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The 21st-Century Voice

Contemporary and Traditional Extra-Normal Voice
Authors:
Publisher:
 2015

Summary

In The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice, Michael Edward Edgerton considers contemporary vocal techniques within an acoustic and anatomical framework. Throughout, he proposes new directions for vocal exploration. Much more than a historical treatise on 20th-century masterworks or vocal science, The 21st-Century Voice explores experimental methods of sound production, offering a systematic series of approaches and methods for assessing, engaging, and, in some instances, overcoming the assumed limits of vocal singing.

Appearing a decade after the publication of the first edition, this second editiondraws on and advances our current understandings of voice production. Divided into four parts—air flow, source, resonance/articulation, and heightened potentials—Edgerton considers crucial matters affecting vocal production, such as

Registral challenges

Filtering

Airflow modification

Combinatorial, multiphonic principles

Extreme voice possibilities

Multidimensional vocal issues

With more than 250 illustrations, 150 associated audio tracks, an extended appendix on voice science, a glossary of key terms, and lists of representative compositions, The 21st-Century Voice will appeal to composers and performers interested in exploring the ever-broadening range of vocal possibilities. Its engagement with the complexities of vocal production should also be relevant to students and scholars of voice science, acoustics, linguistics, computer modeling, and more. 



Bibliographic data

Copyright year
2015
ISBN-Print
978-0-8108-8840-1
ISBN-Online
978-0-8108-8841-8
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
196
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Figures No access
    3. Tables No access
    4. Recordings No access
    5. Permissions No access
    6. Preface to the First Edition No access
    7. Preface to the Second Edition No access
    8. Introduction No access
    1. Chapter One. Airflow No access
    1. Chapter Two. Vocal Folds No access
    2. Chapter Three. Laryngeal Semiperiodic Source No access
    3. Chapter Four. Register No access
    1. Chapter Five. Filtering No access
    2. Chapter Six. Turbulent to Absolute Airflow Modification No access
    1. Chapter Seven. Combinatorial, Multiphonic Principles No access
    2. Chapter Eight. Extremes No access
    3. Chapter Nine. Multidimensional Voice No access
  1. Appendix A. Voice Science No access Pages 149 - 168
  2. Appendix B. Glossary No access Pages 169 - 174
  3. Appendix C. Representative Compositions No access Pages 175 - 190
  4. Index No access Pages 191 - 194
  5. About the Author No access Pages 195 - 196

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