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Wittgenstein at the Movies

Cinematic Investigations
Editors:
Publisher:
 2011

Summary

Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and PZter ForgOcs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-si_cle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.

Keywords



Bibliographic data

Edition
1/2011
Copyright Year
2011
ISBN-Print
978-0-7391-4885-3
ISBN-Online
978-0-7391-4887-7
Publisher
Lexington, Lanham
Language
English
Pages
146
Product Type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Introduction No access
  1. 1 Showing, Not Saying: Filming a Philosophical Genius No access Pages 1 - 24
  2. 2 Remarks on the Scripts for Derek Jarman’s Wittgenstein No access Pages 25 - 32
  3. 3 The World Hued: Jarman and Wittgenstein on Color No access Pages 33 - 48
  4. 4 Sketches of Landscapes: Wittgenstein after Wittgenstein No access Pages 49 - 78
  5. 5 “How It Was Then”: Home Movies as History in Péter Forgács’s Meanwhile Somewhere . . . No access Pages 79 - 90
  6. 6 Meaning through Pictures: Péter Forgács and Ludwig Wittgenstein No access Pages 91 - 120
  7. 7 Beyond Text and Image: Péter Forgács and his Wittgenstein Tractatus No access Pages 121 - 138
  8. Index No access Pages 139 - 144
  9. About the Contributors No access Pages 145 - 146

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