Das Jahr der Innovationen im Jazz

Thomas Bugert

doi:10.5771/9783828850569

Summary

The year 1959 saw the release of Dave Brubeck's "Time Out", John Coltrane's "Giant Steps", Miles Davis' "Kind of Blue", Bill Evans' "Portrait in Jazz" and Ornette Coleman's "The Shape of Jazz to Come", all style-defining albums that were groundbreaking in the development of jazz. They contain metrical and harmonic-melodic concepts as well as fundamental innovations in the organisation of ensemble playing and the handling of improvised music, which are an integral part of jazz today. The author traces the origins and antecedents of these concepts, examines the protagonists' biographical references to the concepts and the zeitgeist, and looks at the reception history of the albums.

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Bibliographic data

Copyright year: 2024
ISBN-Print: 978-3-8288-4922-8
ISBN-Online: 978-3-8288-5056-9
Publisher: Tectum, Baden-Baden
Series: Systematische Musikwissenschaft und Musikkulturen der Gegenwart
Volume: 9
Language: German
Pages: 190
Product type: Book Titles

Titelei/Inhaltsverzeichnis No access Pages I - X
1 Vorwort der Herausgeberin No access Pages 1 - 4
1. 2.1 Abstract in deutscher Sprache No access
2. 2.2 Abstract in English No access
1. 3.1 Quellenlage und Forschungsstand No access
2. 1. 3.2.1 Auswahl anhand einer »Best-of« Metaliste No access
  2. 3.2.2 Library of Congress No access
3. 3.3 Methode No access
1. 4.1 Verwendung ungerader Taktarten im Laufe der Musikgeschichte No access
2. 4.2 Dave BrubeckBrubeck, Dave No access
3. 4.3 Das Dave Brubeck Quartet No access
4. 1. 4.4.1 Blue Rondo à la TurkBrubeck, DaveBlue Rondo à la Turk No access
  2. 4.4.2 Strange Meadow LarkBrubeck, DaveStrange Meadow Lark No access
  3. 4.4.3 Take FiveBrubeck, DaveTake Five No access
  4. 4.4.4 Three To Get ReadyBrubeck, DaveThree To Get Ready No access
  5. 4.4.5 Kathy’s WaltzBrubeck, DaveKathy’s Waltz No access
  6. 4.4.6 Everybody’s JumpinʼBrubeck, DaveEverybody’s Jumpin’ No access
  7. 4.4.7 Pick Up SticksBrubeck, DavePick Up Sticks No access
5. 4.5 Zusammenfassung Time Out No access
6. 4.6 Rezeption von Time Out No access
1. 5.1 Harmonische Verdichtung im Jazz No access
2. 5.2 John ColtraneColtrane, John No access
3. 5.3 Der Terzzyklus No access
4. 1. 5.4.1 Giant Steps (Komposition)Coltrane, JohnGiant Steps No access
  2. 5.4.2 CountdownColtrane, JohnCountdown No access
5. 5.5 Zusammenfassung Giant Steps No access
6. 5.6 Rezeption von Giant Steps No access
1. 6.1 Modaler Jazz No access
2. 6.2 Entwicklung des Lydischen Chromatischen Konzepts durch George RussellRussell, GeorgeLydian Chromatic Concept Of Tonal Organisation, The No access
3. 6.3 Miles DavisDavis, Miles No access
4. 1. 6.4.1 Freddie FreeloaderDavis, MilesFreddie Freeloader No access
  2. 6.4.2 So WhatDavis, MilesSo What No access
  3. 6.4.3 Blue In GreenDavis, MilesBlue In Green No access
  4. 6.4.4 Flamenco SketchesDavis, MilesFlamenco Sketches No access
  5. 6.4.5 All BluesDavis, MilesAll Blues No access
5. 6.5 Zusammenfassung Kind Of Blue No access
6. 6.6 Rezeption von Kind Of Blue No access
1. 7.1 Interaktionsarten im Jazz No access
2. 7.2 Bill EvansEvans, Bill No access
3. 7.3 Das Bill Evans Trio No access
4. 1. 7.4.1 Come Rain Or Come ShineEvans, BillCome Rain Or Come Shine No access
  2. 7.4.2 Autumn LeavesEvans, BillAutumn Leaves No access
  3. 7.4.3 WitchcraftEvans, BillWitchcraft No access
  4. 7.4.4 When I Fall In LoveEvans, BillWhen I Fall In Love No access
  5. 7.4.5 Peri’s ScopeEvans, BillPeri’s Scope No access
  6. 7.4.6 What Is This Thing Called Love?Evans, BillWhat Is This Thing Called Love? No access
  7. 7.4.7 Spring Is HereEvans, BillSpring Is Here No access
  8. 7.4.8 Someday My Prince Will ComeEvans, BillSomeday My Prince Will Come No access
  9. 7.4.9 Blue In GreenEvans, BillBlue In Green No access
5. 7.5 Zusammenfassung Portrait In Jazz No access
6. 7.6 Rezeption von Portrait In Jazz No access
1. 8.1 Free Jazz No access
2. 8.2 Harmolodics No access
3. 8.3 Ornette ColemanColeman, Ornette No access
4. 8.4 Atlantic Records No access
5. 1. 8.5.1 Lonely WomanColeman, OrnetteLonely Woman No access
  2. 8.5.2 EventuallyColeman, OrnetteEventually No access
  3. 8.5.3 PeaceColeman, OrnettePeace No access
  4. 8.5.4 Focus On SanityColeman, OrnetteFocus On Sanity No access
  5. 1. 8.5.5.1 Kontraste im Thema No access
    2. 8.5.5.2 Harmonik während des Solos No access
    3. 8.5.5.3 Reservoir an Ideen No access
    4. 8.5.5.4 Kettenassoziation No access
  6. 8.5.6 ChronologyColeman, OrnetteChronology No access
6. 8.6 Zusammenfassung The Shape Of Jazz To Come No access
7. 8.7 Rezeption von The Shape Of Jazz To Come No access
9 Diskussion No access Pages 135 - 140
10 Fazit und Ausblick No access Pages 141 - 142
1. 11.1 Literatur No access
2. 11.2 Noten No access
3. 11.3 Tonaufnahmen No access
4. 11.4 Software No access
5. 11.5 Spielfilme No access
6. 11.6 Onlinequellen No access
No access Pages 179 - 190