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Damien Hirst

Gallery Art in a Material World
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Publisher:
 2018
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Summary

Damien Hirst constantly faces the accusation that he creates merely popular, salable, or easily consumable art. However, this accusation of “selling out” is closely linked to the great popularity that he enjoys. Discussions about the aesthetic value of art and the importance of consumer culture are incorporated into his works and highlight how the artist has been able to exemplify the consumer culture of our age. This study analyzes works from different periods of his oeuvre, such as the “Natural History” series, the Spot Paintings, the “Diamond Skull“, and Hirst’s collaborations with Street Artist Banksy. They are examined in the context of materials, iconography, and history of ideas with regard to their framing of consumer culture. This is one of few books on Hirst not published by the artist himself or under his influence. In this academic study, Ulrich Blanché also gives a compact overview of the Young British Artists in London in the 1990s.

Bibliographic data

Edition
1/2018
Copyright Year
2018
ISBN-Print
978-3-8288-4030-0
ISBN-Online
978-3-8288-6772-7
Publisher
Tectum, Baden-Baden
Language
German
Pages
288
Product Type
Monograph

Table of contents

ChapterPages
  1. Titelei/Inhaltsverzeichnis Partial access 1 - 10 Download chapter (PDF)
    1. a) How does Hirst Depict Consumption? No access
    2. b) How is the Term Consumer Culture Used in this Study? No access
    3. c) Sources No access
    1. a) The Term Consumption No access
      1. i) The Concept of Consumerism No access
      2. ii) Cultural Critique, Critique of Authority and Environmental Criticism No access
      1. i) Narrowing down »consumer society« No access
      2. ii) Emergence of Consumer Societies No access
    4. d) Consumption and Religion No access
      1. i) Marcel Duchamp No access
      2. ii) Andy Warhol No access
      3. iii) Jeff Koons No access
    1. a) London's Cultural Landscape since 1980 No access
    2. b) Damien Hirst and Young British Artists No access
      1. i) YBAs after 2000 No access
      2. ii) Blair, BritPop and Cool Britannia No access
    1. a) The »Natural History« Series No access
      1. i) Material Matters – Animal, Gold and Showcase No access
      2. ii) Art auction / happening – »Beautiful Inside My Head Forever« No access
      1. i) »Girls, Who Like Boys, Who Like Boys, Who Like Girls, Like Girls, Like Boys« (2006) No access
      2. ii) »Devotion« (2003) No access
      3. iii) Fly Paintings and Sculptures (1997 – 2008) No access
    4. d) »For the Love of God« (2007) No access
      1. i) »One of a Kind« Work of Art or Mass Production? Hirst and Series No access
      2. ii) Hirst and the Tradition of Painting No access
      3. iii) Drugs, Medicine (Cabinets) and Candy No access
      4. iv) Reality and Ritual No access
      5. v) Yuppie Art for 'Over the Sofa«? – Spot Paintings in Movies No access
      6. vi) The Handling of a Location – White Cube and Museum No access
      7. vii) Faith in Medicine and Advertising No access
      8. viii) Over-Identification with the Viewer No access
    1. a) Street Art – The Rise of Banksy No access
    2. b) The Spectacularization of Art No access
    3. c) »Keep it Spotless (Defaced Hirst)« (2007) No access
    4. d) The Location Reference – Street (and) Art No access
      1. i) The Controlled »Shock« No access
      2. ii) Over-Identification and Irony No access
    2. b) Images of Images No access
    3. c) (Dis-) Placement and Staging No access
    4. d) Brands not Products No access
    5. e) Advertising No access
    6. f) The Viewer-Buyer and Collector as Perfect Consumer No access
    7. g) (Im-)Material Things No access
    1. i) Web Sources Naming an Author No access
    2. ii) Web Sources without Naming an Author No access
    3. iii) Further Websites No access
    4. iv) Printed Newspaper Articles, Essays in Magazines and Interviews No access
    5. v) Books and Exhibition Catalogues No access
    6. vi) Videos No access
  9. Index No access 283 - 288

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