Cover des Buchs: Re-Assessing the Global Turn in Medieval Art History
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Re-Assessing the Global Turn in Medieval Art History

Herausgeber:innen:
Verlag:
 2018

Zusammenfassung

Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attention to material culture as an alternative to purely textually based historical accounts has been integral to reshaping the conception of an interconnected medieval world. The growth in debates concerning the concept of "the global" throughout art history, and the more complex picture of Eurasian and African societies and material culture that has emerged in the past two decades has highlighted challenges to traditional art historical narratives, specializations, and scholarly training. And while these problems affect Byzantine, Islamic, Western medieval, and East Asian art history, there has been little conversation among scholars in these fields. A cutting-edge work on global medieval art, this volume offers a starting point for conversations among scholars working on multiple cultural regions.


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Bibliographische Angaben

Auflage
1/2018
Copyrightjahr
2018
ISBN-Print
978-1-64189-226-1
ISBN-Online
978-1-64189-227-8
Verlag
Arc Humanities Press, Yorkshire
Reihe
The Medieval Globe Books
Sprache
Englisch
Seiten
259
Produkttyp
Sammelband

Inhaltsverzeichnis

KapitelSeiten
    1. Contents Kein Zugriff
  1. Editor’s Introduction Kein Zugriff Seiten 1 - 10
    Autor:innen:
  2. A Camel’s Pace: A Cautionary Global Kein Zugriff Seiten 11 - 34
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  3. The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century Kein Zugriff Seiten 35 - 56
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  4. Worldlessness in Byzantium and Beyond: Reassessing the Visual Networks of Barlaam and Ioasaph Kein Zugriff Seiten 57 - 96
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  5. Exchange of Sacrifices: West Africa in the Medieval World of Goods Kein Zugriff Seiten 97 - 124
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  6. The Beryozovo Cup: A Byzantine Object at the Crossroads of Twelfth-Century Eurasia Kein Zugriff Seiten 125 - 148
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  7. Mobile Meanings: A Global Approach to a Dagger from Greater Syria Kein Zugriff Seiten 149 - 176
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  8. Global Medieval at the “End of the Silk Road,” circa 756 CE: The Shozo-In Collection in Japan Kein Zugriff Seiten 177 - 202
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  9. Response: Medievalists and Early Modernists—A World Divided? Kein Zugriff Seiten 203 - 218
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  10. Index Kein Zugriff Seiten 219 - 226

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