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Edited Book No access

Heidegger and Music

Editors:
Publisher:
 2022

Keywords



Bibliographic data

Copyright year
2022
ISBN-Print
978-1-5381-5413-7
ISBN-Online
978-1-5381-5414-4
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
322
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Acknowledgments No access
    3. Introduction: Music, Being, Thinking No access
      1. On Our Need for Beauty No access
      2. Musical Experience as Aesthetic Experience and Existential Experience No access
      3. Heidegger’s Cultural Critique No access
      4. Going Online No access
      5. Die Technik and Being No access
      6. The Saving Possibility? No access
      7. Notes No access
      8. Bibliography No access
      1. Musical Multimedia and Mountain Sports No access
      2. Tools and Mountain Sports No access
      3. Skiiing Dwelling Biking No access
      4. Heidegger on the Slopes No access
      5. Mountain Sport Musical Multimedia as Tools of Dwelling No access
      6. Notes No access
      7. Bibliography No access
      1. Dasein’s World No access
      2. Dasein’s Sonic World No access
      3. Dasein’s Lost Sonic World No access
      4. Dasein’s Distracted Lost Sound World No access
      5. Conclusion No access
      6. Notes No access
      7. Bibliography No access
      1. The Essence of Music No access
      2. Situation and Tone No access
      3. On the Death of the Tone or Music as Tonkunst No access
      4. Notes No access
      5. Bibliography No access
      1. The Confrontation with Nietzsche No access
      2. What Is Greatness? No access
      3. Munich No access
      4. Grand Style in Past and Present Tense No access
      5. The End No access
      6. Notes No access
      7. Bibliography No access
      1. A Musical Encounter between East and West: Benjamin Britten’s Curlew River No access
      2. The Unrealistic Idealist Aesthetics of Iki No access
      3. Heidegger, Iki, and Dialogue No access
      4. Art and Thinking as Focal Practices No access
      5. Notes No access
      6. Bibliography No access
      1. Resonating in History of Being: The Silent Sound of Heidegger No access
      2. Keeping the Essence of Music No access
      3. Notes No access
      4. Bibliography No access
      1. Music, Language, and the Abysmally Sensual No access
      2. Silence and Bells in the Music of Arvo Pärt No access
      3. Notes No access
      4. Bibliography No access
      1. Heidegger’s Forgetfulness? No access
      2. Music Is Life No access
      3. Toward an Understanding of African Musical Aesthetics No access
      4. Coda Reprise: We Live Therefore We Are No access
      5. Notes No access
      6. Bibliography No access
      1. Musical Improvisation No access
      2. World and Truth No access
      3. Equipmentality in Music No access
      4. From Equipmentality to Dwelling No access
      5. The “Event” No access
      6. THE ROUND DANCE OF BEING No access
      7. Notes No access
      8. Bibliography No access
      1. Heidegger and Thinking No access
      2. Meditative Thinking in Jazz No access
      3. Jazz and Technologies No access
      4. Conclusion No access
      5. Notes No access
      6. Bibliography No access
      1. Musical Performance No access
      2. Heidegger and Music No access
      3. Music and “The Origin of the Work of Art” No access
      4. Poetic Thinking (Dichten) and Music No access
      5. Listening and Language No access
      6. Singing Thinking (Singendes Denken) No access
      7. Notes No access
      8. Bibliography No access
      1. Concealed and Unconcealed Aspects of Experience No access
      2. Modes of Encounter (Seinweisen) No access
      3. Being-toward Art No access
      4. Being-with No access
      5. Applications of Being-with Others in Joint Music Performance No access
      6. The Benefits of Group Music Making on Being-with-Others No access
      7. Notes No access
      8. Bibliography No access
      1. Auditory Cheesecake or Soul Shaper? No access
      2. A Heideggerian Ontology of Music No access
      3. The Digitization of Music No access
      4. Concluding Thoughts No access
      5. Notes No access
      6. Bibliography No access
      1. Worlding as Measure-Taking No access
      2. Spanning the Between No access
      3. Affective Resonances No access
      4. Conclusion: Touched by Music No access
      5. Notes No access
      6. Bibliography No access
      1. Air is always there, but man can only see what he can master No access
      2. Argo No access
      3. Terra No access
      4. Notes No access
      5. Bibliography No access
      1. Beings in the World No access
      2. The Working of the Work of Art No access
      3. Art in the Age of Technology No access
      4. Relations of Artistic Form No access
      5. Notes No access
      6. Bibliography No access
  1. Index No access Pages 309 - 316
  2. About the Contributors No access Pages 317 - 322

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