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Monographie Teilzugriff

Damien Hirst

Gallery Art in a Material World
Autor:innen:
Verlag:
 2018
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Zusammenfassung

Damien Hirst constantly faces the accusation that he creates merely popular, salable, or easily consumable art. However, this accusation of “selling out” is closely linked to the great popularity that he enjoys. Discussions about the aesthetic value of art and the importance of consumer culture are incorporated into his works and highlight how the artist has been able to exemplify the consumer culture of our age. This study analyzes works from different periods of his oeuvre, such as the “Natural History” series, the Spot Paintings, the “Diamond Skull“, and Hirst’s collaborations with Street Artist Banksy. They are examined in the context of materials, iconography, and history of ideas with regard to their framing of consumer culture. This is one of few books on Hirst not published by the artist himself or under his influence. In this academic study, Ulrich Blanché also gives a compact overview of the Young British Artists in London in the 1990s.

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Bibliographische Angaben

Auflage
1/2018
Copyrightjahr
2018
ISBN-Print
978-3-8288-4030-0
ISBN-Online
978-3-8288-6772-7
Verlag
Tectum, Baden-Baden
Sprache
Deutsch
Seiten
288
Produkttyp
Monographie

Inhaltsverzeichnis

KapitelSeiten
  1. Titelei/Inhaltsverzeichnis Teilzugriff 1 - 10
    Download Kapitel (PDF)
    1. a) How does Hirst Depict Consumption? Kein Zugriff
    2. b) How is the Term Consumer Culture Used in this Study? Kein Zugriff
    3. c) Sources Kein Zugriff
    1. a) The Term Consumption Kein Zugriff
      1. i) The Concept of Consumerism Kein Zugriff
      2. ii) Cultural Critique, Critique of Authority and Environmental Criticism Kein Zugriff
      1. i) Narrowing down »consumer society« Kein Zugriff
      2. ii) Emergence of Consumer Societies Kein Zugriff
    4. d) Consumption and Religion Kein Zugriff
      1. i) Marcel Duchamp Kein Zugriff
      2. ii) Andy Warhol Kein Zugriff
      3. iii) Jeff Koons Kein Zugriff
    1. a) London's Cultural Landscape since 1980 Kein Zugriff
    2. b) Damien Hirst and Young British Artists Kein Zugriff
      1. i) YBAs after 2000 Kein Zugriff
      2. ii) Blair, BritPop and Cool Britannia Kein Zugriff
    1. a) The »Natural History« Series Kein Zugriff
      1. i) Material Matters – Animal, Gold and Showcase Kein Zugriff
      2. ii) Art auction / happening – »Beautiful Inside My Head Forever« Kein Zugriff
      1. i) »Girls, Who Like Boys, Who Like Boys, Who Like Girls, Like Girls, Like Boys« (2006) Kein Zugriff
      2. ii) »Devotion« (2003) Kein Zugriff
      3. iii) Fly Paintings and Sculptures (1997 – 2008) Kein Zugriff
    4. d) »For the Love of God« (2007) Kein Zugriff
      1. i) »One of a Kind« Work of Art or Mass Production? Hirst and Series Kein Zugriff
      2. ii) Hirst and the Tradition of Painting Kein Zugriff
      3. iii) Drugs, Medicine (Cabinets) and Candy Kein Zugriff
      4. iv) Reality and Ritual Kein Zugriff
      5. v) Yuppie Art for 'Over the Sofa«? – Spot Paintings in Movies Kein Zugriff
      6. vi) The Handling of a Location – White Cube and Museum Kein Zugriff
      7. vii) Faith in Medicine and Advertising Kein Zugriff
      8. viii) Over-Identification with the Viewer Kein Zugriff
    1. a) Street Art – The Rise of Banksy Kein Zugriff
    2. b) The Spectacularization of Art Kein Zugriff
    3. c) »Keep it Spotless (Defaced Hirst)« (2007) Kein Zugriff
    4. d) The Location Reference – Street (and) Art Kein Zugriff
      1. i) The Controlled »Shock« Kein Zugriff
      2. ii) Over-Identification and Irony Kein Zugriff
    2. b) Images of Images Kein Zugriff
    3. c) (Dis-) Placement and Staging Kein Zugriff
    4. d) Brands not Products Kein Zugriff
    5. e) Advertising Kein Zugriff
    6. f) The Viewer-Buyer and Collector as Perfect Consumer Kein Zugriff
    7. g) (Im-)Material Things Kein Zugriff
    1. i) Web Sources Naming an Author Kein Zugriff
    2. ii) Web Sources without Naming an Author Kein Zugriff
    3. iii) Further Websites Kein Zugriff
    4. iv) Printed Newspaper Articles, Essays in Magazines and Interviews Kein Zugriff
    5. v) Books and Exhibition Catalogues Kein Zugriff
    6. vi) Videos Kein Zugriff
  9. Index Kein Zugriff 283 - 288

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