The »pane« – connecting and separating at the same time, its inconspicuousness seems to only be suspended through interferences such as scratches or reflections. Whether a display window, »Grand Canyon Skywalk« or contemporary screens: the spread of contributions from the history of architecture, media and film studies, art and photo theory, make the precarious bearer of images, »the pane« tangible in historical and materially specific arrangements as a transversal media-epistemic object.
