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Playwrights and Literary Games in Seventeenth-Century China
Plays by Tang Xianzu, Mei Dingzuo, Wu Bing, Li Yu, and Kong Shangren
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2010
Summary
Playwrights and Literary Games in Seventeenth-Century China: Plays by Tang Xianzu, Mei Dingzuo, Wu Bing, Li Yu, and Kong Shangren is a full-length study of chuanqi (romance) drama, a sophisticated form with substantial literary and meta-theatrical value that reigned in Chinese theater from the sixteenth to eighteenth centuries and nourished later theatrical traditions including jingju (Beijing Opera). Highly educated dramatists used chuanqi to present in artistic form personal, social, and political concerns of their time. There were six outstanding examples of these trends, considered masterpieces in their time and ever since. This study presents them in their social and cultural context during the long seventeenth century (1580D1700), the period of great experimentation and political transition. The romantic spirit and independent thinking of the late Ming elite stimulated the efflorescence of the chuanqi, and that legacy was inherited and investigated during the second half of the seventeenth-century in early Qing. Jing Shen examinees the texts to demonstrate that the playwrights appropriate, convert, or misinterpret other genres or literary works of enduring influence into their plays to convey subtle and subversive expressions in the fine margins between tradition and innovation, history and theatrical re-presentation. By exploring the components of romance in texts from late Ming to early Qing, Shen reveals creative readings of earlier themes, stories, plays and the changing idea of romanticism for chuanqi drama. This study also shows the engagement of literati playwrights in closed literary circles in which chuanqi plays became a tool by which literati playwrights negotiated their agency and social stature. The five playwrights whose works are analyzed in this book had different experiences pursuing government service as scholar-officials; some failed to achieve high office. But their common concerns and self-conscious literary choices reveal important insights into the culture of the seventeenth century, and into the sociopolitical implications of the chuanqi genre. In addition to classical Chinese commentaries on chuanqi drama, this book uses modern critical theories and terminology on Western drama to enhance the analysis of chuanqi plays.
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Bibliographic data
Edition
1/2010
Copyright Year
2010
ISBN-Print
978-0-7391-3857-1
ISBN-Online
978-0-7391-3859-5
Publisher
Lexington, Lanham
Language
English
Pages
320
Product Type
Monograph
Table of contents
ChapterPages
Table of Contents No access
Acknowledgments No access
Prologue No access
1: Introduction No access
2: Playwrights and Their Circles No access
3: History and Criticism of Traditional Chinese Theater No access
4: Huo Xiaoyu zhuan in Zichai ji No access
5: Liushi zhuan in Yuhe ji No access
6: The Poetic Constructions of (Gendered) Identities in Lü mudan No access
7: An Ironic Perspective on Love Poeticized in Fengzheng wu No access
8: Bimuyu No access
9: Taohua shan No access
Conclusion No access Pages 253 - 268
Appendix: Plot Summaries No access Pages 269 - 282
