Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History No access Pages 9 - 40
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Modernity as Postcolonial Encounter in Korean Music No access Pages 41 - 62
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Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Kōsaku No access Pages 63 - 86
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Music at the Service of Nordic Modernity? Wilhelm Stenhammar''s Opening Cantata for the "General Arts and Industries Exhibition" in Stockholm in 1897 No access Pages 87 - 122
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Different Interpretations of Musical Modernity? Xiao Youmei''s Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra No access Pages 123 - 144
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Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan No access Pages 145 - 172
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Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music No access Pages 173 - 206
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Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s No access Pages 207 - 246
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Synchronizing Twentieth-Century Music: A Transnational Reflection No access Pages 247 - 278
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Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan No access Pages 279 - 312
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Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism No access Pages 313 - 344
