Barbara Strozzi (1619–1677): Musik und Diskurs im Venedig des Seicento / Music and Discourse in Seicento Venice / Musica e cultura nella Venezia del Seice…

Prof. Dr. Sabine Meine; Prof. Daria Perocco

doi:10.5771/9783487424781

Summary

While the tradition of public opera was being established in Venice, the young singer and composer BARBARA entered the private stage of her adoptive father Giulio Strozzi's Accademia degli Unisoni to raise her voice with advanced, highly expressive vocal music. Barbara Strozzi's female composition and performance practice must therefore be viewed in the context of the academic milieu of Venice in the Seicento, where her works were printed in eight volumes between 1644 and 1664. International authors from Germany, Italy and the USA reconstruct how Strozzi takes up and explores poetic-musical traditions with self-confidence and seriousness, but also breaks them with humour and lightness.

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Bibliographic data

Copyright Year: 2024
ISBN-Print: 978-3-487-16712-1
ISBN-Online: 978-3-487-42478-1
Publisher: Georg Olms Verlag, Baden-Baden
Series: Studien und Materialien zur Musikwissenschaft
Volume: 133
Language: German
Pages: 305
Product Type: Edited Book

Titelei/Inhaltsverzeichnis No access Pages 1 - 6
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1. Akademien und Musik. Traditionen, Diskurse und Praktiken im Umfeld der Familie Strozzi No access
2. Zur Biographie No access
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1. Academies and Music. Traditions, Discourses and Practices in the Environment of the Strozzi Family No access
2. Biography No access
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1. Il regno dell’oralità – dialogo, retorica e musica nelle accademie veneziane No access
2. L’Accademia degli Incogniti No access
3. Barbara, la “Signora” degli Unisoni No access
4. Le opere di Barbara Strozzi nell’ambiente veneziano No access
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1. Music as an academic activity No access
2. The “Libro di Arie musicali dell'Accademico detto il Dissonante Disuguale” No access
Voci femminili nella Venezia del Seicento. Tradizione, progressi e contraddizioni nella dialettica fra i sessi No access Pages 65 - 78
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Al tempo della giovane Strozzi. Appunti sul recitativo (1619-1637) No access Pages 79 - 98
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1. I. Sirene und Mutter: Barbara Strozzis Lebensumstände bis zur Veröffentlichung ihres Opus 1 No access
2. 1. L’amante sfacciato No access
  2. Strano accidente in bella donna No access
  3. Dialogo. Filli e Tirsi No access
  4. Uccellatrice No access
  5. Kreative Widersprüche zwischen Text und Vortrag No access
3. 1. Das thematische Spektrum No access
  2. Die Textformen No access
  3. Formalisierte Textdialoge und andere dialogische Formen No access
  4. Dialogo in partenza No access
  5. Il contrasto de’ cinque sensi No access
  6. L’affetto umano No access
  7. Gli amanti falliti No access
  8. Bizarre Sonette No access
  9. Al battitor di bronzo della sua cruedelissima dama No access
  10. La quaglia No access
  11. Vergewaltigung und Liebesglück. Zu biographischen Aspekten in Barbara Strozzis Il primo de‘ madrigali No access
4. IV. Fazit und Ausblick No access
Humor and Hyperbole: Strozzi, Tarabotti, and the Performance of Female Rhetoric in Seicento Venice No access Pages 181 - 196
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1. Strozzi’s Arietta No access
2. Solmization Play No access
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1. 1) Lo stato delle ricerche No access
2. 2) Le fonti No access
3. 3) Arie d’opera e cantate No access
4. 4) Alcuni cenni sulla storia delle ricerche No access
5. Per finire: un altro Francesco Cavalli? No access
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1. Music and Literary Genre No access
2. Arietta and Cantata No access
3. Op. 8 as a Continuation of the Discourse on Poetics No access
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1. Politisch? No access
2. Poetisch? No access
3. Persönlich? No access
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1. 1. 7.02, Appresso ai molli argenti No access
  2. 7.14, Che v'ho fato No access
2. Barring No access
3. Repeats No access
4. Lyrics No access
5. Slurs and ties No access
6. Trills No access
7. Basso Continuo No access
8. Production of the books No access
9. 1. Works With Opus Number No access
  2. Works Without Opus Number No access
  3. Modern Editions No access
Bibliographie (Auswahl) (Selected) Bibliography No access Pages 287 - 302
Curricula vitae No access Pages 303 - 305