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Sammelband Teilzugriff
Postcolonial Repercussions
On Sound Ontologies and Decolonised Listening- Herausgeber:innen:
- |
- Reihe:
- Sound Studies, Band 6
- Verlag:
- 2022
Zusammenfassung
Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? »Postcolonial Repercussions« explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition.The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening.
Schlagworte
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Bibliographische Angaben
- Auflage
- 1/2022
- Copyrightjahr
- 2022
- ISBN-Print
- 978-3-8376-6252-8
- ISBN-Online
- 978-3-8394-6252-2
- Verlag
- transcript, Bielefeld
- Reihe
- Sound Studies
- Band
- 6
- Sprache
- Englisch
- Seiten
- 184
- Produkttyp
- Sammelband
Inhaltsverzeichnis
KapitelSeiten
- Instead of an Editorial Kein Zugriff Seiten 9 - 20 Johannes Ismaiel-Wendt, Andi Schoon
- Salam Godzilla. Unsounding the 1960 Agadir Earthquake Kein Zugriff Seiten 21 - 44 Gilles Aubry
- A Conversation on Race, Sound, and the Im/possibility of Decolonised Listening Kein Zugriff Seiten 45 - 58 Pedro Oliveira, Peggy Kyoungwon Lee, Shanti Suki Osman, Marie Thompson
- Playing it Back. Critical Reflections on Curating Sound Kein Zugriff Seiten 59 - 76 Bhavisha Panchia
- »offensichtlich unbegründet«: a work in progress meditation on sonic biometry, migration and the archive Kein Zugriff Seiten 77 - 84 Pedro Oliveira
- From a Postmodernist Sound to a Decolonized Dancefloor. From Glitch to Deconstructed Club Music Kein Zugriff Seiten 85 - 100 Pedro Oliveira, Bhavisha Panchia, Henrique Souza Lima, Nadine Schildhauer, Peggy Kyoungwon Lee, Shanti Suki Osman, Marie Thompson, Matthias Lewy, Birgit Abels, Gilles Aubry, Michael Fuhr
- Meandering Feuilleton Essay about two concerts that I did not see. Or: About how I read Hall, Mignolo and Walsh instead because I want to write an article for an anthology on Decolonizing Arts and think about whether it is possible to decolonialize Popular Music Kein Zugriff Seiten 101 - 116 Johannes Ismaiel-Wendt
- (Post) Colonial Streaming: The Social Reproduction of Listening and Deafness in the Anthropocene Kein Zugriff Seiten 117 - 132 Henrique Souza Lima
- Buried in the Colonial Graveyard? Indigenous Sound Ontologies, Repatriation and the Ethics of Curating Ethnographic Sounds Kein Zugriff Seiten 133 - 152 Matthias Lewy, Michael Fuhr
- Tangier 1999. In search of authenticity. Paul Bowles longs for something and insists on its existence Kein Zugriff Seiten 153 - 164 Andi Schoon
- Passageways of Knowing. Music, Movement, Reconnection Kein Zugriff Seiten 165 - 178 Birgit Abels
- Authors Kein Zugriff Seiten 179 - 182 Johannes Ismaiel-Wendt, Andi Schoon
- List of Illustrations Kein Zugriff Seiten 183 - 184 Johannes Ismaiel-Wendt, Andi Schoon




