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Excitable Imaginations
Eroticism and Reading in Britain, 1660–1760
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2012
Summary
Excitable Imaginations offers a new approach to the history of pornography. Looking beyond a counter-canon of bawdy literature, Kathleen Lubey identifies a vigilant attentiveness to sex across a wide spectrum of literary and philosophical texts in eighteenth-century Britain. Esteemed public modes of writing such as nationalist poetry, moral fiction, and empirical philosophy, as well as scandalous and obscene writing, persistently narrate erotic experiences—desire, voyeurism, seduction, orgasm. The recurring turn to sexuality in literature and philosophy, she argues, allowed authors to recommend with great urgency how the risqué delights of reading might excite the imagination to ever greater degrees of educability on moral and aesthetic matters. Moralists such as Samuel Richardson and Adam Smith, like their licentious counterparts Rochester, Haywood, and Cleland, purposefully evoke salacious fantasy so that their audiences will recognize reading as an intellectual act that is premised on visceral pleasure. Eroticism in texts like Pamela and Memoirs of a Woman of Pleasure, in Lubey’s reading, did not compete with instructive literary aims, but rather was essential to the construction of the self-governing Enlightenment subject.
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Bibliographic data
Copyright year
2012
ISBN-Print
978-1-61148-440-3
ISBN-Online
978-1-61148-441-0
Publisher
Lexington, Lanham
Language
English
Pages
274
Product type
Book Titles
Table of contents
ChapterPages
CONTENTS No access
List of Illustrations No access
Acknowledgments No access
Introduction: Eroticism and the Eighteenth-Century Imagination No access Pages 1 - 34
1 Imperfect Enjoyments: Errors of the Imagination in Restoration England No access Pages 35 - 70
2 “Too Great Warmth”: Joseph Addison, Eliza Haywood, and the Pleasures of Reading No access Pages 71 - 108
3 “Something Greatly Awful”: What Sex Does in Early Novels No access Pages 109 - 160
4 Sex as Form: The Aesthetic Pedagogies of John Cleland and William Hogarth No access Pages 161 - 204
Coda: Philosophy’s Erotic Forms No access Pages 205 - 224
