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The Return of Magic

The Transformation of the Body in Chinese Cinema and Its Cultural Memory
Authors:
Publisher:
 2023

Summary

Body — a fragile, limited, but powerful object. The phenomenon of bodily transformation has occurred in Chinese cinema from the early phase of the twentieth century until today. The recurrence of transforming bodies reifies the shifting boundaries between normality and abnormality, beauty and ugliness, good and evil, remembering and forgetting that are mapped in social discourse. At the core of this research lies the question of how films concerning transforming bodies could be treated as a dispositif to shape and evoke the cultural memory of China.

Keywords

Bibliographic data

Copyright Year
2023
ISBN-Print
978-3-98740-038-4
ISBN-Online
978-3-98740-039-1
Publisher
Ergon, Baden-Baden
Series
Bibliotheca Academica - Reihe Kunst- und Altertumswissenschaft
Volume
3
Language
English
Pages
269
Product Type
Monograph

Table of contents

ChapterPages
  1. Titelei/Inhaltsverzeichnis No access 1 - 20
    1. Aspects of the Bodily Transformation No access
    2. An Interdisciplinary Approach No access
    3. Outline of the Dissertation No access
    1. 1.1 The Body Speaks Louder: Corporeality in Film Theory No access
    2. 1.2 Portraying the Strange: A Chinese Narrative Tradition No access
      1. Disguise: Achilles’ Armor and His Heel No access
      2. Seduction: A Game of Appearance No access
      3. Impossible Love: The Distribution of the Sensible No access
      1. Revisiting the Mythical Past No access
      2. Memory Figures and the Self-Image in Power Relations No access
      3. Film as Mnemonic Device No access
      1. The Mechanisms of Memory in Ancient China No access
      2. The Destruction of Memory Activates Remembering No access
      3. Canonized Memory Formulates the Overriding Voice No access
      4. The Makeover of Memory Leads to Forget No access
      1. The Narrative of the Strange as a Result of Collective Memory No access
      2. The Film as a Discourse of Popular Memory No access
      3. The Transforming Body as a Practice of Counter-Memory No access
      1. A Journey to the West and Its Way Home No access
      2. The Transformation of the Body as Ugliness No access
      3. The Transformation of the Body as Comical No access
      4. The Transformation of the Body as Metaphors of Desire No access
      1. Retelling of the Legend No access
      2. The Making of Seductive Bodies: Animality and Erotic Attributes No access
      3. Transgression in Erotic Encounters: Challenging the Overriding Discourse No access
      1. Skin as the Boundary of the Body No access
      2. Horror Produced by the Transformation of the Body No access
      3. The Painted Skin in Softcore Pornography No access
      4. Empathy in the Bodily Transformation and a Cross-Border Phenomenon No access
    1. 4.1 The False Memory Evoked by the Gender Disguise No access
      1. Chinese Opera Film and National Discourse No access
      2. Cross-Dressing in the Opera Films and Its Attraction No access
      3. Double Sex-Role Reversals and the Covered (Homo)Sexuality No access
      1. Repairing the Dislocation of Gender No access
      2. Refocusing the Revolutionary Attribute Inherent in the Melancholic Love No access
      1. The Butterfly Lovers as the False Memory in Reality No access
      2. The Body as a Site of Illusion in David Henry Hwang’s M. Butterfly (Play) No access
      3. The Butterfly Paradox in the Film M. Butterfly (1993) No access
      1. Humiliation No access
      2. Torture No access
      3. Abandoning the Flesh No access
      1. The Negation of Magic No access
      2. So Long, the Magic from the Soil No access
      3. Fear Eats the Soul No access
  8. Conclusion: The Pathos of Transforming Bodies No access 239 - 246
  9. Bibliography No access 247 - 269

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