Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History No access Pages 9 - 40 Tobias Janz
Modernity as Postcolonial Encounter in Korean Music No access Pages 41 - 62 Christian Utz, Signe Rotter-Broman, Kathrin Kirsch, Lap-Kwan Kam, Choi Yu-jun, Hsu Hsin-Wen, Hannes Jedeck, Yamauchi Fumitaka
Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Kōsaku No access Pages 63 - 86 Kathrin Kirsch
Music at the Service of Nordic Modernity? Wilhelm Stenhammar''s Opening Cantata for the "General Arts and Industries Exhibition" in Stockholm in 1897 No access Pages 87 - 122 Signe Rotter-Broman
Different Interpretations of Musical Modernity? Xiao Youmei''s Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra No access Pages 123 - 144 Hannes Jedeck
Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan No access Pages 145 - 172 Lap-Kwan Kam
Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music No access Pages 173 - 206 Hsu Hsin-Wen
Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s No access Pages 207 - 246 Christian Utz
Synchronizing Twentieth-Century Music: A Transnational Reflection No access Pages 247 - 278 Christian Utz, Signe Rotter-Broman, Kathrin Kirsch, Lap-Kwan Kam, Choi Yu-jun, Hsu Hsin-Wen, Hannes Jedeck, Yamauchi Fumitaka
Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan No access Pages 279 - 312 Tobias Janz
Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism No access Pages 313 - 344 Yamauchi Fumitaka
General Index No access Pages 345 - 370 Chien-Chang Yang, Tobias Janz
