The attraction of heavy metal has gone unbroken for 40 years. »Metal«, despite, or perhaps because of, its often ambivalent reputation, represents a global phenomenon, at the heart of which is a love of music.Dietmar Elflein deals intensively with heavy metal as music, and investigates LPs and bands that have shaped the genre, looking for musical commonalities and lines of development – the musical language of heavy metal. The diversity of the musical approaches investigated ranges from Black Sabbath through Judas Priest and Iron Maiden, right up to Metallica, Megadeth and Slayer, but also includes less ›metallic‹ works by AC/DC, Motörhead and Guns N' Roses.
II. THEORETISCHE ÜBERLEGUNGEN ZUR MUSIKALISCHEN SPRACHE EINES MUSIKSTILS - KOMPLEXE MUSIKALISCHE ÄUSSERUNGEN IM TRADITIONSSTROM No access Pages 15 - 38
III. HEAVY METAL IN DER LITERATUR No access Pages 39 - 58
IV. METHODIK No access Pages 59 - 78
V. DIE AUSWERTUNG DER STICHPROBE No access Pages 79 - 96
VI. MUSIKALISCHE ANALYSEN No access Pages 97 - 290
VII. DIE ZUFALLSSTICHPROBE No access Pages 291 - 298
VIII. SCHLUSSBETRACHTUNG No access Pages 299 - 312
LITERATUR- UND QUELLENVERZEICHNIS No access Pages 313 - 346
