, to see if you have full access to this publication.
Book Titles No access
So, You're the New Musical Director!
An Introduction to Conducting a Broadway Musical- Authors:
- Publisher:
- 2002
Summary
So, You're the New Musical Director! is aimed at the person who has music training but little or no experience with musical theatre, the high school choral director with a degree in music education, or the actor participating in community theatre productions. It details the duties involved in directing a broadway musical, including overseeing singer and orchestra rehearsals and conducting the musical itself. The chapters follow the actual progression of a musical from a discussion of the production team's responsibilities to the final bow. Filled with photos, illustrations, and examples, So, You're the New Musical Director! is a comprehensive guide that no one involved in musical theatre should be without.
Search publication
Bibliographic data
- Copyright year
- 2002
- ISBN-Print
- 978-0-8108-4001-0
- ISBN-Online
- 978-0-585-38527-3
- Publisher
- Rowman & Littlefield, Lanham
- Language
- English
- Pages
- 161
- Product type
- Book Titles
Table of contents
ChapterPages
- Table of Contents No access
- List of Examples No access
- Preface No access
- Acknowledgments No access
- 1: So you're the New Musical Director No access Pages 1 - 2
- 2: The Production Team No access Pages 3 - 10
- 3: Selecting the Work No access Pages 11 - 18
- 4: Auditions No access Pages 19 - 26
- 5: Call-Backs No access Pages 27 - 30
- 6: Casting No access Pages 31 - 32
- 7: Chorus Books/Vocal Parts No access Pages 33 - 36
- 8: First Music Rehearsal with Cast No access Pages 37 - 44
- 9: Style No access Pages 45 - 50
- 10: Blocking No access Pages 51 - 56
- 11: Some Electronic Help No access Pages 57 - 58
- 12: Dance Numbers No access Pages 59 - 62
- 13: Rehearsal Pianist No access Pages 63 - 66
- 14: Run-Through Rehearsal with Cast No access Pages 67 - 68
- 15: Stop/Go Rehearsal with Cast No access Pages 69 - 70
- 16: Accompaniment of the Performance No access Pages 71 - 74
- 17: The Piano/Vocal Score No access Pages 75 - 80
- 18: String Books No access Pages 81 - 82
- 19: Reed Books No access Pages 83 - 86
- 20: Brass, Percussion, and Keyboard Books No access Pages 87 - 90
- 21: Locating Instrumentalists or the Pit Personnel No access Pages 91 - 92
- 22: Cuts in the Score No access Pages 93 - 96
- 23: The First Instrumental Rehearsal No access Pages 97 - 104
- 24: Conducting No access Pages 105 - 110
- 25: Pit Placement of Instrumentalists No access Pages 111 - 114
- 26: Vamp No access Pages 115 - 122
- 27: Holding it All Together: Transitions No access Pages 123 - 128
- 28: That "Sticky" Question No access Pages 129 - 132
- 29: Tech Rehearsal No access Pages 133 - 134
- 30: Dress Rehearsal No access Pages 135 - 138
- 31: Performance No access Pages 139 - 142
- 32: Opening Night No access Pages 143 - 146
- 33: After the Last Performance No access Pages 147 - 148
- 34: Is Pit Playing Hack Work? No access Pages 149 - 150
- 35: Well ... Maybe Next Time No access Pages 151 - 152
- Appendix No access Pages 153 - 154
- Notes No access Pages 155 - 156
- Bibliography No access Pages 157 - 158
- Index No access Pages 159 - 160
- About the Author No access Pages 161 - 161





