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The Logics of Globalization

Case Studies in International Communication
Authors:
Publisher:
 2009

Summary

This book presents the theoretical language and methodological tools needed for thinking through issues of global media representation. It brings students of international communication into a conversation about global culture and communication through the presentation of a conceptual language to discuss the 'logics of globalization' (i.e. nationalism, modernism, post-modernism/colonialism, capitalism and terrorism). Anandam Kavoori then uses this language to critically analyze various media texts. The choices of texts are eclectic-representing old and new media-and chosen for the wider 'logic' they help animate. Most importantly, they reorient the study of global media texts from the formal to the popular, examining film, music, gaming, cell phone, travel journalism, and performance texts. The book invites students to understand the complexity of global media representation-at the heart of which is the search for identity.



Bibliographic data

Copyright year
2009
ISBN-Print
978-0-7391-2183-2
ISBN-Online
978-0-7391-3252-4
Publisher
Lexington, Lanham
Language
English
Pages
232
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Acknowledgments No access
    3. Introduction No access
  1. Chapter 1. The Word and the World: Defining the IC Prism No access Pages 1 - 26
  2. Chapter 2. Singing in a (New) Nation: The Early Films of Raj Kapoor No access Pages 27 - 54
  3. Chapter 3. Time to Kill: Gaming and Terrorism No access Pages 55 - 98
  4. Chapter 4. Tracking the “Authentic”: World Music and the Global Postmodern No access Pages 99 - 138
  5. Chapter 5. Playing with Postcoloniality: Four Moments in Indian Cricket No access Pages 139 - 170
  6. Chapter 6. Consuming Technologies: The Discourse of Cell Phone Advertising in India No access Pages 171 - 188
  7. Appendix A. Travel Journalism and the Logics of Globalization No access Pages 189 - 210
  8. Appendix B. India Night in Georgia: Why the Dancing Diasporic Desi1 Men Cross-Dressed No access Pages 211 - 228
  9. Index No access Pages 229 - 230
  10. About the Author No access Pages 231 - 232

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