Cover of book: Picturing the (Un)Dead in Beirut
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Picturing the (Un)Dead in Beirut

Appropriations of Martyr Posters and Other Images of the Physically Deceased
Authors:
Series:
Image, Volume 253
Publisher:
 2024

Keywords



Bibliographic data

Edition
1/2024
Copyright year
2024
ISBN-Print
978-3-8376-7539-9
ISBN-Online
978-3-8394-7539-3
Publisher
transcript, Bielefeld
Series
Image
Volume
253
Language
German
Pages
414
Product type
Book Titles

Table of contents

ChapterPages
  1. FrontmatterPages 1 - 4
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  2. AcknowledgementsPages 5 - 5
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  3. AbbrevationsPages 6 - 6
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  4. FiguresPages 7 - 14
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  5. ContentsPages 15 - 18
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  6. DescriptionPages 19 - 20
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  7. 1.1 An Underview of Pictures of the (Un)Dead in BeirutPages 20 - 24
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  8. 1.2 Through the ChaptersPages 24 - 26
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  9. 1.3 Research in a Context One Has Not Been Socialised in and the Author’s BackgroundPages 26 - 30
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  10. 2.1 Constructing the MartyrPages 31 - 39
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  11. 2.2 The Dead Are on the Walls: Re-Tracing Images of Martyrs in LebanonPages 39 - 54
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  12. 2.3 Martyrs and Posters in LebanonPages 55 - 56
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  13. 3.1 Beirut’s Art Scene and Contemporary Lebanese Art DiscoursesPages 57 - 66
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  14. 3.2 About NancyPages 67 - 72
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  15. 3.3 Reading Nancy as an Interplay of Text and ImagePages 72 - 73
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  16. 3.4 Nancy as Mroué’s Most Evasive Artwork on MartyrdomPages 74 - 80
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  17. 3.5 Four Sectarian Martyrs on Their Way to Murr Tower: The Protagonists, and the Historical Background of NancyPages 80 - 108
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  18. 3.6 Martyr Posters from the Wars and Their Appropriation in NancyPages 108 - 124
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  19. 3.7 Similar Stories, Similar Visuals, and a Common Meeting PointPages 124 - 126
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  20. IntroductionPages 127 - 128
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  21. 4.1 The Sectarian Use of Logos, Symbols, and SlogansPages 128 - 151
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  22. 4.2 The Martyr and the Photographic Image: Indexicality, Iconicity, and Truth ClaimsPages 151 - 188
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  23. 4.3 Constructed Nuances of Visual Memory: Hierarchies of Remembrance and the Oblivion of the DeadPages 188 - 231
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  24. 4.4 Gendered Martyrdom: Performances in the Image After Death and the Martyr Poster as an Advertising ImagePages 232 - 264
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  25. 4.5 Premature Historicist: The Martyr Poster and the Ruin as Presents Framed as PastPages 264 - 284
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  26. 4.6 The Time Is Out of Joint: The Martyr as a Spectral GhostPages 284 - 309
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  27. 4.7 How Nancy Shows Us via Appropriation That the Martyr Image Is FabricatedPages 309 - 316
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  28. 5.1 Coexistence: Sectarian Martyrs, the Martyrs of the Thawra, and the Dead of 4 AugustPages 317 - 347
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  29. 5.2 Artistic Reflections of 4 AugustPages 348 - 360
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  30. 5.3 A Continuation of Violence, Ghosts, Ruins, and Impossible TruthsPages 360 - 362
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  31. 6.1 Nancy and the Construction of Images of MartyrsPages 363 - 365
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  32. 6.2 Old and New Pictures of the (Un)Dead: Beirut 2020–23Pages 365 - 367
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  33. 6.3 Looking Further: Martyrs in Northern IrelandPages 368 - 380
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  34. Afterword: An Ongoing Mass Production of Martyrs and a Stabilised DystopiaPages 381 - 384
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  35. After the Afterword: War AgainPages 385 - 388
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  36. BibliographyPages 389 - 414
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