From Heidegger to Performance

Marie Hay; Martin Leach

doi:10.5771/9781538168479

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Bibliographic data

Copyright year: 2024
ISBN-Print: 978-1-5381-6845-5
ISBN-Online: 978-1-5381-6847-9
Publisher: Rowman & Littlefield, Lanham
Language: English
Pages: 186
Product type: Edited Book

1. Contents No access
2. Acknowledgments No access
3. Introduction No access
1. 1. Notes No access
2. 1. Dance as an Ephemeral Art No access
  2. Heidegger and Augenblick No access
  3. Heidegger’s Augenblick and the Ephemerality Problem No access
  4. Conclusion No access
  5. Notes No access
1. 1. 1. The Experience of ‘Just Be’ No access
    2. ‘Internal-Being-Construct’ No access
    3. Practicing Ontology: A ‘Speakingdance’ Event (2019) No access
    4. ‘Just Be’ – Who Am I? No access
    5. Analysis of ‘Pre-Trigger’ Framework No access
    6. Analysis of Audience Participation No access
  2. Taking Stock No access
  3. Notes No access
2. 1. Heidegger’s Care No access
  2. Ontroerend Goed, Internal No access
  3. Structure and Arguments No access
  4. Solicitude as ‘Leaping In’ No access
  5. Curiosity No access
  6. Authentic Care No access
  7. Machination and ‘Lived-Experience’ No access
  8. Conclusion No access
  9. Notes No access
3. 1. Setting the scene of these pages No access
  2. Turning to Stone – The Performative Demands of Reading Heidegger No access
  3. Acting Out: Da-sein Signal and Philosophy All-ready? No access
  4. Enter the Rock, followed by I. No access
  5. Notes No access
1. 1. Heidegger’s ‘Error’ No access
  2. Applying or Doing Philosophy? No access
  3. 1. Stanislavski’s Truth No access
  4. Heidegger’s Truth No access
  5. Sato’s Rain No access
  6. Conclusion No access
  7. Notes No access
2. 1. ‘. . . Poetically Man Dwells . . .’ No access
  2. Dwelling Poetically in the Black Forest No access
  3. Dwelling Poetically in the Dance Studio No access
  4. PHYSIS AND ALĒTHEIA No access
  5. The Apparent Paradox of Movement No access
  6. The Moment of Truth No access
  7. Notes No access
3. 1. The Physis–Technē Relation as Harnessing and Revealing No access
  2. Technē as Technological Enframing No access
  3. The Mimetic Structure in Art and the Worldview of Representation No access
  4. Product versus the Work of Art as ‘Coming-into-Presence’ No access
  5. The Gestalt of the Work No access
  6. 1. Attunement No access
    2. Understanding No access
    3. Discourse (speech, language, articulation) No access
  7. Dimensions of Temporality and Spatiality in Technē No access
  8. Notes No access
4. 1. Clown Philosophy No access
  2. 1. Misfitness and Failure: To be a Clown in the World No access
  3. 1. 1. The Misfit Relationships No access
    2. The Misfit Comic Body No access
    3. Misfit Logic No access
  4. Hermeneutics of Failure and Clown’s Practice No access
  5. Notes No access
Index No access Pages 175 - 184
About the Contributors No access Pages 185 - 186