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Aesthetics in Present Future

The Arts and the Technological Horizon
Editors:
Publisher:
 2013

Summary

Aesthetics in Present Future: The Arts and the Technological Horizon collects essays by specialized scholars and a few artists, who focus on the issue of how deeply the arts change when conveyed by the new media (the web; 3D printers, videos, etc.) or also simply diffused by them. Every author shows to analyze the topic without glorifying nor criticizing this strong tendency. Their analyses proceed as descriptions, stating how both the virtual production and virtual communication change our attitudes toward what we call the arts. The scope of the topics goes from photography to cinema, to painting, from theatre to avant-guarde art and net art, construction of robots and simulation of brain functions. The result is an astonishing range of new possibilities for the arts and new perspectives regarding our knowledge of the world.



Bibliographic data

Edition
1/2013
Copyright year
2013
ISBN-Print
978-0-7391-7373-2
ISBN-Online
978-0-7391-7374-9
Publisher
Lexington, Lanham
Language
English
Pages
205
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Acknowledgments No access
  1. Introduction No access Pages 1 - 6
    1. Chapter One: The Virtual Body No access
    2. Chapter Two: Robots That Have Art No access
    3. Chapter Three: Unimodernism, or the Aesthetics of Permanent Present No access
    4. Chapter Four: The Kantian Philosophy of Twitter No access
  2. Chapter Five: Identifying and Interacting No access Pages 67 - 88
  3. Interlude No access Pages 89 - 96
    1. Chapter Six: Aesthetics and Kinesthetics in Performance No access
    2. Chapter Seven: Artifice, or a New Nature No access
    3. Chapter Eight: Aesthetics and Transcoding No access
    4. Chapter Nine: Ruins No access
    5. Chapter Ten: About the “Anything Goes in Art” No access
    6. Chapter Eleven: The Changing Canvas of the City No access
  4. Bibliography No access Pages 189 - 194
  5. Index No access Pages 195 - 200
  6. About the Editors No access Pages 201 - 202
  7. About the Contributors No access Pages 203 - 205

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