Visions of Womanhood in Contemporary African Literature
- Authors:
- Publisher:
- 2021
Summary
Through an analysis of historical and contemporary literature, Visions of Womanhood in Contemporary African Literature argues that African women were not relegated to the background in African society until after colonization. Blessing Diala-Ogamba analyzes the history of women’s roles in African society through oral stories and biographies to show how colonialization worked to oppress women in Africa and explores the ways contemporary African literature confronts and works to overcome its colonial past. Using works by authors such as Akachi Adimora Ezeigbo, Lilian Masitera, Nawal El Sadaawi, Lauretta Ncgobo, Sembene Ousmane, and many others, Diala-Ogamba reveals the consistent progression of women and their roles in African novels and society.
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Bibliographic data
- Copyright year
- 2021
- ISBN-Print
- 978-1-7936-4438-1
- ISBN-Online
- 978-1-7936-4439-8
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 166
- Product type
- Book Titles
Table of contents
- Contents No access
- Foreword No access
- Acknowledgments No access
- Introduction No access
- Oral Tradition in African Novels No access
- Technique and Form in Lilian Masitera’s The Trail No access
- Social Change and Women’s Struggle in Zukiswa Wanner’s The Madams No access
- Hypocrisy and Patriarchal Abuse of Power in El Saadawi’s God Dies by the Nile and The Fall of the Imam No access
- From Oppression to Liberation No access
- Race, Colonialism, and Resistance No access
- The Formidable Emancipator in Meja Mwangi’s Crossroads: The Last Plague No access
- Behind the Veil No access
- Perception of Womanhood in Flora Nwapa’s Novels No access
- Resistance and Activism in Sembene Ousmane’s God’s Bits of Wood No access
- Gender, Ethnicity, and Sexuality in Nigerian Movies No access
- Conclusion No access Pages 149 - 150
- References No access Pages 151 - 158
- Index No access Pages 159 - 164
- About the Author No access Pages 165 - 166





