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Postcolonial Repercussions

On Sound Ontologies and Decolonised Listening
Editors:
Series:
Sound Studies, Volume 6
Publisher:
 2022

Keywords



Bibliographic data

Edition
1/2022
Copyright Year
2022
ISBN-Print
978-3-8376-6252-8
ISBN-Online
978-3-8394-6252-2
Publisher
transcript, Bielefeld
Series
Sound Studies
Volume
6
Language
English
Pages
184
Product Type
Edited Book

Table of contents

ChapterPages
  1. Frontmatter Full access Pages 1 - 5
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  2. Contents Full access Pages 6 - 8
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  3. Instead of an Editorial No access Pages 9 - 20
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  4. Salam Godzilla. Unsounding the 1960 Agadir Earthquake No access Pages 21 - 44
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  5. A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening No access Pages 45 - 58
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  6. Playing it Back. Critical Reflections on Curating Sound No access Pages 59 - 76
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  7. »offensichtlich unbegründet«: a work in progress meditation on sonic biometry, migration and the archive No access Pages 77 - 84
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  8. From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music No access Pages 85 - 100
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  9. Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music No access Pages 101 - 116
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  10. (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene No access Pages 117 - 132
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  11. Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds No access Pages 133 - 152
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  12. Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence No access Pages 153 - 164
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  13. Passageways of Knowing. Music, Movement, Reconnection No access Pages 165 - 178
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  14. Authors No access Pages 179 - 182
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  15. List of Illustrations No access Pages 183 - 184
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