The Social Construction of a Cultural Spectacle
Floatzilla- Authors:
- Publisher:
- 2023
Summary
The Social Construction of a Cultural Spectacle: Floatzilla concentrates on the tourist element of the Mississippi River with a focus on the media construction of an annual floating event that occurs on the river. Michael O. Johnston shows that the canoeing and kayaking event itself is void of meaning; it is the news media that brings these events to life through real world accounts about a kayaker who nearly collided with a fifty-five-foot yacht, a person dressed up as a pirate with a live parrot as a prop, a guy with a Floatzilla logo tattooed on his hand, and the death of a longtime friend and cornerstone of the event. Johnston draws from research across multiple disciplines to explain how the media constructs the natural and bodily experiences canoers and kayakers say they have while attending Floatzilla. He discusses the importance of meaning and sense of place in maintaining a connectedness between the built environment, nature, and the people who attend this event. Ultimately, the author contends that social meaning is essential for humans to make sense of their surroundings.
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Bibliographic data
- Copyright year
- 2023
- ISBN-Print
- 978-1-6669-2972-0
- ISBN-Online
- 978-1-6669-2973-7
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 116
- Product type
- Book Titles
Table of contents
- Contents No access
- Acknowledgments No access
- Introduction No access Pages 1 - 30
- The Importance of Community Media in Shaping Festival City No access Pages 31 - 50
- The Making of an Occasion No access Pages 51 - 66
- The Road to the Float No access Pages 67 - 76
- The Arrival, Performance, and Departure No access Pages 77 - 90
- Conclusion No access Pages 91 - 96
- Appendix No access Pages 97 - 102
- References No access Pages 103 - 112
- Index No access Pages 113 - 114
- About the Author No access Pages 115 - 116





