The Return of Magic

Dr. Yi Lou

doi:10.5771/9783987400391

Zusammenfassung

Body — a fragile, limited, but powerful object. The phenomenon of bodily transformation has occurred in Chinese cinema from the early phase of the twentieth century until today. The recurrence of transforming bodies reifies the shifting boundaries between normality and abnormality, beauty and ugliness, good and evil, remembering and forgetting that are mapped in social discourse. At the core of this research lies the question of how films concerning transforming bodies could be treated as a dispositif to shape and evoke the cultural memory of China. Der Körper - ein zerbrechliches, begrenztes, aber mächtiges Objekt. Das Phänomen der körperlichen Verwandlung erscheint in der chinesischen Filmwelt von der frühen Phase des zwanzigsten Jahrhunderts bis heute. Die Wiederkehr des veränderlichen Körpers verdinglicht die beweglichen Grenzen zwischen Normal und Abnormal, Schönheit und Hässlichkeit, Gut und Böse, Erinnerung und Vergessen, die im gesellschaftlichen Diskurs abgebildet werden. Im Zentrum der Forschung steht dabei die These, dass die chinesischen Filme hinsichtlich der körperlichen Verwandlung als „Dispositiv“ betrachtet werden können und dass dies die Frage aufwirft, wie die körperliche Verwandlung das kulturelle Gedächtnis Chinas formen und wiederbeleben kann.

Schlagworte

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Bibliographische Angaben

Erscheinungsjahr: 2023
Erscheinungsdatum: 31.05.2023
ISBN-Print: 978-3-98740-038-4
ISBN-Online: 978-3-98740-039-1
Verlag: Ergon, Baden-Baden
Reihe: Bibliotheca Academica - Reihe Kunst- und Altertumswissenschaft
Band: 3
Sprache: Englisch
Seiten: 269
Produkttyp: Monographie

Inhaltsverzeichnis

KapitelSeiten

Titelei/Inhaltsverzeichnis Kein Zugriff Seiten 1 - 20
1. Aspects of the Bodily Transformation Kein Zugriff
2. An Interdisciplinary Approach Kein Zugriff
3. Outline of the Dissertation Kein Zugriff
1. 1.1 The Body Speaks Louder: Corporeality in Film Theory Kein Zugriff
2. 1.2 Portraying the Strange: A Chinese Narrative Tradition Kein Zugriff
3. 1. Disguise: Achilles’ Armor and His Heel Kein Zugriff
  2. Seduction: A Game of Appearance Kein Zugriff
  3. Impossible Love: The Distribution of the Sensible Kein Zugriff
1. 1. Revisiting the Mythical Past Kein Zugriff
  2. Memory Figures and the Self-Image in Power Relations Kein Zugriff
  3. Film as Mnemonic Device Kein Zugriff
2. 1. The Mechanisms of Memory in Ancient China Kein Zugriff
  2. The Destruction of Memory Activates Remembering Kein Zugriff
  3. Canonized Memory Formulates the Overriding Voice Kein Zugriff
  4. The Makeover of Memory Leads to Forget Kein Zugriff
3. 1. The Narrative of the Strange as a Result of Collective Memory Kein Zugriff
  2. The Film as a Discourse of Popular Memory Kein Zugriff
  3. The Transforming Body as a Practice of Counter-Memory Kein Zugriff
1. 1. A Journey to the West and Its Way Home Kein Zugriff
  2. The Transformation of the Body as Ugliness Kein Zugriff
  3. The Transformation of the Body as Comical Kein Zugriff
  4. The Transformation of the Body as Metaphors of Desire Kein Zugriff
2. 1. Retelling of the Legend Kein Zugriff
  2. The Making of Seductive Bodies: Animality and Erotic Attributes Kein Zugriff
  3. Transgression in Erotic Encounters: Challenging the Overriding Discourse Kein Zugriff
3. 1. Skin as the Boundary of the Body Kein Zugriff
  2. Horror Produced by the Transformation of the Body Kein Zugriff
  3. The Painted Skin in Softcore Pornography Kein Zugriff
  4. Empathy in the Bodily Transformation and a Cross-Border Phenomenon Kein Zugriff
1. 4.1 The False Memory Evoked by the Gender Disguise Kein Zugriff
2. 1. Chinese Opera Film and National Discourse Kein Zugriff
  2. Cross-Dressing in the Opera Films and Its Attraction Kein Zugriff
  3. Double Sex-Role Reversals and the Covered (Homo)Sexuality Kein Zugriff
3. 1. Repairing the Dislocation of Gender Kein Zugriff
  2. Refocusing the Revolutionary Attribute Inherent in the Melancholic Love Kein Zugriff
4. 1. The Butterfly Lovers as the False Memory in Reality Kein Zugriff
  2. The Body as a Site of Illusion in David Henry Hwang’s M. Butterfly (Play) Kein Zugriff
  3. The Butterfly Paradox in the Film M. Butterfly (1993) Kein Zugriff
1. 1. Humiliation Kein Zugriff
  2. Torture Kein Zugriff
  3. Abandoning the Flesh Kein Zugriff
2. 1. The Negation of Magic Kein Zugriff
  2. So Long, the Magic from the Soil Kein Zugriff
  3. Fear Eats the Soul Kein Zugriff
Conclusion: The Pathos of Transforming Bodies Kein Zugriff Seiten 239 - 246
Bibliography Kein Zugriff Seiten 247 - 269

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