Why does a choir come together? What are the reasons why it articulates itself? This theater studies thesis examines the significance of the speaking choir, which regained importance at the end of the last century and appears in many forms in contemporary theater. Starting with the ancient choir, Nika Enoa Jäger examines Alexander Weise's production “Rights for Children” with regard to the eventfulness of choral lamentation. Jäger analyzes the conditions of its realization and highlights the need to critically question theater education's habitual portrayal of marginal-ized positions and to recognize the potential of the choir as a voice for the excluded.
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Bibliographic data
Copyright year
2025
ISBN-Print
978-3-68900-324-1
ISBN-Online
978-3-68900-325-8
Publisher
Tectum, Baden-Baden
Series
Young Academics: Junge Theaterforschung Bochum
Volume
2
Language
German
Pages
84
Product type
Book Titles
Table of contents
ChapterPages
Vorwort No access
1 Einleitung No access Pages 1 - 4
2.1 In den Landschaften No access
2.2 Im Schacht einer anderen Dimension No access
2.3 Das Sprechen des Chores No access
3.1 Von der Gunst, klagen zu können No access
3.2 Die Unüberwindbarkeit des Ausschließens No access
3.3 Positionen des Sprechens No access
4.1 Anamnese des Chores No access
4.2 Raumfragen No access
5.1 Aktualisierungen der Klage No access
5.2 Rights for Children – Grundbedingungen No access
5.3 Der Chor und sein Text No access
5.4 Chor und Raum No access
5.5 Chor und Individualrecht No access
5.6 Wenn der Chor Ich sagt No access
6 Das verborgene Potential. Ein Fazit No access Pages 73 - 80
Literaturverzeichnis No access Pages 81 - 84
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