Conflict and Development in Iranian Film

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1. Content No access
2. Acknowledgements No access
Politics and Persistence: The Development of Iranian Film No access Pages 9 - 18
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The Sound of Frogs at Night: Kiarostami’s Philosophy of Cinema No access Pages 19 - 30
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Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema No access Pages 31 - 48
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Kiarostami’s Cinematic Poetry in Where is the Friend’s Home? and The Wind will Carry Us No access Pages 49 - 62
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Which Half is Hidden? The Public or the Private: An Analysis of Milani’s The Hidden Half No access Pages 63 - 76
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Abbas Kiarostami and the Aesthetics of Ghazal No access Pages 77 - 102
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Contemporary Liminal Encounters: Moving Beyond Traditional Plots in Majidi’s Bârân No access Pages 103 - 116
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Virtuous Heroines: A Mythical Reading of Female Protagonists in Contemporary Iranian Television Serials No access Pages 117 - 134
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Marziyeh Meshkini’s The Day I Became a Woman No access Pages 135 - 144
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Index No access Pages 145 - 152