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Grief in Contemporary Horror Cinema
Screening Loss- Editors:
- Publisher:
- 2022
Summary
Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it is represented in both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and—sometimes—healing.
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Bibliographic data
- Copyright year
- 2022
- ISBN-Print
- 978-1-7936-3393-4
- ISBN-Online
- 978-1-7936-3394-1
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 212
- Product type
- Edited Book
Table of contents
ChapterPages
- Contents No access
- List of Figures No access
- Acknowledgments No access
- Introduction No access
- Horror at the Crossroads No access
- “We Can Survive This” No access
- Elevating Grief No access
- To Make You Feel My Love No access
- The Myth of the Natural Woman No access
- O Father, Where Art Thou? No access
- Sadness Is Rebellion No access
- The Grieving Dead No access
- “No One Will Miss It” No access
- Index No access Pages 197 - 208
- About the Contributors No access Pages 209 - 212





