Singular Plural Ways of Staging Together

Iris Julian

doi:10.14361/9783839472477

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Bibliographic data

Copyright year: 2024
ISBN-Print: 978-3-8376-7247-3
ISBN-Online: 978-3-8394-7247-7
Publisher: transcript, Bielefeld
Series: TanzScripte
Volume: 72
Language: English
Pages: 386
Product type: Book Titles

FrontmatterPages 1 - 6 Download chapter (PDF)
ContentsPages 7 - 10 Download chapter (PDF)
Preface: Choreography as Social Practice No access Pages 11 - 14 Gerald Siegmund
01.01 The Staging Process – An Object of Research? No access Pages 15 - 18
01.02 The Black Box of the Theatre and the White Cube of the Museum No access Pages 18 - 20
01.03 The Common Working Scheme: The Rosas Dance Company No access Pages 21 - 22
01.04 On Dance History: Freedom? in Choreographic Design No access Pages 22 - 25
01.05 Selecting the Staging Processes No access Pages 25 - 31
01.06 Staging Processes in Dance and Performance: A Historical Outline No access Pages 31 - 37
01.07 Collaborative Formats as Seducers No access Pages 37 - 40
02.01 Production-Aesthetic Perspectives in Dance and Theatre Studies No access Pages 41 - 58
02.02 Performances, Staging Processes and Social (Inter)actions No access Pages 58 - 70
02.03 Individuum: The Other Side of the Singular Plural No access Pages 70 - 90
03.01 The First Perspective: Theatre Studies and Art History No access Pages 91 - 92
03.02 The Second Perspective: Choreography as 1, 2, 3...Singular Plurals No access Pages 92 - 95
03.03 The Third Perspective: Against the Backdrop of Real Life No access Pages 96 - 100
03.04 Co-Sense – A Basis of Alternative Authorship? No access Pages 100 - 102
04.01 Defining the Core (of the) Team No access Pages 103 - 104
04.02 Divisional Writing and Collective Creativity No access Pages 104 - 105
04.03 Participation: Evolving Along a Greyscale No access Pages 105 - 105
04.04 The Tripartition Method No access Pages 106 - 114
04.05 Degrees in Participation and the Question of "Power" No access Pages 114 - 117
04.06 A Sense of One''s Place No access Pages 117 - 118
04.07 Bourdieu''s Theory of Capital in Relation to My Study No access Pages 118 - 132
04.08 The Social Space Model No access Pages 132 - 135
04.09 Different Types of Capital...and Their Interpretation No access Pages 135 - 138
04.10 Escaping Determinism No access Pages 138 - 140
05.01 Research Scope: La communauté desoeuvrée No access Pages 141 - 144
05.02 Counteracting the Traditional Narrative: The CVs of the Participants No access Pages 144 - 153
05.03 Conception Phase: A Starting Point Is Not a Starting Point No access Pages 153 - 154
05.04 Rehearsal Phase No access Pages 154 - 179
05.05 Reformulation and the Notion of "sens de circulation" No access Pages 180 - 184
05.06 Social Space: Frictions and Antagonisms No access Pages 185 - 186
05.07 Evaluating the Working Scheme and Social Space Diagrams No access Pages 186 - 192
05.08 Social Networks: A Further Perspective No access Pages 193 - 196
05.09 Micro-Habitus No access Pages 196 - 199
05.10 Media Phase: Internal Discourse No access Pages 199 - 206
05.11 Media Phase: Reportable Portraits from an Outside Perspective No access Pages 206 - 209
05.12 Between Co-Sense (Mit-Sinn) and the Singular No access Pages 209 - 211
05.13 Authorship and Symbolic Capital No access Pages 211 - 214
06.01 Reversing the Narrative No access Pages 215 - 229
06.02 Depicting the Social Space of Collect-if by Collect-if No access Pages 229 - 234
06.03 Conception Phase, Without Concept No access Pages 235 - 237
06.04 Between All Chairs: Audition No access Pages 237 - 240
06.05 Rehearsal Phase: The Starting Point and Its Difficulties No access Pages 241 - 257
06.06 No Goal? No access Pages 257 - 260
06.07 Social Space Diagram and Workers'' Self-Organisation No access Pages 260 - 265
06.08 Media Phase: The Necessities of Retrievability No access Pages 265 - 271
06.09 A "Remainder" That Cannot Be Fully Grasped... No access Pages 271 - 274
07.01 Undoing Authorship(s) No access Pages 275 - 283
07.02 Un/Presentable(s) – Non-Human Participants No access Pages 283 - 300
07.03 Conception Phase: A Singular Being a Plural No access Pages 300 - 304
07.04 Rehearsal Phase: The Sequences Selected No access Pages 304 - 338
07.05 Media Phase: Questions of Authorship(s) No access Pages 338 - 348
08.01 Three Guiding Research Perspectives No access Pages 349 - 349
08.02 A Priori Questions No access Pages 349 - 352
08.03 First Perspective – – – A Historical Outline No access Pages 352 - 356
08.04 Second Perspective: An Ontological Reading No access Pages 356 - 358
08.05 Third Perspective: Sociological Enquiry No access Pages 358 - 365
08.06 Co-Sense: A Basis for a New Concept of Alternative Authorship? No access Pages 365 - 369
08.07 Conclusion and Outlook No access Pages 369 - 370
09.00 Bibliography No access Pages 371 - 382
10.00 Table of Illustrations No access Pages 383 - 386