Die Opern Johann Matthesons 1699–1711

Dr. Hansjörg Drauschke

doi:10.5771/9783487167893

Summary

From 1699 to 1711, Johann Mattheson composed five operas, two smaller stage plays and one act of another opera. The contexts of composition and performance, intertextual references to novels, historical accounts and other compositions are manifold. Mattheson's music is always of an exceptionally high standard and displays a distinctive personal style. For the first time, this study recognises the works in their entirety, examines the sources, libretti, protagonists involved and the compositions themselves from a wide range of perspectives and often goes far beyond its narrow object of investigation. It thus provides those interested in various disciplines with deep insights into Mattheson's stage work.

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Bibliographic data

Edition: 1/2025
Copyright year: 2025
ISBN-Print: 978-3-487-16788-6
ISBN-Online: 978-3-487-16789-3
Publisher: Georg Olms Verlag, Baden-Baden
Series: Studien und Materialien zur Musikwissenschaft
Volume: 134
Language: German
Pages: 592
Product type: Book Titles

Titelei/Inhaltsverzeichnis No access Pages 1 - 8
Einleitung No access Pages 9 - 18
Hinweise zur Benutzung No access Pages 19 - 20
Abkürzungen No access Pages 21 - 22
1. I/1 Die Plejades oder das Sieben-Gestirne No access Pages 25 - 82
2. I/2 Der edelmühtige Porsenna No access Pages 83 - 129
3. I/3 Victor, Hertzog der Normannen No access Pages 130 - 140
4. I/4 Todt des grossen Pans No access Pages 141 - 162
5. I/5 Die betrogene Staatsliebe oder Die unglückseeligeCleopatra No access Pages 163 - 222
6. I/6 Le retour du siècle d’or No access Pages 223 - 232
7. I/7 Boris Goudenow No access Pages 233 - 299
8. I/8 Henrico IV. No access Pages 300 - 358
1. II/1 Die Eröffnungssätze der Opern No access Pages 361 - 409
2. II/2 Soloarien No access Pages 410 - 442
3. II/3 Duette und Ensembles No access Pages 443 - 467
4. II/4 Chöre No access Pages 468 - 490
5. II/5 Rezitative No access Pages 491 - 503
6. II/6 Instrumentalsätze innerhalb der Opern No access Pages 504 - 517
7. II/7 Musikalische Szenenbildung No access Pages 518 - 533
8. II/8 Zusammenfassung zu Kapitel II No access Pages 534 - 536
Ergebnisse der Arbeit und Ausblick No access Pages 537 - 542
Bibliografie No access Pages 543 - 580
Register No access Pages 581 - 592