Re-Assessing the Global Turn in Medieval Art History

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1. Contents No access
Editor’s Introduction No access Pages 1 - 10
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A Camel’s Pace: A Cautionary Global No access Pages 11 - 34
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The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century No access Pages 35 - 56
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Worldlessness in Byzantium and Beyond: Reassessing the Visual Networks of Barlaam and Ioasaph No access Pages 57 - 96
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Exchange of Sacrifices: West Africa in the Medieval World of Goods No access Pages 97 - 124
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The Beryozovo Cup: A Byzantine Object at the Crossroads of Twelfth-Century Eurasia No access Pages 125 - 148
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Mobile Meanings: A Global Approach to a Dagger from Greater Syria No access Pages 149 - 176
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Global Medieval at the “End of the Silk Road,” circa 756 CE: The Shozo-In Collection in Japan No access Pages 177 - 202
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Response: Medievalists and Early Modernists—A World Divided? No access Pages 203 - 218
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Index No access Pages 219 - 226