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Surpassing the Spectacle

Global Transformations and the Changing Politics of Art
Authors:
Publisher:
 2001

Summary

In her newest book, leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, Surpassing the Spectacle is now especially relevant in its analysis of the spectacle society that was omnipresent before that fatal day. This book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. This collection of essays explores such topics as public memorials, America's attempt to hold onto a sense of security while faced with the reality of international terrorists living within our own cities, the South African Truth and Reconciliation Commission, restorative justice, and issues of freedom of expression as they relate to incidents such as New York Mayor Guiliani's quest to ban Chris Ofili's painting of 'The Holy Virgin Mary' at the Brooklyn Museum. The essays cohere around Becker's central concerns: the education and role of artists in a post post-modern climate, controversies over public space, iconography, memorializing, and the myth of the global citizen. Throughout, Becker works to reconstruct a vision of humanity that incorporates, and hopefully moves us beyond, a dystopian moment when we no longer were able to use words such as humane, accountable, or the public good without seeming nostalgic and romantic. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. The book is written in clear and accessible prose, which nonetheless looks at the issues philosophically and does not sacrifice any of the subtleties of thought necessary to contextualize and surpass the spectacle of contemporary U.S. society.



Bibliographic data

Copyright year
2001
ISBN-Print
978-0-7425-0920-7
ISBN-Online
978-1-4616-4274-9
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
161
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Preface No access
    3. Acknowledgments No access
  1. Introduction No access Pages 1 - 10
  2. 1 The Artist as Public Intellectual No access Pages 11 - 20
  3. 2 The Nature of the Investigation: Art-Making in a Post-Postmodern Era No access Pages 21 - 34
  4. 3 The Art of Testimony No access Pages 35 - 42
  5. 4 Brooklyn Museum: Messing with the Sacred No access Pages 43 - 58
  6. 5 Betrayal No access Pages 59 - 64
  7. 6 Trial by Fire: A Saga of Gender and Leadership No access Pages 65 - 76
  8. 7 Reconciling Truth in South Africa No access Pages 77 - 86
  9. 8 Memory and Monstrosity No access Pages 87 - 100
  10. 9 The Second Johannesburg Biennale No access Pages 101 - 116
  11. 10 The Romance of Nomadism No access Pages 117 - 126
  12. 11 Art and Ecology No access Pages 127 - 136
  13. 12 GFP Bunny and the Plight of the Posthuman No access Pages 137 - 142
  14. 13 Surpassing the Spectacle No access Pages 143 - 152
  15. Index No access Pages 153 - 160
  16. About the Author No access Pages 161 - 161

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