, to see if you have full access to this publication.
Book Titles No access
Baudelaire in China
A Study in Literary Reception
Authors:
Publisher:
2012
Summary
Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.
Keywords
Search publication
Bibliographic data
Edition
1/2012
Copyright year
2012
ISBN-Print
978-1-61149-389-4
ISBN-Online
978-1-61149-390-0
Publisher
Lexington, Lanham
Language
English
Pages
293
Product type
Book Titles
Table of contents
ChapterPages
Contents No access
Acknowledgments No access
Introduction No access Pages 1 - 8
Chapter One: Baudelaire and Traditional Chinese Poetry No access
Chapter Two: Horizons of Reception No access
Chapter Three: Baudelaire in Chinese Translation No access
Chapter Four: Baudelaire in Chinese Literary Criticism No access
Chapter Five: Lu Xun and Xu Zhimo No access
Chapter Six: The Chinese Decadents No access
Chapter Seven: The Chinese Symbolists No access
Chapter Eight: From Symbolism to Modernism No access
Chapter Nine: Other Comparisons No access
Summary and Conclusions No access Pages 223 - 234
Appendix 1: Baudelaire’s Name in Chinese No access Pages 235 - 236
Appendix 2: “Correspondances” No access Pages 237 - 248
Appendix 3: Poems in Chinese No access Pages 249 - 268
Works Cited—English and French No access Pages 269 - 276
