Picturing the (Un)Dead in Beirut

Agnes Rameder

doi:10.14361/9783839475393

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Bibliographic data

Copyright year: 2024
ISBN-Print: 978-3-8376-7539-9
ISBN-Online: 978-3-8394-7539-3
Publisher: transcript, Bielefeld
Series: Image
Volume: 253
Language: German
Pages: 414
Product type: Book Titles

FrontmatterPages 1 - 4 Download chapter (PDF)
AcknowledgementsPages 5 - 5 Download chapter (PDF)
AbbrevationsPages 6 - 6 Download chapter (PDF)
FiguresPages 7 - 14 Download chapter (PDF)
ContentsPages 15 - 18 Download chapter (PDF)
DescriptionPages 19 - 20 Download chapter (PDF)
1.1 An Underview of Pictures of the (Un)Dead in BeirutPages 20 - 24 Download chapter (PDF)
1.2 Through the ChaptersPages 24 - 26 Download chapter (PDF)
1.3 Research in a Context One Has Not Been Socialised in and the Author’s BackgroundPages 26 - 30 Download chapter (PDF)
2.1 Constructing the MartyrPages 31 - 39 Download chapter (PDF)
2.2 The Dead Are on the Walls: Re-Tracing Images of Martyrs in LebanonPages 39 - 54 Download chapter (PDF)
2.3 Martyrs and Posters in LebanonPages 55 - 56 Download chapter (PDF)
3.1 Beirut’s Art Scene and Contemporary Lebanese Art DiscoursesPages 57 - 66 Download chapter (PDF)
3.2 About NancyPages 67 - 72 Download chapter (PDF)
3.3 Reading Nancy as an Interplay of Text and ImagePages 72 - 73 Download chapter (PDF)
3.4 Nancy as Mroué’s Most Evasive Artwork on MartyrdomPages 74 - 80 Download chapter (PDF)
3.5 Four Sectarian Martyrs on Their Way to Murr Tower: The Protagonists, and the Historical Background of NancyPages 80 - 108 Download chapter (PDF)
3.6 Martyr Posters from the Wars and Their Appropriation in NancyPages 108 - 124 Download chapter (PDF)
3.7 Similar Stories, Similar Visuals, and a Common Meeting PointPages 124 - 126 Download chapter (PDF)
IntroductionPages 127 - 128 Download chapter (PDF)
4.1 The Sectarian Use of Logos, Symbols, and SlogansPages 128 - 151 Download chapter (PDF)
4.2 The Martyr and the Photographic Image: Indexicality, Iconicity, and Truth ClaimsPages 151 - 188 Download chapter (PDF)
4.3 Constructed Nuances of Visual Memory: Hierarchies of Remembrance and the Oblivion of the DeadPages 188 - 231 Download chapter (PDF)
4.4 Gendered Martyrdom: Performances in the Image After Death and the Martyr Poster as an Advertising ImagePages 232 - 264 Download chapter (PDF)
4.5 Premature Historicist: The Martyr Poster and the Ruin as Presents Framed as PastPages 264 - 284 Download chapter (PDF)
4.6 The Time Is Out of Joint: The Martyr as a Spectral GhostPages 284 - 309 Download chapter (PDF)
4.7 How Nancy Shows Us via Appropriation That the Martyr Image Is FabricatedPages 309 - 316 Download chapter (PDF)
5.1 Coexistence: Sectarian Martyrs, the Martyrs of the Thawra, and the Dead of 4 AugustPages 317 - 347 Download chapter (PDF)
5.2 Artistic Reflections of 4 AugustPages 348 - 360 Download chapter (PDF)
5.3 A Continuation of Violence, Ghosts, Ruins, and Impossible TruthsPages 360 - 362 Download chapter (PDF)
6.1 Nancy and the Construction of Images of MartyrsPages 363 - 365 Download chapter (PDF)
6.2 Old and New Pictures of the (Un)Dead: Beirut 2020–23Pages 365 - 367 Download chapter (PDF)
6.3 Looking Further: Martyrs in Northern IrelandPages 368 - 380 Download chapter (PDF)
Afterword: An Ongoing Mass Production of Martyrs and a Stabilised DystopiaPages 381 - 384 Download chapter (PDF)
After the Afterword: War AgainPages 385 - 388 Download chapter (PDF)
BibliographyPages 389 - 414 Download chapter (PDF)