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Reading Christopher Smart in the Twenty-First Century

By Succession of Delight
Editors:
Publisher:
 2013

Summary

Front Flap:

Poet, essayist, actor, hymn-writer, wit, magazine editor, transvestite stage performer: Christopher Smart, Georgian don-turned-writer, was all of these. He was, and remains, a mercurial individual, an idiosyncratic yet strangely familiar writer of spiritual heights and material depths. His paradoxical exuberance fascinates scholars of eighteenth-century culture, and this collection of essays, a snapshot of current scholarship from both new and established Smart scholars, offers, among others, literary, theological, dramatic and philosophical perspectives on his writing. Here are new ways of reading familiar Smart works — including the astonishing, devout poem of his incarceration, Jubilate Agno — and unfamiliar ones, such as his translations and writing for children. Unexpected readers of Smart, from Coleridge to a testy anonymous annotator, are examined, and Smart's sacred translations and profane stage presence each find a place. Tom Keymer's re-evaluating afterword finds the quality of “betweenness” in Smart's work: between eras, between genres, between forms, Smart's vitality demands reassessment for each new generation of readers.

Contributors: Karina Williamson, Min Wild, Rosalind Powell, Fraser Easton, Clement Hawes, William E. Levine, Noel Chevalier, Lori A. Branch, Daniel J. Ennis, Chris Mounsey, Debbie Welham, Tom Keymer.

Back Flap:

The editors

Min Wild's monograph Christopher Smartand Satire on Smart's Midwife, was published in 2008, and various articles and reviews of a Smartian bent have followed. Her interest in that eighteenth-century favorite, the literary mode of prosopopoeia, has led her to investigate the personification of words, texts and literary modes themselves. She

lectures in eighteenth-century literature and theory at Plymouth University, UK, and reviews in the Times Literary Supplement and elsewhere.

Noel Chevalier is Associate Professor of English at Luther College, University of Regina, Canada. He has published articles on Jubilate Agno and on Smart’s challenge to “legitimate” playhouses in Mrs. Midnight’sOratory. Although his specialty lies in the eighteenth century, his teaching and research cover a diverse range of topics, from literary responses to the Bible, to the roots of globalization, to literary representations of science and scientists. He has helped create two interdisciplinary programs at Luther: one which addresses literature for students in the sciences, and one which explores the philosophical, political, economic, and cultural contexts of globalization.

Jacket illustration: "Amaryllis sarniensis or Guernsey Amaryllis," from William Curtis, The Botanical Magazine; or, Flower-GardenDisplayed, Vol. IX. No. 294. London, 1795.

Keywords



Bibliographic data

Copyright year
2013
ISBN-Print
978-1-61148-519-6
ISBN-Online
978-1-61148-520-2
Publisher
Lexington, Lanham
Language
English
Pages
260
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Illustrations No access
    3. Acknowledgments No access
    4. Abbreviations No access
  1. Introduction No access Pages 1 - 10
    1. Chapter 01. Marginalia in Smart’s Horace: The Reader as Critic No access
    2. Chapter 02. Christopher Smart, Samuel Taylor Coleridge, and the Tradition of Learned Wit No access
    3. Chapter 03. Making an Impression: Christopher Smart’s Idea of Writing Well No access
    4. Chapter 04. Christopher Smart’s Elocution No access
    1. Chapter 05. Poised Poesis: Ecstasy in Jubilate Agno No access
    2. Chapter 06. Keeping, Deflating, and Transcending “The Fool’s Conceit”: Smart’s Hybridization of Satiric and Devotional Modes in His Translations of the Psalms No access
    1. Chapter 07. Breaking the Circle of the Sciences: Newton, Newbery, and Christopher Smart’s New Learning No access
    2. Chapter 08. The Smallness of Hope, or Reason and the Child: The Case for a Postsecular Christopher Smart No access
    1. Chapter 09. Christopher Smart, Mary Midnight, and the Haymarket, 1755 No access
    2. Chapter 10. Of Calling Cards and Miss Leroche: Christopher Smart and Leicester House No access
    3. Chapter 11. The Lady and the Old Woman: Mrs. Midnight the Orator and Her Political Provenance No access
  2. Afterword No access Pages 227 - 232
  3. Bibliography No access Pages 233 - 244
  4. Index No access Pages 245 - 256
  5. About the Contributors No access Pages 257 - 260

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