Antoine Reicha

Hervé Audéon; Jana Frankova; Herbert Schneider

doi:10.5771/9783487423586

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Antoine Reicha

Actes des rencontres organisées à l’occasion du 250e anniversaire de sa naissance. Proceedings of the meetings organised on the occasion of his 250th birthday. (Paris, Brno 2020-2021)

Authors:: , ,
Series:: Musikwissenschaftliche Publikationen, Volume 52
Publisher:: 22.08.2023

Summary

The present volume contains fifteen contributions from three meetings organised on the occasion of the 250th anniversary of Antoine Reicha (1770–1836) in France and in the Czech Republic. It provides an overview of the most advanced research concerning the composer's musical and theoretical work, his thinking and his reception, and outlines a new approach to the music of the early 19th century. There is still a great lack of general understanding of this period, and yet it is the one in which many great composers received their training, such as Hector Berlioz, Franz Liszt and César Franck, all of whom were Reicha's pupils, among many others.

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Bibliographic data

Publication year: 2023
Publication date: 22.08.2023
ISBN-Print: 978-3-487-16370-3
ISBN-Online: 978-3-487-42358-6
Publisher: Olms Verlag, Baden-Baden
Series: Musikwissenschaftliche Publikationen
Volume: 52
Language: German
Pages: 486
Product type: Edited Book

Titelei/Inhaltsverzeichnis No access Pages 1 - 6
Avant-propos / Vorwort / Foreword No access Pages 7 - 12
Le catalogue autographe des oeuvres de Reicha (1797) No access Pages 13 - 52 François-Pierre Goy
Toward a Chronology of Reicha’s Bonn Compositions No access Pages 53 - 84 John D. Wilson
The sources of Reicha’s franco-viennese operas, Obaldi and L’Ouragan No access Pages 85 - 126 François-Pierre Goy
The opéras-comiques composed by Antoine Reicha after 1808: their sources and typology No access Pages 127 - 170 Jana Franková
Antoine Reicha – Étude de piano, Op. 102. A lesson in reduction No access Pages 171 - 200 Henrik Löwenmark
Airs and suspensions – some non-fugal pieces in Reicha’s Études dans le genre fugué, Op. 97 No access Pages 201 - 226 Michael Bulley
Fugenzyklen von Reicha, Klengel und Czerny. Einblicke in die Fugenpraxis des 19. Jahrhunderts No access Pages 227 - 268 Herbert Schneider
Les quintettes pour clarinette et quatuor à cordes en si bémol majeur, op. 89 et en fa majeur, op. 107 d’Antoine Reicha No access Pages 269 - 286 Ana Stefanović
Antoine Reicha et l’histoire de la musique : enjeux musicaux et philosophiques No access Pages 287 - 316 Hervé Audéon
Antoine Reicha et les mots, un vocabulaire en mutation ? No access Pages 317 - 334 Alban Ramaut
L’homogénéité tonale chez Reicha : interactions théorique, compositionnelle et esthétique No access Pages 335 - 388 Marie Winkelmüller-Urechia
“Help mighty Apollo…” – Antoine Reicha’s Practische Beispiele and their Annotations as an innovative approach to music theory No access Pages 389 - 406 Frank Heidlberger
The Practische Beispiele by Antoine Reicha and their influence on Franz Liszt No access Pages 407 - 424 Maria Teresa Arfini
Die zeitgenössische Rezeption von Antoine Reichas Bläserquintetten in den deutschsprachigen Ländern No access Pages 425 - 442 Ursula Kramer
Une nouvelle manière d’enseigner et de théoriser la musique au xixe siècle : Georges Kastner et Léonie Boursault, un couple d’élèves et de disciples d’Antoine Reicha No access Pages 443 - 472 Sarah Hassid
Abréviations No access Pages 473 - 474
Sigles des bibliothèques et archives No access Pages 475 - 476
Index No access Pages 477 - 486