Gruppieren, Interferieren, Zirkulieren: Zur Ökologie künstlerischer Praktiken in Medienkulturen der Gegenwart

Sven Seibel; Maximilian Linsenmeier

doi:10.14361/9783839432419

Summary

In the arts, digital media cultures have led to the formation of novel configurations that can essentially be identified as relationships of exchange for heterogeneous fields of praxis. Artistic processes have developed which possess neither a secured institutional location, nor a media framework. Instead, the conditions of their production and experience are characterized by movements of translating, of circulating, of intervening and grouping. From various perspectives (film, dance, theater and media studies), the contributors to this volume develop methodologies and concepts for describing these process-oriented aesthetic approaches.

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Bibliographic data

Edition: 1/2019
Copyright year: 2019
ISBN-Print: 978-3-8376-3241-5
ISBN-Online: 978-3-8394-3241-9
Publisher: transcript, Bielefeld
Series: Medienkulturanalyse
Volume: 8
Language: German
Pages: 268
Product type: Edited Book

Frontmatter Full access Pages 1 - 4
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Inhalt Full access Pages 5 - 6
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Einleitung No access Pages 7 - 34
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Zustände ohne Zuständigkeit No access Pages 37 - 68
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Von/Vom Spinnen No access Pages 69 - 88
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"Woolworth Choir of 1979" von Elisabeth Price No access Pages 91 - 122
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Alltägliche Abstraktionen No access Pages 123 - 142
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Die Aufteilung des Unsichtbaren No access Pages 145 - 164
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Verfahren des Sich-Aussetzens No access Pages 165 - 208
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Verfahren der (De-)Produktion bei Tino Sehgal und Ragnar Kjartansson No access Pages 211 - 236
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Zur Materialität der Praxis von Tanz im Ausstellungskontext No access Pages 237 - 262
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Autorinnen und Autoren No access Pages 263 - 268
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