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Die Gefahren der Interpretation
Nähe- und Distanzeffekte in Umberto Ecos Il pendolo di Foucault- Authors:
- Series:
- Young Academics: Literaturwissenschaft, Volume 3
- Publisher:
- 2024
Summary
In 1988, Umberto Eco published the metapoetic novel Il pendolo di Foucault. This also accompanies Eco's semiotic work in a literary way.The indicators of postmodernism (defined by Eco in Sulla letteratura) are significant: Metanarrative, dialogicity, double coding and intertextual irony. The semiotic theory of text comprehension (presented in Opera aperta and I limiti dell'interpretazione) is reflected in the plot. Seven characters are used to analyze how the novel works with the persuasive procedures of proximity and distance in order to involve the reader in the interpretative game with texts and reality. These seven characters position themselves differently on the question of interpretation.)
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Bibliographic data
- Copyright year
- 2024
- ISBN-Print
- 978-3-68900-134-6
- ISBN-Online
- 978-3-68900-135-3
- Publisher
- Tectum, Baden-Baden
- Series
- Young Academics: Literaturwissenschaft
- Volume
- 3
- Language
- German
- Pages
- 92
- Product type
- Book Titles
Table of contents
ChapterPages
- Titelei/Inhaltsverzeichnis No access Pages I - VI
- 1 Einleitung No access Pages 1 - 4
- 2.1.1 Schwierigkeit einer Definition No access
- 2.1.2 Metanarrativität No access
- 2.1.3 Dialogizität No access
- 2.1.4 Doppelcodierung No access
- 2.1.5 Intertextuelle Ironie No access
- 2.2.1 Freiheit und Grenzen der Interpretation No access
- 2.2.2 Autor – Leser – Text No access
- 2.2.3 Wie Eco Geschichte erzählt – historiografische Metafiktion No access
- 2.3.1 Die modes du récit No access
- 2.3.2 Beschreibungen No access
- 2.3.3 Elemente sprachlicher Nähe und Distanz No access
- 2.3.4 Nähe zu literarischen Figuren No access
- 3.1 Agliè – die Macht der Hermetik No access
- 3.2 Colonnello Ardenti – Interpretation in hermetischem Sinn No access
- 3.3 Belbo – autobiografische Metafiktion No access
- 3.4 Casaubon – die Entwicklung eines ‚Helden‘ No access
- 3.5 Der Große Plan – die réécriture der Geschichte No access
- 3.6 Abulafia – metafiktionales Medium No access
- 3.7 Lia – weibliche Weisheit No access
- 4 Schlussbetrachtungen No access Pages 85 - 88
- Bibliographie No access Pages 89 - 92





