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Viktor Shklovsky's Heritage in Literature, Arts, and Philosophy

Editors:
Publisher:
 2019

Summary

This book examines the heritage of Victor Shklovsky in a variety of disciplines. To achieve this end, Slav N. Gratchev and Howard Mancing draw upon colleagues from eight different countries across the world—the United States, Canada, Russia, England, Scotland, the Netherlands, Norway, and China—in order to bring the widest variety of points of view on the subject. Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy is more than just another collection of essays of literary criticism: the editors invited scholars from different disciplines—literature, cinematography, and philosophy—who have dealt with Shklovsky’s heritage and saw its practical application in their fields. Therefore, all of these essays are written in a variety of humanist academic and scholarly styles, all engaging and dynamic.

Keywords



Bibliographic data

Copyright year
2019
ISBN-Print
978-1-4985-9792-0
ISBN-Online
978-1-4985-9793-7
Publisher
Lexington, Lanham
Language
English
Pages
278
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. List of Figures No access
  1. Introduction No access Pages 1 - 8
    1. 1 Thinking in Images, Differently No access
    2. 2 The Odyssey of Viktor Shklovsky No access
    3. 3 The Eternal Wonderer or Who Was Viktor Shklovsky? No access
    4. 4 Defamiliarization in Translating Lewis Carroll’s Wonderland No access
    5. 5 Shklovsky and Narrative Theory No access
    6. 6 Ostranenie and Genre No access
    7. 7 Shklovsky and Things, or Why Tolstoy’s Sofa Should Matter No access
    8. 8 The Motherland Will Notice Her Terrible Mistake* No access
    9. 9 Framing and Threading Non-Literary Discourse into the Structure of Cervantes’s Don Quixote II No access
    10. 10 Shklovsky and World Literature No access
    11. 11 Racism and Robots No access
    1. 12 Shklovsky’s Dog and Mulvey’s Pleasure No access
    2. 13 Reading Viktor Shklovsky’s “Art as Technique” in the Context of Early Cinema No access
    1. 14 Shklovsky as Philosopher for Tynyanov No access
    2. 15 Shklovsky as a Technique No access
    3. 16 From a New Seeing to a New Acting No access
  2. Appendix: List of Russian Transliterated Titles No access Pages 253 - 258
  3. Index No access Pages 259 - 272
  4. About the Contributors No access Pages 273 - 278

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