 264
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A Relational Perspective on Dance and Theory – Implications for the Teaching of Dance Studies No access Pages 265 - 270
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dé-position. Or How to Move in(to) the Future? No access Pages 271 - 276
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Embryology as Choreography No access Pages 277 - 282
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Hypothesis Number Nine: The Image Is an Organ No access Pages 283 - 286
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What''s ''next''? No access Pages 287 - 290
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In the Making. On the Generation of Movement between Dance and Theory No access Pages 291 - 296
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An Institution Is only as Good as the People who Work there Can be. No? No access Pages 297 - 308
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References No access Pages 309 - 312
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Notes on Contributors No access Pages 313 - 324
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