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Heavy Metal Music in Latin America
Perspectives from the Distorted South
Editors:
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Publisher:
2020
Summary
In Heavy Metal Music in Latin America: Perspectives from the Distorted South, the editors bring together scholars engaged in the study of heavy metal music in Latin America to reflect on the heavy metal genre from a regional perspective. The contributors’ southern voices diversify metal scholarship in the global north. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music in Latin America, and how music has helped shape Latin American culture and politics.
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Bibliographic data
Copyright year
2020
ISBN-Print
978-1-7936-0751-5
ISBN-Online
978-1-7936-0752-2
Publisher
Lexington, Lanham
Language
English
Pages
352
Product type
Edited Book
Table of contents
ChapterPages
Dedication No access
Contents No access
Introduction No access Pages 1 - 4
Chapter 1 Conceptualizing the Distorted South No access
Chapter 2 Decomposición Cerebral No access
Chapter 3 Dictatorship and Metal in Chile No access
Chapter 4 The Role of Death Metal in the Colombian Armed Conflict No access
Chapter 5 Sounds of Exclusion and Seclusion No access
Chapter 6 The Metal Scene in Havana, Cuba No access
Chapter 7 In the Shadow of the Dictatorship No access
Chapter 8 Metal and Politics in Argentina No access
Chapter 9 America, Avenge Yourself No access
Chapter 10 The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala No access
Chapter 11 La Periferia No access
Chapter 12 Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal No access
Chapter 13 “A Scream that Makes Us Visible” No access
Chapter 14 Metal Migration No access
Index No access Pages 333 - 346
About the Contributors No access Pages 347 - 352
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