Cover of book: Women's Leadership in Music
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Women's Leadership in Music

Modes, Legacies, Alliances
Editors:
Series:
Musik und Klangkultur, Volume 63
Publisher:
 2023

Keywords



Bibliographic data

Edition
1/2023
Copyright year
2023
ISBN-Print
978-3-8376-6546-8
ISBN-Online
978-3-8394-6546-2
Publisher
transcript, Bielefeld
Series
Musik und Klangkultur
Volume
63
Language
English
Pages
258
Product type
Edited Book

Table of contents

ChapterPages
  1. FrontmatterPages 1 - 6
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  2. ContentsPages 7 - 8
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  3. Introduction. Women''s Modes, Legacies and Futures in MusicPages 9 - 14
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  4. Uneven Terrains of Struggle: Towards the Transformative Notion of Female Music LeadershipPages 15 - 34
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  5. Between Home and International Scenes. Sarah Ndagire''s Way to World MusicPages 35 - 52
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  6. Plucking a Liberal Sound: Japanese Women''s Resignification of Finnish Kantele in a Hobbyist ClubPages 53 - 66
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  7. Female Balkan Romani Singers: Charting Innovative Performance PathsPages 67 - 82
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  8. Assumptions of Normality: How Three Women with a Disability Changed the Face of MusicPages 83 - 98
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  9. Female Leadership in Iranian-Arab Shiʻa Rituals from Khorramshahr, South-western IranPages 99 - 110
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  10. God Has a Woman''s Voice. Liturgical Music and Agency of Eastern European Migrant Women in RomePages 111 - 124
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  11. Winds of Change? Gender Segregation in Music Education and Production in ItalyPages 125 - 140
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  12. Introducing WMLON: The Women''s Musical Leadership Online NetworkPages 141 - 152
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  13. Women in Music: Possibilities and Responsibilities of Cultural Management and PolicyPages 153 - 166
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  14. Women''s Role in Sustaining the Practice of Tamburitza Instruments in VojvodinaPages 167 - 180
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  15. Performing Trauma in Privileged Spaces: Empowering Turkish Women''s Voices of the PastPages 181 - 198
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  16. Women''s Actions to Revitalize the Practice of Kaval Playing in SerbiaPages 199 - 212
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  17. Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and VoicePages 213 - 224
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  18. Female Agency, Genres and Aesthetics of Sorrow in Persian Classical MusicPages 225 - 238
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  19. "What Moves the World, Moves My Ass as Well": Mimi Mercedez as an Anti-heroine of Postsocialist SerbiaPages 239 - 252
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  20. Notes on ContributorsPages 253 - 258
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