Surrealism in North Africa and Western Asia
Crossings and Encounters- Autor:innen:
- |
- Reihe:
- Beiruter Texte und Studien (BTS), Band 141
- Verlag:
- 2021
Zusammenfassung
Der vorliegende Band beschäftigt sich mit dem Surrealismus in Literatur und Kunst in Algerien, Ägypten, Libanon, Syrien und der Türkei zwischen den 1930er und 1980er Jahren. In einer transkulturellen Perspektive erscheint die zu Beginn der 1920er Jahre von Frankreich ausgehende Bewegung gleichermaßen als globales wie als lokales Phänomen, das in den hier behandelten Regionen weniger auf kollektive als auf individualistische Weise, vornehmlich auf dem Gebiet von Poesie und Sprache, rezipiert wurde. Die Studien in diesem Band verfolgen das Ziel, ein klareres Bild von den Resonanzen des Surrealismus in diesen Regionen zu zeichnen und damit einen Beitrag zur Geschichte sowohl der Transmoderne als auch des Surrealismus zu leisten. Methodisch geht es darum, Verbindungen, Begegnungen und Austausch auf individuell-künstlerischer, politisch-institutioneller und soziohistorischer Ebene zu untersuchen. Ein neuer Blick auf den globalen Surrealismus muss diese Netzwerke und Verbindungen auf der Mikroebene berücksichtigen, wenn es um die Fragen geht, wann, wo und was Surrealismus war. Die Antwort könnte zeigen, dass der Surrealismus weitaus weiter verbreitet war als bisher angenommen.
Schlagworte
Publikation durchsuchen
Bibliographische Angaben
- Auflage
- 1/2021
- Copyrightjahr
- 2021
- ISBN-Print
- 978-3-95650-858-5
- ISBN-Online
- 978-3-95650-859-2
- Verlag
- Ergon, Baden-Baden
- Reihe
- Beiruter Texte und Studien (BTS)
- Band
- 141
- Sprache
- Englisch
- Seiten
- 287
- Produkttyp
- Monographie
Inhaltsverzeichnis
- Titelei/Inhaltsverzeichnis Kein Zugriff Seiten 1 - 14
- Introduction. Surrealism in North Africa and Western Asia: Crossings and encounters Kein Zugriff Seiten 15 - 28Autor:innen: |
- Chapter 1. Three eccentric manifestos: Art et Liberté, the Arab Surrealist Movement in Exile and Habib Tengour’s “non-message” Kein Zugriff Seiten 29 - 50Autor:innen:
- Chapter 2. The Paris—Istanbul axis and the paradox of Turkish surrealist painting Kein Zugriff Seiten 51 - 84Autor:innen:
- Chapter 3. Looking past: Turkish surrealism in translation Kein Zugriff Seiten 85 - 116Autor:innen:
- Chapter 4. Ūrkhān Muyassar’s pioneering role in translating surrealism into Arabic Kein Zugriff Seiten 117 - 136Autor:innen:
- Chapter 5. They entered art from the kitchen door – Being twenty in Beirut in the 1930s Kein Zugriff Seiten 137 - 154Autor:innen:
- Chapter 6. Beyrouth – Paris. Georges Schehadé et le surréalisme Kein Zugriff Seiten 155 - 174Autor:innen:
- Chapter 7. Unsī al-Ḥājj’s surrealist encounters Kein Zugriff Seiten 175 - 196Autor:innen:
- Chapter 8. Le surréalisme égyptien à la lumière de la presse francophone d’Égypte Kein Zugriff Seiten 197 - 216Autor:innen:
- Chapter 9. Joyce Mansour et le surréalisme. Un bestiaire partagé Kein Zugriff Seiten 217 - 228Autor:innen:
- Chapter 10. Surrealism, quarantine, Mediterranean plague: Artaud, Tengour, Abdel-Jaouad Kein Zugriff Seiten 229 - 258Autor:innen:
- Archives Kein Zugriff Seiten 259 - 259
- Newspapers, magazines, and reviews Kein Zugriff Seiten 260 - 261
- Films Kein Zugriff Seiten 262 - 262
- General bibliography Kein Zugriff Seiten 262 - 280
- Index Kein Zugriff Seiten 281 - 287
Literaturverzeichnis (380 Einträge)
Es wurden keine Treffer gefunden. Versuchen Sie einen anderen Begriff.
- Arslan, Yüksel, “La Technique, ou comment on fabrique une Arture”, 17 February 1981, Collection Arslan. Google Scholar öffnen doi.org/10.5771/9783956508592
- Arslan, Yüksel, to José Pierre, 12 November 1959, Archives of the Association Atelier André Breton. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, à Georges Henein, 8 avril 1936, archives André Breton, Bibliothèque littéraire Jacques Doucet, Paris. Google Scholar öffnen doi.org/10.5771/9783956508592
- Henein, Georges, à André Breton, 26 juillet 1948, archives André Breton, Bibliothèque littéraire Jacques Doucet, Paris. Mayor of Smyrna to the mayor of Marseille, Archives municipales, Marseille, 30II.99, http://archivesenligne.marseille.fr/4DCGI/Web_VoirLaNotice/03_06/30II99/ILUMP24437. Google Scholar öffnen doi.org/10.5771/9783956508592
- Morpurgo, Nelson, « Marinetti in Egitto », 1938, archives Nelson Morpurgo, Beinecke Rare Book and Manuscript Library, Yale University, New Haven. Google Scholar öffnen doi.org/10.5771/9783956508592
- Narkiss, Mordechai, to Georges Cyr, 20 October 1943, archives of the Bezalel National Museum, Jerusalem. Google Scholar öffnen doi.org/10.5771/9783956508592
- Roditi, Édouard, to André Breton, 3 September 1959, Archives of the Association Atelier André Breton. Google Scholar öffnen doi.org/10.5771/9783956508592
- Saddik, Mohamed, « La IIe Exposition de l’art indépendant, Le Caire, 10 mars 1941 », archives Ramsès Younane, Bibliothèque Kandinsky, Paris. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, “Poésies 1930–1936”, typescript, Jad Tabet Collection. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, à André Breton, Beyrouth, 26 avril 1950, fonds André Breton, Bibliothèque littéraire Jacques Doucet, Paris. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, à André Malraux, s.l., 15 décembre 1953, Bibliothèque littéraire Jacques Doucet, Paris (MLX, C. 734). Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, to Antoine Mourani, 21 June 1926, Collection Paul and Anne Mourani. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, à Benjamin Péret, Beyrouth, 16 décembre 1958, fonds Benjamin Péret, Bibliothèque littéraire Jacques Doucet, Paris (Ms 34.712). Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Ᾱdāb (Lebanon): 9, no. 3 (1961), 9, no. 4 (1961), 9, no. 7 (1961). Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Adīb (Lebanon): 12 (1954), 12 (1959), 9 (1965). Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Akhbār (Lebanon): 11 November 2006, 20 February 2010, 25 September 2010, 26 November 2011. Google Scholar öffnen doi.org/10.5771/9783956508592
- Arsenal: Surrealist Subversion (USA): 3 (Spring 1976). Google Scholar öffnen doi.org/10.5771/9783956508592
- Art et Liberté (Égypte): 1 (mars 1939), 2 (mai 1939). Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Bināʾ (Syria): full date 1953. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Bourse égyptienne (Égypte): 9 novembre 1927, 12 mars 1937, 22 mai 1942, 16 décembre 1944, 10 février 1948, 8 juin 1953. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bulletin de l’Atelier d’Alexandrie (Égypte): 1985. Google Scholar öffnen doi.org/10.5771/9783956508592
- Les Cahiers d’Alexandrie (Égypte): 1967. Clé (France): 2 février 1939. Google Scholar öffnen doi.org/10.5771/9783956508592
- Commerce (France): 26 (Winter 1930). Google Scholar öffnen doi.org/10.5771/9783956508592
- Cumhuriyet (Turkey): 5 January 1937, 27 March 1937, 19 May 1937, 20 August 1937, 23 December 1937. Google Scholar öffnen doi.org/10.5771/9783956508592
- Le Désir libertaire (France): 1 (5 décembre 1973), 2–3 (15 avril 1974), 4 (26 juillet 1974), 5 (1 novembre 1974), « L’Amnésie administrée » (1980), « L’Islam brûle » (25 décembre 1980), « SUBobJECTIVITÉS » (1981). Google Scholar öffnen doi.org/10.5771/9783956508592
- Don Quichotte (Égypte): 29 mars 1940. Google Scholar öffnen doi.org/10.5771/9783956508592
- L’Égypte nouvelle (Égypte): 22 mars 1924, 6 juin 1925, 18 mars 1941, 23 janvier 1943. Google Scholar öffnen doi.org/10.5771/9783956508592
- L’Égyptienne (Égypte): juillet 1927, février 1929, février 1930, février 1931, avril 1932, juin 1934. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Femme nouvelle (Égypte): décembre 1949, été 1950, 1951. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Gazette d’Orient (Égypte): mai 1937. Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Ḥadīth (Syria): July 1933, September 1936, January 1948, January 1949, January 1950, January 1956, May 1958. Google Scholar öffnen doi.org/10.5771/9783956508592
- L’Illustration juive (Égypte): décembre 1929, mars 1930. Google Scholar öffnen doi.org/10.5771/9783956508592
- Images (Égypte): 5 janvier 1930, 11 décembre 1937, 11 mars 1938, 18 mars 1941, 11 mars 1945, 25 mars 1945, 15 avril 1945, juin 1945, 5 août 1945, 9 septembre 1945, 18 novembre 1945, Noël 1945. Google Scholar öffnen doi.org/10.5771/9783956508592
- Le Journal d’Égypte (Égypte): 15 juin 1937, 16 mars 1941, 9 janvier 1950. Google Scholar öffnen doi.org/10.5771/9783956508592
- Journal du commerce et de la marine (Égypte): 8 Décembre 1958. Google Scholar öffnen doi.org/10.5771/9783956508592
- Journal suisse d’Égypte et du Proche-Orient (Égypte): 25 mars 1942, 23 avril 1952, 30 avril 1952, 21 mars 1956. Google Scholar öffnen doi.org/10.5771/9783956508592
- Lignes (France): 30 (1997). Google Scholar öffnen doi.org/10.5771/9783956508592
- Loisirs (Égypte): printemps 1950. Google Scholar öffnen doi.org/10.5771/9783956508592
- London Bulletin (UK): 15 juin 1939, 15 avril 1939. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mawāqif (Lebanon): 35 (1979), 32 (1978). Google Scholar öffnen doi.org/10.5771/9783956508592
- Mercure de France (France): December 1743. Google Scholar öffnen doi.org/10.5771/9783956508592
- Messages d’Orient (Égypte): avril 1926. Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Mulḥaq (Lebanon): 4 October 1964, 20 June 2015. Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Nahār (Lebanon): 23 January 1983. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Nouvelle Revue française (France): avril 1929, février 1939. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Part du sable (Égypte): 1 (1947). Google Scholar öffnen doi.org/10.5771/9783956508592
- Le Périscope (Égypte): 31 mars 1945. Google Scholar öffnen doi.org/10.5771/9783956508592
- Peuples méditerranéens/Mediterranean Peoples (France): 17 (1981), 18–21 (1982), 30 (1985). Google Scholar öffnen doi.org/10.5771/9783956508592
- Le Phare égyptien (Égypte): 9–10 mars 1926. Google Scholar öffnen doi.org/10.5771/9783956508592
- Le Progrès égyptien (Égypte): 4 avril 1947. Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Qīthārah (Syria): 10 (1947). Google Scholar öffnen doi.org/10.5771/9783956508592
- La Réforme (Égypte): 9 mai 1945. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Révolution surréaliste (France): 12 (15 décembre 1929). Google Scholar öffnen doi.org/10.5771/9783956508592
- La Revue des conférences françaises en Orient (Égypte): octobre 1937, janvier 1939, mars 1939, mai 1945, juin 1945, octobre 1945, octobre 1946, décembre 1946, octobre 1947, juin–août 1948, septembre 1948. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Revue du Caire (Égypte): avril 1938, mai 1939, avril–juin 1939, novembre 1939, juin 1941, février 1942, juin 1942, août 1945, octobre 1948, novembre 1949, janvier 1950, septembre 1950, octobre 1950, avril 1951, septembre 1951, décembre 1951, janvier 1952, janvier 1953, février 1955, avril 1955. Google Scholar öffnen doi.org/10.5771/9783956508592
- La Semaine égyptienne (Égypte): Pâques 1927, juillet 1927, 1 octobre 1927, 30 novembre 1933, 11 février 1937, mars 1941, mai 1944. Google Scholar öffnen doi.org/10.5771/9783956508592
- Shiʿr (Lebanon): 1 (1957), 7-8 (1958), 9 (1959), 14 (1960), 15 (1960), 16 (1960), 18 (1961), 19 (1961), 24 (1962), 28 (1963), 33–34 (1967), 35 (1967). Google Scholar öffnen doi.org/10.5771/9783956508592
- Der Spiegel (Germany): 41 (1960). Google Scholar öffnen doi.org/10.5771/9783956508592
- Supérieur inconnu (France): 9 (1998). Google Scholar öffnen doi.org/10.5771/9783956508592
- Le Surréalisme, même (France): 3 (1957). Google Scholar öffnen doi.org/10.5771/9783956508592
- al-Taṭawwur (Egypt): 1 (1940), 3 (1940). Google Scholar öffnen doi.org/10.5771/9783956508592
- Le Temps (France): 4 October 1935. Google Scholar öffnen doi.org/10.5771/9783956508592
- Un effort (Égypte): Noël 1933, février 1935, octobre 1935. Google Scholar öffnen doi.org/10.5771/9783956508592
- Valeurs (Égypte): juillet 1945, avril 1945, octobre 1945, janvier 1946, avril 1946, juillet 1946, octobre 1946. Google Scholar öffnen doi.org/10.5771/9783956508592
- Variétés (Belgium): 1929. Google Scholar öffnen doi.org/10.5771/9783956508592
- Varlık (Turkey): 1 (1933). Google Scholar öffnen doi.org/10.5771/9783956508592
- Yaprak (Turkey): 8 (15 April 1949), 9 (1 May 1949), 13 (1 November 1949), 18 (15 January 1950), 20 (15 February 1950), Son Yaprak (“last Yaprak”; 1 February 1951). Google Scholar öffnen doi.org/10.5771/9783956508592
- Benayoun, Robert, réalisateur, « Joyce Mansour présente à Georges Benayoun sa collection d’œuvres d’art rassemblée avec Breton », film de 9 min 38, Office national de radiodiffusion télévision française, 19 avril 1970, http://www.ina.fr/video/I05132588. Google Scholar öffnen doi.org/10.5771/9783956508592
- Maldoror, Sarah, director, Le Passager du Tassili, TV film, Antenne 2, 1986. Google Scholar öffnen doi.org/10.5771/9783956508592
- Miské, Karim, director, Muslims of France, TV series, Al Jazeera 2014. Google Scholar öffnen doi.org/10.5771/9783956508592
- Miské, Karim, and Marc Ball, directors, Décolonisations, TV series, Strasbourg: ARTE 2019. Google Scholar öffnen doi.org/10.5771/9783956508592
- Murnau, F.W., director, Nosferatu, Prana Film 1922. Google Scholar öffnen doi.org/10.5771/9783956508592
- Serreau, Coline, director, “Saint-Jacques... La Mecque”, film, Téléma and France 2 Cinéma 2005. Google Scholar öffnen doi.org/10.5771/9783956508592
- Abdel-Jaouad, Hédi, “Kateb Yacine’s Modernity: Rewriting Surrealism”, SubStance 21, no. 3 (1992), 11–29. Google Scholar öffnen doi.org/10.5771/9783956508592
- Abdel-Jaouad, Hédi, “Tendances surréalistes dans la littérature maghrébine d’expression française”, PhD thesis, Temple University, Philadelphia 1983, http://www.limag.com/new/index.php?inc=dspliv&liv=00000141. Google Scholar öffnen doi.org/10.5771/9783956508592
- Abderrezak, Hakim, Ex-Centric Migrations: Europe and the Maghreb in Mediterranean Cinema, Literature, and Music, Bloomington: Indiana University Press 2016. Abū Shabakah, Ilyās, Rawābiṭ al-fikr wa-l-rūḥ bayn al-ʿarab wa-l-faranjah, 2nd ed., Beirut: Dār al-Makshūf 1945. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ades, Dawn, Krzysztof Fijałkowski, Steven Harris, Michael Richardson and Georges Sebbag, eds., The International Encyclopedia of Surrealism, vol. 1, Movements, London: Bloomsbury 2019. Google Scholar öffnen doi.org/10.5771/9783956508592
- Adil, Fikret, Asmalımescit 74: Bohem Hayatı, Istanbul: Sel 2015. Adonis [Adūnīs], Sufism and Surrealism, trans. Judith Cumberbatch, London: Saqi Books 2005. Adūnīs, al-Naṣṣ al-qurʾānī wa-āfāq al-kitābah, Beirut: Dār al-Ādāb 2010. Adūnīs, al-Ṣufiyyah wa-l-sūriyāliyyah, London: Dār al-Sāqī 1992. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ahmad, Feroz, “Politics and Political Parties in Republican Turkey”, in: The Cambridge History of Turkey, vol. 4, Reşat Kasaba, ed., Cambridge: Cambridge University Press 2008, 226–265. Google Scholar öffnen doi.org/10.5771/9783956508592
- Akbulut, Durmuş, Türk Resminin Öncüleri, Istanbul: Deffter 2009. Google Scholar öffnen doi.org/10.5771/9783956508592
- Akcan, Esra, “Channels and Items of Translation”, in: Art History in the Wake of the Global Turn, Jill H. Casid and Aruna D’Souza, eds., Williamston, MA: Yale University Press 2014, 145–159. Google Scholar öffnen doi.org/10.5771/9783956508592
- Albach, Hester, Léona, héroïne du surréalisme, Paris: Actes Sud 2009. Google Scholar öffnen doi.org/10.5771/9783956508592
- Alexandrian, Sarane, Georges Henein, 1914–73, Paris: Seghers 1981. Google Scholar öffnen doi.org/10.5771/9783956508592
- Alquiè, Ferdinand, Philosophie du surréalisme, Paris: Flammarion 1955. Google Scholar öffnen doi.org/10.5771/9783956508592
- Althusser, Louis, and Étienne Balibar, Reading Capital, trans. Ben Brewster, London: Verso 1979. Google Scholar öffnen doi.org/10.5771/9783956508592
- And, Metin, Karagöz: Turkish Shadow Theatre, Istanbul: Dost Yayınları 1975. Google Scholar öffnen doi.org/10.5771/9783956508592
- Anday, Melih Cevdet, Paris Yazıları, Istanbul: Adam 1982. Google Scholar öffnen doi.org/10.5771/9783956508592
- Angélique, Pierre [Georges Bataille], Madame Edwarda, Paris : Éditions Georges Visat 1965. Google Scholar öffnen doi.org/10.5771/9783956508592
- Antle, Martine, “Surrealism and the Orient”, Yale French Studies 109 (2006), 4–16. Google Scholar öffnen doi.org/10.5771/9783956508592
- Apollinaire, Guillaume, Le Bestiaire, ou Cortège d’Orphée, Paris: Deplanche 1911. Google Scholar öffnen doi.org/10.5771/9783956508592
- Apollinaire, Guillaume, Calligrammes, Paris: Gallimard 1925. d’Arschot, Philippe, Peintres et sculpteurs de l’Égypte contemporaine, Bruxelles : Éditions des Arts Plastiques 1951. Google Scholar öffnen doi.org/10.5771/9783956508592
- Arslan, Yüksel, “Autobiography”, in: A Retrospective of Yüksel Arslan: Catalogue, Levent Yilmaz, ed., Istanbul: Santral İstanbul 2010, 248–253. Google Scholar öffnen doi.org/10.5771/9783956508592
- Arslan, Yüksel, “Being a Loner is a Wonderful Thing”, in: Yüksel Arslan: Artures, exhibition catalogue, Zurich: Hatje Cantz 2012, 177–179. Google Scholar öffnen doi.org/10.5771/9783956508592
- Arslan, Yüksel, and Ferit Edgü, “Batı Kültürü önünde hiçbir saplantım yok”, Mektuplar 1957–2008, Istanbul: Kitap Yayınevi 2011. Art et Liberté, La Séance continue, Le Caire : Éditions masses 1945. Art et Liberté, « Vive l’art dégénéré », manifeste, 22 décembre 1938. « L’Art indépendant en Égypte », catalogue de la IIe Exposition de l’art indépendant, Le Caire, 1941. Google Scholar öffnen doi.org/10.5771/9783956508592
- Artaud, Antonin, Œuvres complètes, vol. 20. Paris: Gallimard 1985. Google Scholar öffnen doi.org/10.5771/9783956508592
- Artaud, Antonin, The Theatre and Its Double, trans. Victor Corti, London: Alma Classics 2014. Google Scholar öffnen doi.org/10.5771/9783956508592
- Aspley, Keith, Historical Dictionary of Surrealism, Lanham: The Scarecrow Press 2010. ʿAyyāsh, ʿAbd al-Qādir, Muʿ jam al-muʾallifīn al-sūriyyīn fī l-qarn al-ʿishrīn, Damascus: Dār al-Fikr. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ayyūb, Nabīl, “Unsī al-Ḥājj al-mukhtalif fī qirāʾah tafkīkiyyah nafsiyyah: al-Aṣl wa-l-muhammash; Aṭyāf al-Masīḥ/ashbāḥ Frūyd”, in: Naṣṣ al-qāriʾ al-mukhtalif (2) wa-sīmyāʾiyyat al-khiṭāb al-naqdī, Beirut: Librairie du Liban 2011, 169–186. Google Scholar öffnen doi.org/10.5771/9783956508592
- Babaie, Sussan, “Voices of Authority: Locating the ‘Modern’ in ‘Islamic’ Arts”, Getty Research Journal 3 (2011), 133–149. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bağcı, Serpil, Filiz Çağman, Günsel Renda and Zeren Tanındı, Osmanlı Resim Sanatı, Ankara: T.C. Kültür ve Turizm Bakanlığı Yayınları 2006. Google Scholar öffnen doi.org/10.5771/9783956508592
- Baglione, Danielle, et Albert Dichy, Georges Schehadé, poète des deux rives, 1905–1989, Paris : Éditions de l’IMEC ; Beyrouth : Dār al-Nahār 1999. al-Bahloly, Saleem, “History Regained: A Modern Artist in Baghdad Encounters a Lost Tradition of Painting”, Muqarnas 35 (2018), 229–272. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bakkalcioğlu, Ayfer, “Of Surrealism in Turkey”, Boğaziçi Üniversitesi Dergisi 2 (1974), 1–5. Google Scholar öffnen doi.org/10.5771/9783956508592
- Balibar, Étienne, “Algérie, France: Une ou deux nations?”, Lignes 1 no. 30 (1997), 5–22. Google Scholar öffnen doi.org/10.5771/9783956508592
- Baltacıoğlu, İsmail Hakkı, Türklerde Yazı Sanatı: Türk Sanat Yazılarının Grafolojisi ve Estetiği Üzerine Sosyo-Psikolojik Deneme, Ankara: S.A.Ş. Matbaası 1958. Google Scholar öffnen doi.org/10.5771/9783956508592
- Banhakeia, Hassan, “L’Histoire oubliée des surréalistes et la guerre du Rif”, May 2005, http://emsomipy.free.fr/Documents/Art.Maroc128.Rif.Surrealistes.htm. Google Scholar öffnen doi.org/10.5771/9783956508592
- Baquey, Stéphane, « Georges Schehadé, Edmond Jabès et Kateb Yacine, une époque de la littérature de langue française en Méditerranée », Med-Mem, Marseille : INA Med-Mem 2013, http://www.medmem.eu/fr/folder/47/georges-schehada-edmond-jabas-kateb-yacine. Google Scholar öffnen doi.org/10.5771/9783956508592
- Barck, Karlheinz, “Latenter Surrealismus manifest: Manifeste des Surrealismus als Medien seiner Internationalisierung”, in: “Die ganze Welt ist eine Manifestation”: Die europäische Avantgarde und ihre Manifeste, Wolfgang Asholt and Walter Fähnders, eds., Darmstadt: Wissenschaftliche Buchgesellschaft 1997, 296–309. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bardaouil, Sam, “‘Dirty Dark Loud and Hysteric’: The London and Paris Surrealist Exhibitions of the 1930s and the Exhibition Practices of the Art and Liberty Group in Cairo”, Dada/Surrealism 19 (2013), 1–24. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bardaouil, Sam, Surrealism in Egypt: Modernism and the Art and Liberty Group, London: I.B. Tauris 2017. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bardaouil, Sam, et Till Fellrath, dir., Art et Liberté. Rupture, guerre et surréalisme en Égypte, 1938–1948, cat. exp., Paris : Skira/Centre Georges Pompidou 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bardaouil, Sam, and Till Fellrath, eds., Art et Liberté: Rupture, War and Surrealism in Egypt (1938–1948), Paris: Skira/Centre Georges Pompidou 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Barney, Richard A., and Helene Scheck, “Introduction: Early and Modern Biospheres, Politics, and the Rhetorics of Plague”, Journal for Early Modern Cultural Studies 10, no. 2 (2010), 1–22. Google Scholar öffnen doi.org/10.5771/9783956508592
- Baroud, Ramzy, and Romana Rubeo, “What Is behind the Aquarius Refugee Ship Crisis?”, Al Jazeera, 17 June 2018, https://www.aljazeera.com/indepth/opinion/aquarius-refugee-ship-crisis-180617091028528.html. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bārūt, Muḥammad Jamāl, al-Shiʿr yaktubu smahu: Dirāsah fī l-qaṣīdah al-nathriyyah fī Sūriyyah, Damascus: Ittiḥād al-kuttāb al-ʿarab 1981. Google Scholar öffnen doi.org/10.5771/9783956508592
- Batur, Enis, PARIS, Ecekent, Istanbul: Remzi Kitabevi 2012. Google Scholar öffnen doi.org/10.5771/9783956508592
- Baxandall, Michael, Patterns of Intention: On the Historical Explanation of Pictures, New Haven: Yale University Press 1985, 58–62. Google Scholar öffnen doi.org/10.5771/9783956508592
- Baydoun, Abbas, “Culture and Arts; Re: The Actual”, in: Home Works: A Forum on Cultural Practices in the Region; Egypt, Iran, Iraq, Lebanon, Palestine and Syria, Christine Tohme and Mona Abu Rayyan, eds., Beirut: Lebanese Association for Plastic Arts – Ashkal Alwan 2002, 22–31. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bédouin, Jean-Louis, Vingt ans de surréalisme 1939–1959, Paris: Denoël 1961. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bellan, Monique, “Defying the Order from Within: Art et Liberté and its Reordering of Visual Codes”, in: The Art Salon in the Arab Region: Politics of Taste Making, Nadia von Maltzahn and Monique Bellan, eds., Beirut: Orient-Institut Beirut 2018, 135–164. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bellmer, Hans, et Georges Hugnet, Œillades ciselées en branche, Paris : Jeanne Bucher 1939. Google Scholar öffnen doi.org/10.5771/9783956508592
- Benjamin, Walter, “Surrealism: The Last Snapshot of the European Intelligentsia (1929)”, trans. Edmond Jephcott, New Left Review 108 (1978), 47–56. Google Scholar öffnen doi.org/10.5771/9783956508592
- Benk, Adnan, “A Painter of European Stature”, in: A Retrospective of Yüksel Arslan: Catalogue, Levent Yilmaz, ed., Istanbul: Santral İstanbul 2010. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ben-Yehoyada, Naor, “Heritage Washed Ashore: Underwater Archaeology and Regionalist Imaginaries in the Central Mediterranean”, in: Critically Mediterranean: Temporalities, Aesthetics, and Deployments of a Sea in Crisis, yasser elhariry and Edwige Tamalet Talbayev, eds., New York: Palgrave Macmillan 2018, 217–240. van den Berg, Hubert, and Walter Fähnders, eds., Avantgarde, Stuttgart: J.B. Metzler 2009. Google Scholar öffnen doi.org/10.5771/9783956508592
- Berk, İlhan, Gerçeküstücülük: Antoloji, Istanbul: Varlık 2004. Google Scholar öffnen doi.org/10.5771/9783956508592
- Berk, Nurullah, Modern Painting and Sculpture in Turkey, [Ankara]: Turkish Press 1958. Google Scholar öffnen doi.org/10.5771/9783956508592
- Berk, Nurullah, Modern San’at, Istanbul: Semih Lütfi Bitik ve Basım Evi 1935. Google Scholar öffnen doi.org/10.5771/9783956508592
- Berk, Nurullah and Orhan Koloğlu, Fikret Muallä: Hayatı, Sanatı, Eserleri, Istanbul: Milliyet Yayınları 1971. Google Scholar öffnen doi.org/10.5771/9783956508592
- Berksoy, Semiha and Fikret Muallä, İki Aykırının Mektupları, Istanbul: Kırmızı Kedi 2017. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bernard, Suzanne, Le Poème en prose de Baudelaire jusqu’à nos jours, Paris: Librairie Nizet 1959. Google Scholar öffnen doi.org/10.5771/9783956508592
- Birsel, Salâh, Fransız Resminde İzlenimcilik, Ankara: Dost Yayınları 1967. Google Scholar öffnen doi.org/10.5771/9783956508592
- Birsel, Salâh, İstanbul-Paris, Istanbul: Türkiye İş Bankası Kültür Yayınları 1983. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bocquet, Jérôme, “Francophonie et langue arabe dans la Syrie sous mandat: L’Exemple de l’enseignement missionnaire à Damas”, in: The British and French Mandates in Comparative Perspectives/Les Mandats français et anglais dans une perspective comparative, Nadine Méouchy and Peter Sluglett, eds., Leiden: Brill 2004, 303–319. Bonnet, Marguerite, « L’Orient dans le surréalisme. Mythe et réel », Revue de littérature comparée 54, fasc. 4 (1980), 411–424. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bourdieu, Pierre, Die Regeln der Kunst: Genese und Struktur des literarischen Feldes, 7th ed., Frankfurt am Main: Suhrkamp 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bozdoğan, Sibel, “Art and Architecture in Modern Turkey: The Republican Period”, in: The Cambridge History of Turkey, vol. 4, Reşat Kasaba, ed., Cambridge: Cambridge University Press 2008, 419–471. Google Scholar öffnen doi.org/10.5771/9783956508592
- Bozdoğan, Sibel, “Reading Ottoman Architecture through Modernist Lenses: Nationalist Historiography and the ‘New Architecture’ in the Early Republic”, Muqarnas 24 (2007), 199–222. Google Scholar öffnen doi.org/10.5771/9783956508592
- Braudel, Fernand, The Mediterranean and the Mediterranean World in the Age of Philip II, vol. 1, Berkeley: University of California Press 1996. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Almanach surréaliste du demi-siècle, Paris : Éditions du Sagittaire, 1950. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Free Rein = La Clé des Champs, trans. Michel Parmentier and Jacqueline d’Amboise, Lincoln: University of Nebraska Press 1995, 7–18. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, “Limites non-frontières du surréalisme”, La Nouvelle Revue française 281 (February 1937), 200–215. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, “Manifesto of Surrealism” [1924], 1999, http://www.exquisitecorpse.com/assets/manifesto_of_Surrealism.pdf. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, « Préface », Pierre Molinier, catalogue de l’exposition à la galerie de L’Étoile scellée, Paris, 27 janvier–17 février 1956. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Le Surréalisme et la peinture [1928], Paris: Gallimard Folio essais 1965. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Manifestes du surréalisme, Paris: Gallimard 1981. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Manifestoes of Surrealism, trans. Richard Seaver and Helen R. Lane, Ann Arbor: University of Michigan Press 1969. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Nadja, Saint-Armand Cher: Folio 1964. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Œuvres complètes, dir. Marguerite Bonnet, 4 vol., Paris : Gallimard/Pléiade 1988–2008, 3. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Position politique du surréalisme, Paris: Éditions Pauvert 1971. Google Scholar öffnen doi.org/10.5771/9783956508592
- Breton, André, Surrealism, ed. Herbert Read, New York: Praeger Publishers 1971. Google Scholar öffnen doi.org/10.5771/9783956508592
- Buti, Gilbert, La Peste à La Valette: La peste au village, 1720–1721, Marseille: Editions Autres Temps 1996. Google Scholar öffnen doi.org/10.5771/9783956508592
- Camus, Albert, Œuvres complètes, vol. 2, 1944–1948, Paris: Gallimard 2006. Google Scholar öffnen doi.org/10.5771/9783956508592
- Carrouges, Michel, André Breton et les données fondamentales du surréalisme, Paris: Gallimard 1950. Google Scholar öffnen doi.org/10.5771/9783956508592
- Cauvin, Jean-Pierre, « Petites histoires d’almanach : tour du monde des inventions tolérables », Pleine marge 12 (1990), 35–40. Google Scholar öffnen doi.org/10.5771/9783956508592
- Çelik, Zeynep, “Speaking Back to Orientalist Discourse”, in: Orientalism’s Interlocutors: Painting, Architecture, Photography, Jill Beaulieu and Mary Roberts, eds., Durham: Duke University Press 2002, 19–41. The Centennial Tale of Turkish Painting, exhibition catalogue, Istanbul: Rezan Has Müzesi 2007. Google Scholar öffnen doi.org/10.5771/9783956508592
- Charbonnier, Georges, Essai sur Antonin Artaud: Bibliographie, dessins, portraits et fac-similes, Paris: Seghers 1959. Google Scholar öffnen doi.org/10.5771/9783956508592
- de Chirico, Giorgio, Hebdomeros [1929], New York: PAJ Publications 1988. Google Scholar öffnen doi.org/10.5771/9783956508592
- Clifford, James, “On Ethnographic Surrealism”, Comparative Studies in Society and History 23, no. 4 (1981), 539–564. Google Scholar öffnen doi.org/10.5771/9783956508592
- Clifford, James, Returns: Becoming Indigenous in the Twenty-First Century, Cambridge, MA: Harvard University Press 2013. Google Scholar öffnen doi.org/10.5771/9783956508592
- Corm, Georges Daoud, Essai sur l’art et la civilisation de ce temps, Beirut: Dār al-Nahār 1966. Google Scholar öffnen doi.org/10.5771/9783956508592
- Creswell, Robyn, City of Beginnings: Poetic Modernism in Beirut, Princeton: Princeton University Press 2019. Google Scholar öffnen doi.org/10.5771/9783956508592
- Daftari, Fereshteh, “Redefining Modernism: Pluralist Art before the 1979 Revolution”, in: Iran Modern, Fereshteh Daftari and Layla S. Diba, eds., exhibition catalogue, New York: Asia Society 2013, 25–44. Google Scholar öffnen doi.org/10.5771/9783956508592
- Dauphin, Christophe, “‘L’Éternité volante’ de la messagère d’Ounsi el Hage”, K-Log Diffusion, 7 October 2015, http://www.klogdiffusion.fr/leternite-volante-de-la-messagere-dounsi-el-hage/. Google Scholar öffnen doi.org/10.5771/9783956508592
- Deeb, Muhammad A., “The Critical Reception of al-Ḥājj and the Poème en prose”, Canadian Review of Comparative Literature 12, no. 3 (1985), 371–393. Google Scholar öffnen doi.org/10.5771/9783956508592
- Deguilhem, Randi, “Impérialisme, colonisation intellectuelle et politique culturelle de la Mission laïque française en Syrie sous mandate”, in: The British and French Mandates in Comparative Perspectives/Les Mandats français et anglais dans une perspective comparative, Nadine Méouchy and Peter Sluglett, eds., Leiden: Brill 2004, 321–344. Google Scholar öffnen doi.org/10.5771/9783956508592
- Deleuze, Gilles, and Felix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi, Minneapolis: University of Minnesota Press 1987. Google Scholar öffnen doi.org/10.5771/9783956508592
- Derrida, Jacques, Artaud le Moma, Paris: Galilée 2002. Google Scholar öffnen doi.org/10.5771/9783956508592
- Derrida, Jacques, Monolingualism of the Other: Or, The Prosthesis of Origin, trans. Patrick Mensah, Stanford: Stanford University Press 1998. Google Scholar öffnen doi.org/10.5771/9783956508592
- Desvaux-Mansour, Marie-France, « Le Surréalisme à travers Joyce Mansour. Peinture et poésie, le miroir du désir », thèse de doctorat, Université Paris 1 Panthéon-Sorbonne 2014, https://www.theses.fr/2014PA010520. Google Scholar öffnen doi.org/10.5771/9783956508592
- Diba, Layla S., “The Formation of Modern Iranian Art”, in: Iran Modern, Fereshteh Daftari and Layla S. Diba, eds., exhibition catalogue, New York: Asia Society 2013, 45–65. Google Scholar öffnen doi.org/10.5771/9783956508592
- Dino, Abidin, Gören Göz İçin Fikret Muallâ, Istanbul: Kırmızı Kedi 2017. Google Scholar öffnen doi.org/10.5771/9783956508592
- Doğramacı, Burcu, « Objekte der Migration. Zeitgenössische künstlerische Strategien und produktive Aneignungen », in: Dinge des Exils, Doerte Bischoff and Joachim Schlör, eds., Munich : edition text und kritik 2013, 35–54. D’Outreligne, Narjess, « Le surréalisme en Orient », Arabica 50, fasc. 2 (avril 2003), 248–251. Google Scholar öffnen doi.org/10.5771/9783956508592
- Drake, David, “The PCF, the Surrealists, Clarté and the Rif War”, French Cultural Studies 17, no. 2 (2006), 173–188. Google Scholar öffnen doi.org/10.5771/9783956508592
- Drost, Julia, « “Caspar David Friedrich – peintre de l’angoisse romantique”. Le Surréalisme et l’héritage romantique allemand », dans : « Le Splendide XIXe Siècle » des surréalistes, Julia Drost et Scarlett Reliquet, dir., Dijon : Les Presses du réel 2013, 207–228. D’Souza, Aruna, “Introduction”, in: Art History in the Wake of the Global Turn, Jill H. Casid and Aruna D’Souza, eds., Williamston, MA: Yale University Press 2014, vii–xxiii. Google Scholar öffnen doi.org/10.5771/9783956508592
- Dumas, Alexandre, Le Comte de Monte-Cristo, vol. 1, ed. Gilbert Sigaux, Paris: Gallimard 1998. Google Scholar öffnen doi.org/10.5771/9783956508592
- Dumas, Alexandre, The Corsican Brothers, trans. Henry Frith, London: Routledge 1880, https://www.gutenberg.org/ebooks/41881. Google Scholar öffnen doi.org/10.5771/9783956508592
- Dumas, Alexandre, The Count of Monte Cristo, London: Routledge 1888, https://www.gutenberg.org/ebooks/1184. Google Scholar öffnen doi.org/10.5771/9783956508592
- Duplessis, Yvonne, Le Surréalisme, Vendôme: Presses universitaires de France 1961. Google Scholar öffnen doi.org/10.5771/9783956508592
- Durozoi, Gérard, Histoire du mouvement surréaliste, Paris : Hazan 2004. Google Scholar öffnen doi.org/10.5771/9783956508592
- Dussert, Éric, « Notice biobibliographique », dans : Georges Schehadé, Les Poésies [1952], Paris : Gallimard 2001, 161–163. Google Scholar öffnen doi.org/10.5771/9783956508592
- Duyrat, Frédérique, et al., Henri Seyrig (1895–1973), Beirut: IFPO Press 2016. L’eau dans l’œuvre de Georges Cyr, catalogue d’exposition, Beyrouth : Centre culturel français 1997. Google Scholar öffnen doi.org/10.5771/9783956508592
- Edgü, Ferit, Arslan, Istanbul: Ada Yayınları 1982. Google Scholar öffnen doi.org/10.5771/9783956508592
- Edgü, Ferit, “Aşkın Resimleri”, in: “Sevmek Güzel Meslek Reis”: B. Rahmi, exhibition catalogue, İzmir: Folkart Gallery Publishing 2017, 155–157. Google Scholar öffnen doi.org/10.5771/9783956508592
- Edgü, Ferit, “Breton ve Nadja Üzerine Birkaç Söz”, in: André Breton, Nadja, trans. Ismail Yerguz, Istanbul: Mitos Yayınları 1992, 5–6. elhariry, yasser, and Edwige Tamalet Talbayev, “Critically Mediterranean: An Introduction”, in: Critically Mediterranean: Temporalities, Aesthetics, and Deployments of a Sea in Crisis, yasser elhariry and Edwige Tamalet Talbayev, eds., New York: Palgrave Macmillan 2018, 1–22. Google Scholar öffnen doi.org/10.5771/9783956508592
- Eroğlu, Özkan, Türkiye’de Resim Sanatı, Istanbul: Tekhne 2015. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ertürk, Nergis, “Surrealism and Turkish Script Arts”, Modernism/Modernity 17 (2010), 47–60. Google Scholar öffnen doi.org/10.5771/9783956508592
- Eyüboğlu, Bedri Rahmi, Dost Dost, Istanbul: İş Bankası Kültür Yayınları 2004. Google Scholar öffnen doi.org/10.5771/9783956508592
- Eyüboğlu, Bedri Rahmi, Gece Yarısı, Istanbul: İş Bankası Kültür Yayınları 2002. Google Scholar öffnen doi.org/10.5771/9783956508592
- Eyüboğlu, Bedri Rahmi, Mavi Yolculuk Defterleri, Istanbul: Türkiye İş Bankası Kültür Yayınları 2008. Google Scholar öffnen doi.org/10.5771/9783956508592
- Eyüboğlu, Hughette, ed., Biz Mektup Yazardık! Bedri Rahmi Eyüboğlu ve Çağdaşlarından Mektuplar: Biz Mektup Yazardık!, Istanbul: Türkiye İş Bankası Kültür Yayınları 2015. Google Scholar öffnen doi.org/10.5771/9783956508592
- Fähnders, Walter, “‘Vielleicht ein Manifest’: Zur Entwicklung des avantgardistischen Manifestes”, in: “Die ganze Welt ist eine Manifestation”: Die europäische Avantgarde und ihre Manifeste, Wolfgang Asholt and Walter Fähnders, eds., Darmstadt: Wissenschaftliche Buchgesellschaft 1997, 18–38. Google Scholar öffnen doi.org/10.5771/9783956508592
- Fani, Michel, Dictionnaire de la peinture au Liban, Grenoble: Éditions de l’Escalier 1998. Google Scholar öffnen doi.org/10.5771/9783956508592
- Fenoglio, Irène, « Le choix d’une langue étrangère : enjeu non modique d’un mode de fonctionnement social : la “mode” du français en Égypte », Transidis, no. 1, décembre 1992, 77–89. Google Scholar öffnen doi.org/10.5771/9783956508592
- Fijałkowski, Krzysztof, and Michael Richardson, eds., Surrealism: Key Concepts, London: Routledge 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Findley, Carter V., Turkey, Islam, Nationalism, and Modernity: A History, 1789–2007, New Haven: Yale University Press 2010. Google Scholar öffnen doi.org/10.5771/9783956508592
- Firebrace, William, “Mômo in Marseille”, AA Files 59 (2009), 3–11. Google Scholar öffnen doi.org/10.5771/9783956508592
- Flahutez, Fabrice, « La Genèse des Constellations. Une circulation de sens entre Breton et Miró de 1940 à 1959 », dans : La Fabrique du titre, Nadeije Laneyrie-Dagen, Pierre-Marc de Biasi et Marianne Jakobi, dir., Paris : CNRS Éditions 2012, 253–246. Google Scholar öffnen doi.org/10.5771/9783956508592
- Flahutez, Fabrice, Nouveau Monde et nouveau mythe. Mutations du surréalisme de l’exil américain à l’Écart absolu, Dijon : Les Presses du réel 2007. Google Scholar öffnen doi.org/10.5771/9783956508592
- Flood, Finbarr Barry, “From the Prophet to Postmodernism? New World Orders at the End of Islamic Art”, in: Making Art History: A Changing Discipline and Its Institutions, Elizabeth Mansfield, ed., London: Routledge 2007, 31–53. Google Scholar öffnen doi.org/10.5771/9783956508592
- Flood, Finbarr Barry, “Picasso the Muslim: or, How the Bilderverbot Became Modern, Part I”, Res 67/68 (2016), 42–60. Google Scholar öffnen doi.org/10.5771/9783956508592
- Flusser, Vilém, The Freedom of the Migrant. Objections to Nationalism, dir. Anke K. Finger, Champaign : University of Illinois Press 2003. Google Scholar öffnen doi.org/10.5771/9783956508592
- Foster, Hal, Compulsive Beauty, Cambridge, MA: MIT Press 1993. Google Scholar öffnen doi.org/10.5771/9783956508592
- Foster, Stephen C., ed., “The Avant-Garde and the Text”, special issue, Visible Language 21, nos. 3–4 (1987). Google Scholar öffnen doi.org/10.5771/9783956508592
- Foucault, Michel, Abnormal: Lectures at the Collège de France, 1974–1975, trans. Graham Burchell, New York: Picador 2004. Google Scholar öffnen doi.org/10.5771/9783956508592
- Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 17, 1917–1919: An Infantile Neurosis and Other Works, ed. James Strachey, London: Hogarth Press and Institute of Psychoanalysis 1955. Google Scholar öffnen doi.org/10.5771/9783956508592
- Gasché, Rodolphe, “Autogeneous Engenderment: Antonin Artaud’s Phonetic Body”, in: The Stelliferous Fold: Toward a Virtual Law of Literature’s Self-Formation, New York: Fordham University Press 2011, 49–63. Google Scholar öffnen doi.org/10.5771/9783956508592
- Gelin, Mathilde, ed., Daniel Schlumberger: L’Occident à la rencontre de l’Orient, Beirut: IFPO Press 2010. Google Scholar öffnen doi.org/10.5771/9783956508592
- Gencer, Yasemin, “Pushing Out Islam: Cartoons of the Reform Period in Turkey (1923–1928)”, in: Visual Culture in the Modern Middle East: Rhetoric of the Image, Christiane Gruber and Sune Haugbolle, eds., Bloomington: Indiana University Press 2013, 189–214. Google Scholar öffnen doi.org/10.5771/9783956508592
- Gharieb, Samir, Surrealism in Egypt and Plastic Arts, Cairo: Prism Publications Offices 1986. Google Scholar öffnen doi.org/10.5771/9783956508592
- Gille, Vincent, ed., Trajectoires du rêve du romantisme au surréalisme, Paris: Paris musées 2003 Google Scholar öffnen doi.org/10.5771/9783956508592
- Gilman, Ernest B., “The Subject of the Plague”, Journal for Early Modern Cultural Studies 10, no. 2 (2010), 23–44. Google Scholar öffnen doi.org/10.5771/9783956508592
- Giray, Muhteşem, Müstakil Ressamlar ve Heykeltraşlar Birliği, Istanbul: Akbank 1997. Google Scholar öffnen doi.org/10.5771/9783956508592
- Goer, Charis, et Michael Hofmann, dir., Der Deutschen Morgenland. Bilder des Orients in der deutschen Literatur und Kultur von 1770 bis 1850, Munich: Wilhelm Fink Verlag 2008. Google Scholar öffnen doi.org/10.5771/9783956508592
- Gökberk, Macit, “Dr. Robert Anhegger ve İstanbul Türk-Alman Kültür Merkezi”, in: Türkische Miszellen: Robert Anhegger, Festschrift, Armağani, Mélanges, Gudrun Schubert, ed., Istanbul: Divit Press 1987, 5–10. Google Scholar öffnen doi.org/10.5771/9783956508592
- Görknar, Erdağ, “The Novel in Turkish”, in: The Cambridge History of Turkey, vol. 4, Reşat Kasaba, ed., Cambridge: Cambridge University Press 2008, 472–503. Google Scholar öffnen doi.org/10.5771/9783956508592
- Groves, Jason, “Writing under the Influence”, MLN 122 (2007), 1124–1137. Google Scholar öffnen doi.org/10.5771/9783956508592
- Güner, Kağan, Modern Türk Sanatının Doğuşu: Konstrüktivist Türkiye Cumhuriyeti’nde Kültür ve İdeoloji, Istanbul: Kaynak Yayınları 2014. Google Scholar öffnen doi.org/10.5771/9783956508592
- Günyol, Vedat, Sanat ve Edebiyat Dergileri, Istanbul: Alan Yayincilik 1986. Google Scholar öffnen doi.org/10.5771/9783956508592
- Haidar, Otared, The Prose Poem and the Journal Shiʿr: A Comparative Study of Literature, Literary Theory and Journalism, Reading: Ithaca Press 2008. al-Ḥājj, Unsī [Ounsi El Hage], Éternité volante, ed. and trans. Abdul Kader El Janabi, Paris: Sindbad/Actes Sud 1997. al-Ḥājj, Unsī, “Fī ghurfat Jāk Prīvīr”, in: Jacques Prévert [Jāk Prīvīr], Khamsūn qaṣīdah, trans. ʿAbduh Wāzin, Beirut: Dār al-Nahār 1997, 25–31. al-Ḥājj, Unsī [Ounsi El Hage], La Messagère aux cheveux longs jusqu’aux sources et autres poèmes, Paris: Sindbad/Actes Sud 2015. al-Ḥājj, Unsī, Kalimāt kalimāt kalimāt, 3 vol., Beirut: Dār al-Nahār li-l-Nashr 1987. al-Ḥājj, Unsī, Lan, Beirut: Dār Majallat Shiʿr 1960. al-Ḥājj, Unsī, Māḍī l-ayyām al-ātiyah, Sidon: al-Maktabah al-ʿAṣriyyah 1965. al-Ḥājj, Unsī, al-Rasūlah bi-shaʿrihā l-ṭawīl ḥattā l-yanābīʿ, Beirut: Dār al-Nahār li-l-Nashr 1975. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hakim, Carol, The Origins of the Lebanese National Idea: 1840–1920, Berkeley: University of California Press 2013. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hall, Stuart, “Minimal Selves”, in: The Real Me: Postmodernism and the Question of Identity, ICA Documents 6, Lisa Appignanesi, ed., London: The Institute of Contemporary Arts 1987, 44–47. Google Scholar öffnen doi.org/10.5771/9783956508592
- Halman, Talat Sait, “I Am Listening to Istanbul: Orhan Veli Kanık”, in: Rapture and Revolution: Essays on Turkish Literature, Jayne L. Warner, ed., Syracuse: Syracuse University Press 2007, 339–347. Google Scholar öffnen doi.org/10.5771/9783956508592
- Halman, Talat Sait, “Introduction”, in: I Am Listening to Istanbul: Selected Poems of Orhan Veli Kanık, trans. Talat Sait Halman, New York: Corinth Books 1971, i–xxii. Google Scholar öffnen doi.org/10.5771/9783956508592
- Halman, Talat Sait, A Millennium of Turkish Literature: A Concise History, ed. Jayne L. Warner, Syracuse: Syracuse University Press 2011. Google Scholar öffnen doi.org/10.5771/9783956508592
- Halman, Talat Sait, Türk Edebiyatı Tarihi, Ankara: Kültür ve Turizm Bakanlığı 2006. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hammill, Graham, “Miracles and Plagues: Plague Discourse as Political Thought”, Journal for Early Modern Cultural Studies 10, no. 2 (2010), 85–104. Hans Bellmer. Anatomie du désir, cat. exp., Musée national d’art moderne, Paris : Gallimard/Centre Pompidou 2006. Hans Bellmer. Exposition de portraits, du 6 mai au 4 juin avec un texte de Jean Cocteau, cat. exp., Paris : Librairie Jean-Jacques Pauvert 1955. Google Scholar öffnen doi.org/10.5771/9783956508592
- Harrison, Olivia C., and Teresa Villa-Ignacio, “Introduction: Souffles-Anfas for the New Millennium”, in: Souffles-Anfas: A Critical Anthology from the Moroccan Journal of Culture and Politics, Olivia C. Harrison and Teresa Villa-Ignacio, eds., Stanford: Stanford University Press 2015, 1–12. Ḥasan, ʿAbd al-Karīm, Qaṣīdat al-nathr wa-intāj al-dalālah: Unsī al-Ḥājj unmūdhajan, Beirut: Dār al-Sāqī 2008. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ḥāwī, Khalīl, Khalīl Ḥāwī: Falsafat al-shiʿr wa-l-ḥaḍārah, ed. Rītā ʿAwaḍ, Beirut: Dār al-Nahār 2002. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hayot, Eric, and Rebecca L. Walkowitz, A New Vocabulary for Global Modernism, New York: Columbia University Press 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Henein, Georges, et Jo Farna, « La Guerre qui revient » dans « Le Rappel à l’ordure », 1935, non paginé. Google Scholar öffnen doi.org/10.5771/9783956508592
- Henein, Georges, Œuvres : poèmes, récits, essais, articles et pamphlets, Paris: Denoël 2006. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hilâv, Selahattin, Edebiyat Yazıları, Istanbul: Yapı Kredi Yayınları 2008. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hilâv, Selahattin, “Yüksel Arslan Üzerine”, in: Yüksel Arslan: İlişki, Davraniş, Sıkıntılara Övgü’den Arture’lere (1955–1970), Mazhar Şevket İpşiroğlu, Orhan Duru, Ferit Edgü and Selahattin Hilâv, eds., Istanbul: Yapı Kredi Yayınları 2016, 65–69. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hilâv, Selahattin, Ergin Ertem and Onat Kutlar, eds., Gerçeküstücülük, Ankara: de 1962. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hodges, Richard, and David Whitehouse, Mohammed, Charlemagne, and the Origins of Europe: Archaeology and the Pirenne Thesis, Ithaca, NY: Cornell University Press 1983. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hourani, Albert, The Emergence of the Modern Middle East, Los Angeles: University of California Press 1981. Google Scholar öffnen doi.org/10.5771/9783956508592
- Hudson, Michael C., “Democracy and Social Mobilization in Lebanese Politics”, in: Analyzing the Third World: Essays from Comparative Politics, Norman W. Provizer, ed., Cambridge: Schenkman 1978, 271–292. al-Idlibī, Ulfat, “Ūrkhān Muyassar: Lamḥah min ḥayātihi al-khāṣṣah”, al-Maʿrifah 160 (1975), 164-171. Google Scholar öffnen doi.org/10.5771/9783956508592
- İlhan, Attila, Hangi Batı? (Anılar ve Acılar), Ankara: Bilgi Yayınevi 1972. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ilyās, Jūsīf, Taṭawwur al-ṣaḥāfah al-sūriyyah fī miʾat ʿām (1865–1965), Beirut: Dār al-Niḍāl 1983. Google Scholar öffnen doi.org/10.5771/9783956508592
- İpşiroğlu, Mazhar Şevket, “Önsöz”, in: Yüksel Arslan: İlişki, Davraniş, Sıkıntılara Övgü’den Arture’lere (1955–1970), Mazhar Şevket İpşiroğlu, Orhan Duru, Ferit Edgü and Selahattin Hilâv, eds., Istanbul: Yapı Kredi Yayınları 2016, 1–10. Google Scholar öffnen doi.org/10.5771/9783956508592
- İpşiroğlu, Mazhar Şevket, Siyah Qalem, Graz: Akademische Druck- u. Verlagsanstalt 1976. Google Scholar öffnen doi.org/10.5771/9783956508592
- İpşiroğlu, Mazhar Şevket, Selahattin Hilâv, Orhan Duru and Ferit Edgü, eds., Yüksel Arslan (Bir Dönem: 1951–61), Istanbul: Ada 1977, 23–44. Google Scholar öffnen doi.org/10.5771/9783956508592
- İrepoğlu, Gül, Zeki Faik İzer, Istanbul: YKY 2005. Google Scholar öffnen doi.org/10.5771/9783956508592
- Jabrā, Jabrā Ibrāhīm [Jabra I. Jabra], “Modern Arabic Literature and the West”, Journal of Arabic Literature 2 (1971), 76–91. Google Scholar öffnen doi.org/10.5771/9783956508592
- Jabrā, Jabrā Ibrāhīm, “Yūsuf al-Khāl: al-Mafāzah wa-l-biʾr wa-l-llāh” [1958], in: al-Nār wa-l-jawhar: Dirāsāt fī l-shiʿr, Beirut: Dār al-Quds 1975, 37–47. Google Scholar öffnen doi.org/10.5771/9783956508592
- Jacob, Preminda, “Between Modernism and Modernization: Locating Modernity in South Asian Art”, Art Journal 58 (1999), 48–57. al-Janābī, ʿAbdul Qādir [Abdul Kader El Janabi], ed., Le Désir libertaire: Le Surréalisme arabe à Paris 1973–1975, Toulouse: Éditions de l’Asymétrie 2018. al-Janābī, ʿAbdul Qādir, Tarbiyat ʿAbdul Qādir al-Janābī, Beirut: Dār al-Jadīd 1995. al-Janābī, ʿAbd al-Qādir, Unsī al-Ḥājj: Min qaṣīdat al-nathr ilā shaqāʾiq al-nathr, mukhtārāt min ashʿārihi wa-khawātimihi, Beirut: Jadāwil li-l-Nashr wa-l-Tarjamah wa-l-Tawzīʿ 2015. al-Jayyūsī, Salmā al-Khaḍrāʾ, Trends and Movements in Modern Arabic Poetry, Leiden: Brill 1977. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kane, Patrick M., The Politics of Art in Modern Egypt: Aesthetics, Ideology and Nation-Building, London: I.B. Tauris 2013. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kaufman, Asher, Reviving Phoenicia: The Search for Identity in Lebanon, London: I.B. Tauris 2004. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kemp, Robert, « Monsieur Bob’le », Le Monde, 3 février 1951, http://abonnes.lemonde.fr/archives/article/1951/02/03/monsieur-bob-le_2066305_1819218.html. Google Scholar öffnen doi.org/10.5771/9783956508592
- Keskin, Ferda, “On the Melancholy Shore”, in: Kalliopi Lemos: Round Voyage, exhibition catalogue, Istanbul: santralistanbul 2008, 57–59. el-Khoury, Alfred [Alfrād al-Khūrī], “Mulḥaq al-khamsīn ʿāman wa-ʿām”, al-Mulḥaq, special issue, 20 June 2015, 19. el-Khoury, Alfred [Alfrād al-Khūrī], “Unsī al-Ḥājj wa-l-suryāliyyah al-faransiyyah: Min al-jasad al-hādhī ilā l-ḥubb al-majnūn”, MA thesis, American University of Beirut, Department of Arabic and Near Eastern Languages 2015. Google Scholar öffnen doi.org/10.5771/9783956508592
- Khoury, Gérard D., “Portrait de Gabriel Bounoure”, in: Dictionnaire des orientalistes, François Pouillon, ed., Paris: Karthala 2008, 139–140. Google Scholar öffnen doi.org/10.5771/9783956508592
- Khoury, Gérard D., ed., Vergers d’exil: Gabriel Bounoure, Paris: Geuthner 2004. Google Scholar öffnen doi.org/10.5771/9783956508592
- Khoury-Ghata, Vénus, “La Poésie arabe au Moyen-Orient”, Europe 609 (1980), 74–78. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kober, Marc, « Le Démon de la perversité : à propos d’un échange entre André Breton et Georges Henein », dans : André Breton, Michel Murat, dir., Paris : L’Herne 1998, 377–382. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kober, Marc, « Introduction », dans : Le Désir libertaire. Le Surréalisme arabe à Paris, 1973–1975, Abdul Kader El Janabi, dir., Toulouse : L’Asymétrie 2018, 9–28. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kober, Marc, Irène Fenoglio et Daniel Lançon, dir., Entre Nil et sable : écrivains d’Égypte d’expression française (1920–1960), Paris : Centre national de documentation pédagogique, 1999. Google Scholar öffnen doi.org/10.5771/9783956508592
- Köksal, Duygu, “Art and Power in Turkey: Culture, Aesthetics and Nationalism during the Single Party Era”, New Perspectives on Turkey 31 (2004), 91–119. Google Scholar öffnen doi.org/10.5771/9783956508592
- Köksal, Duygu, “The Role of Art in Early Republican Modernization in Turkey”, in: La Multiplication des images en pays d’Islam, Bernard Heyberger and Silvia Naef, eds., Würzburg: Orient-Institut Istanbul 2016, 154–167. Google Scholar öffnen doi.org/10.5771/9783956508592
- Krainick, Sibylla, Arabischer Surrealismus im Exil: Der irakische Dichter und Publizist ʿAbd al-Qādir al-Ǧanābī, Wiesbaden: Reichert 2001. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kravagna, Christian, Transmoderne: Eine Kunstgeschichte des Kontakts, Berlin: b_books 2017. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kushner, David, “Self-Perception and Identity in Contemporary Turkey”, Journal of Contemporary History 32 (1997), 219–233. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kutlar, Onat, İshak, Istanbul: A Dergisi Yayınları 1959. Google Scholar öffnen doi.org/10.5771/9783956508592
- Kutlar, Onat, Sinema Bir Şenliktir, Istanbul: Can 1991. LaCoss, Don, “Egyptian Surrealism and ‘Degenerate Art’ in 1939”, Arab Studies Journal 18, no. 1 (Spring 2010), 78–117. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ladimer, Bethany, “Madness and the Irrational in the Work of André Breton: A Feminist Perspective”, Feminist Studies 6, no. 1 (1980), 175–195. Google Scholar öffnen doi.org/10.5771/9783956508592
- Laffitte, Maryse, “L’Image de la femme chez Breton: Contradictions et virtualités”, Revue romane 11, no. 2 (1976), 286–305. Google Scholar öffnen doi.org/10.5771/9783956508592
- Lançon, Daniel, Jabès l’Égyptien, Paris : Jean Michel Place 2009. Google Scholar öffnen doi.org/10.5771/9783956508592
- Lemaire, Gérard-Georges, “Algérie Littérature/Action: André Breton, le surréalisme et l’Algérie”, Ent’revues, 16 January 2017, https://www.entrevues.org/aufildeslivraisons/14112-2/. Google Scholar öffnen doi.org/10.5771/9783956508592
- Lenssen, Anneka, “The Shape of the Support: Painting and Politics in Syria’s Twentieth Century”, PhD thesis, Massachusetts Institute of Technology 2014. Google Scholar öffnen doi.org/10.5771/9783956508592
- Lenssen, Anneka, Sarah Rogers and Nada Shabout, eds., Modern Art in the Arab World: Primary Documents, New York: Museum of Modern Art 2018. Google Scholar öffnen doi.org/10.5771/9783956508592
- Leoni, Francesca, and Mika Natif, eds., Eros and Sexuality in Islamic Art, Farnham: Ashgate 2013. Google Scholar öffnen doi.org/10.5771/9783956508592
- Lewis, Bernard, The Emergence of Modern Turkey, New York: Oxford University Press 2002. Google Scholar öffnen doi.org/10.5771/9783956508592
- Lunde, Paul, “A Turk at Versailles”, Saudi Aramco World 44, no. 3 (1993), 30–39, http://archive.aramcoworld.com/issue/199306/a.turk.at.versailles.htm. Google Scholar öffnen doi.org/10.5771/9783956508592
- Luthi, Jean-Jacques, « Le Mouvement surréaliste en Égypte », Mélusine 3. Marges non-frontières, Henri Béhar, dir., Lausanne : L’Age d’homme 1982, 18–35. Google Scholar öffnen doi.org/10.5771/9783956508592
- Luthi, Jean-Jacques, La Presse égyptienne d’expression française, Alexandrie : Éditions de l’Atelier 1978. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mabanckou, Alain, “Francophonie, langue française: Lettre ouverte à Emmanuel Macron”, BibliObs, L’Obs, 15 January 2018, https://bibliobs.nouvelobs.com/actualites/20180115.OBS0631/francophonie-langue-francaise-lettre-ouverte-a-em manuel-macron.html. MacDonald, Megan C., “Algeria Time and Water Logic: Image, Archive, Mediterranean Futurity”, in: Languages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes: From Crisis to Critique, Maria Boletsi, Janna Houwen and Liesbeth Minnaard, eds., London: Palgrave 2020. MacDonald, Megan C., “Bare Life at Sea (The Leper and the Plague)”, in: Biotheory: Life and Death under Capitalism, Jeffrey R. Di Leo and Peter Hitchcock, eds., London: Routledge 2020, 175–203. MacDonald, Megan C., “Haunting Correspondences and Elemental Scenes: Weaving Cixous after Derrida”, in: Cixous after / depuis 2000, Elizabeth Berglund Hall, Frédérique Chevillot, Eilene Hoft-March and Maribel Penalver Vicea, eds., Amsterdam: Brill Rodopi 2017, 36–54. Maḥfūẓ, ʿIṣām, al-Sūryāliyyah wa-tafāʿulātuhā l-ʿarabiyyah, Beirut: al-Muʾassasah al-ʿArabiyyah li-l-Dirāsāt wa-l-Nashr 1987. Google Scholar öffnen doi.org/10.5771/9783956508592
- Maingon, Claire, “L’Académie Lhote – L’Atelier Léger: Enseignements comparés”, in: L’Éducation artistique en France du modèle académique et scolaire aux pratiques actuelles, XVIIIe–XIXe siècles, Rennes: Presses universitaires de Rennes 2010, 219–229. al-Malādhī, Suhayl, al-Ṭibāʿah wa-l-ṣaḥāfah fī Ḥalab, Damascus: Dār Yaʿrab li-l-Dirāsāt 1996. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mallette, Karla, “Lingua Franca”, in: A Companion to Mediterranean History, Peregrine Horden and Sharon Kinoshita, eds., Chichester: Wiley-Blackwell 2014, 330–344. Google Scholar öffnen doi.org/10.5771/9783956508592
- Manne, Robert, The Petrov Affair: Politics and Espionage, Sydney: Pergamon Press 1987. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mansour, Joyce, Cris, Paris : Pierre Seghers 1953. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mansour, Joyce, Déchirures, Paris : Éditions de Minuit 1955. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mansour, Joyce, Jules César [1955], Paris : Pierre Seghers 1958. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mansour, Marie-Francine, Une vie surréaliste : Joyce Mansour, complice d’André Breton, Chaintreaux : Éditions France-Empire monde 2015. Mario Prassinos: In Pursuit of an Artist; Istanbul–Paris–Istanbul, exhibition catalogue, Istanbul: Pera Müzesi 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Matvejević, Predrag, Mediterranean: A Cultural Landscape, trans. Michael Heim, Berkeley: University of California Press 1999. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mercer, Kobena, “Introduction”, in: Cosmopolitan Modernisms, Kobena Mercer, ed., Cambridge, MA: MIT Press 2015, 6-23. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mercié, Jean-Luc, Pierre Molinier, Dijon : Les Presses du réel ; Paris : K. Mennour 2010. Google Scholar öffnen doi.org/10.5771/9783956508592
- Missir, Marie-Laure, « De Jules César à Jeux de la Poupée. Récit d’une rencontre “à facettes mobiles” entre Joyce Mansour et Hans Bellmer », Pleine marge 37 (2003), 155-167. Google Scholar öffnen doi.org/10.5771/9783956508592
- Mitter, Partha, “Decentering Modernism: Art History and Avant-Garde from the Periphery”, Art Bulletin 90 (2008), 531–548. Google Scholar öffnen doi.org/10.5771/9783956508592
- Monaco, Arturo, “The Beginning of the New Age in Syro-Lebanese Poetry: The Case of the Revue al-Qīṯārah (The Lyre, 1946–47)”, in: Qamariyyāt: Oltre ogni frontiera tra letteratura e traduzione; Studi in onore di Isabella Camera d’Afflitto, Maria Avino, Ada Barbaro and Monica Ruocco, eds., Rome: Istituto per l’Oriente C.A. Nallino 2019, 391-405. Google Scholar öffnen doi.org/10.5771/9783956508592
- Monaco, Arturo, “Ispirazione romantica e sperimentalismo surrealista in due raccolte poetiche del siriano ʿAlī al-Nāṣir (1890–1970): al-Ẓamāʾ (1931) e Suryāl (1947)”, La Rivista di Arablit 12 (2016), 29–50. Google Scholar öffnen doi.org/10.5771/9783956508592
- Monaco, Arturo, “Syria and the Reception of Surrealism: Suryāl 1947 vs. Radio Sūriyālī (SouriaLi) 2012”, in: New Geographies: Texts and Contexts in Modern Arabic Literature, Roger Allen, Gonzalo Fernández Parrilla, Francisco Rodríguez Sierra and Tetz Rooke, eds., Madrid: Universidad Autónoma de Madrid 2018, 115–133. Google Scholar öffnen doi.org/10.5771/9783956508592
- Muallâ, Fikret, “Çakallar”, Istanbul: Ada 1977. Google Scholar öffnen doi.org/10.5771/9783956508592
- Muhidine, Timour, “‘Ce ciel postiche qui nous appartient à tous’: Le Surréalisme en Turquie”, in: La Multiplication des images en pays d’Islam, Bernard Heyberger and Silvia Naef, eds., Würzburg: Orient-Institut Istanbul 2016, 168–178. al-Mūsā, Khalīl, “Khamsat udabāʾ muʾassisūn min Ḥalab al-Shahbāʾ”, al-Maʿrifah 508 (2006), 204-217. Google Scholar öffnen doi.org/10.5771/9783956508592
- Muyassar, Ūrkhān, Maʿa qawāfil al-fikr, Damascus: Ittiḥād al-kuttāb al-ʿarab 1974. Google Scholar öffnen doi.org/10.5771/9783956508592
- Muyassar, Ūrkhān, Suryāl wa-qaṣāʾid ukhrā, Damascus: Ittiḥad al-kuttāb al-ʿarab 1979. Google Scholar öffnen doi.org/10.5771/9783956508592
- Nacentra, Raymond, ed., Le Surréalisme: Sources, histoire, affinités, exhibition catalogue, Paris: Galerie Charpentier 1964. Google Scholar öffnen doi.org/10.5771/9783956508592
- Nadeau, Maurice, Histoire du surréalisme [1945], Paris: Éditions du Seuil 1964. Google Scholar öffnen doi.org/10.5771/9783956508592
- Nantet, Jacques, Pierre Gemayel, Paris: J.C. Lattès 2001. al-Nāṣir, ʿAlī, and Ūrkhān Muyassar, Suryāl, Aleppo: Maṭbaʿat al-salām 1947. Google Scholar öffnen doi.org/10.5771/9783956508592
- Nin, Anaïs, The Diary of Anaïs Nin, vol. 1, 1931–1934, New York: Mariner Books 1969. Google Scholar öffnen doi.org/10.5771/9783956508592
- Nordbruch, Götz, Nazism in Syria and Lebanon: The Ambivalence of the German Option 1933–1945, New York: Routledge 2008. Google Scholar öffnen doi.org/10.5771/9783956508592
- Olgun, Tahir, Edebiyati Lügati, Istanbul: Âsâr-i lmiye Kütüphanesi Neşriyati 1936. Google Scholar öffnen doi.org/10.5771/9783956508592
- Özsezgin, Kaya, Cumhuriyet’in 75. Yılında Türk Resmi, Istanbul: Türkiye İş Bankası Kültür Yayınları 1998. Google Scholar öffnen doi.org/10.5771/9783956508592
- Öztoprak, Sema, Adnan Turani: Yaşam Serüveni, Sanat Üzerine Düşünceleri ve Resimsel Birikimi, Istanbul: Türkiye İş Bankası Yayınları 2005. Google Scholar öffnen doi.org/10.5771/9783956508592
- Özveren, Eyüp, “In Defiance of History: Liberal and National Attributes of the Ottoman-Turkish Path to Modernity”, in: Liberty and the Search for Identity: Liberal Nationalisms and the Legacy of Empires, Iván Zoltán Dénes, ed., Budapest: Central European University Press 2006, 457–499. Google Scholar öffnen doi.org/10.5771/9783956508592
- Pandolfo, Stefania, “‘The Burning’: Finitude and the Politico-Theological Imagination of Illegal Migration”, Anthropological Theory 7, no. 3 (2007), 329–363. Google Scholar öffnen doi.org/10.5771/9783956508592
- Pandolfo, Stefania, Knot of the Soul: Madness, Psychoanalysis, Islam, Chicago: University of Chicago Press 2018. Google Scholar öffnen doi.org/10.5771/9783956508592
- Panzac, Daniel, La Peste dans l’empire Ottoman, 1700–1850, Leuven: Peeters 1985. Google Scholar öffnen doi.org/10.5771/9783956508592
- Pelvanoğlu, Burcu, Hale Asaf: Türk Resim Sanatında Bir Dönüm Noktası, Istanbul: YKY 2007 [and 2018 for the second expanded edition]. Google Scholar öffnen doi.org/10.5771/9783956508592
- Péret, Benjamin, “Le Surréalisme international”, Cahiers d’art 5–6 (1935), 138. Google Scholar öffnen doi.org/10.5771/9783956508592
- Petit, Pierre, Pierre Molinier, une vie d’enfer, Paris : Ramsay/Jean-Jacques Pauvert 1992. Google Scholar öffnen doi.org/10.5771/9783956508592
- Peyre, Henri, “The Significance of Surrealism”, Yale French Studies 2 (1948), 37–49. Google Scholar öffnen doi.org/10.5771/9783956508592
- Picon, Gaëtan, « Préface », dans : Georges Schehadé, Les Poésies [1952], Paris : Gallimard 2001. Google Scholar öffnen doi.org/10.5771/9783956508592
- Pierre, José, ed., Investigating Sex: Surrealist Research 1928–1932, trans. Malcolm Imrie, London: Verso 1992. Google Scholar öffnen doi.org/10.5771/9783956508592
- Pierre, José, ed., Tracts surréalistes et déclarations collectives, vol. 1, 1922–1939, Paris: Terrain vague 1980. Google Scholar öffnen doi.org/10.5771/9783956508592
- Pierre, José, ed., Tracts surréalistes et déclarations collectives, vol. 2, 1940–1969, Paris: Terrain vague 1982. Google Scholar öffnen doi.org/10.5771/9783956508592
- Pirenne, Henri, Mohammed and Charlemagne, trans. Bernard Miall, New York: Barnes & Noble Books 1992. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ponnou-Delaffon, Erin Tremblay, “In and Out of Place: Geographies of Revolt in Camus’s La Peste”, Studies in 20th & 21st Century Literature 39, no. 1 (2015), article 8, https://doi.org/10.4148/2334-4415.1812. Google Scholar öffnen doi.org/10.5771/9783956508592
- Prassinos, Gisèle, The Arthritic Grasshopper, Adelaide: Wakefield Press 2017. Google Scholar öffnen doi.org/10.5771/9783956508592
- Prévert, Jacques, Choses et autres, Paris: Gallimard 1972 Google Scholar öffnen doi.org/10.5771/9783956508592
- Prévert, Jacques, Œuvres complètes, Paris: Gallimard/Pléiade 1992–1996. Google Scholar öffnen doi.org/10.5771/9783956508592
- Prévert, Jacques, Soleil de nuit, Paris: Gallimard 1980. Google Scholar öffnen doi.org/10.5771/9783956508592
- Provence, Michael, The Great Syrian Revolt and the Rise of Arab Nationalism, Austin: University of Texas Press 2005. Google Scholar öffnen doi.org/10.5771/9783956508592
- Puchner, Martin, Poetry of the Revolution: Marx, Manifestos and the Avant-Gardes, Princeton: Princeton University Press 2006. Google Scholar öffnen doi.org/10.5771/9783956508592
- Qishta, Hisham, ed., al-Taṭawwur, 2nd ed., Cairo: Elias Publishing 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Radwan, Nadia, “How a Ceramic Vase in the Art Salon Changed Artistic Discourse in Egypt”, in: The Art Salon in the Arab Region: Politics of Taste Making, Nadia von Maltzahn and Monique Bellan, eds., Beirut: Orient-Institut Beirut 2018, 113–131. Google Scholar öffnen doi.org/10.5771/9783956508592
- Réage, Pauline, Histoire d’O, Sceaux : Éditions Jean-Jacques Pauvert 1954. Google Scholar öffnen doi.org/10.5771/9783956508592
- Record, Jean, « Un procès surréaliste : Abel Bessac contre André Breton », La Dépêche, 30 août 2017, https://www.ladepeche.fr/article/2017/08/30/2635946-un-proces-surrealiste-abel-bessac-contre-andre-breton.html. Google Scholar öffnen doi.org/10.5771/9783956508592
- Renda, Günsel, “Modern Trends in Turkish Painting”, in: The Transformation of Turkish Culture: The Atatürk Legacy, Günsel Renda and Max C. Kortepeter, eds., Princeton: Kingston Press 1986, 229–248. Google Scholar öffnen doi.org/10.5771/9783956508592
- Richard, Anne, La Bible surréaliste de Gisèle Prassinos, Wavre: Éditions Mols 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Richardson, Michael, “‘Other’ Surrealisms: Centre and Periphery in International Perspective”, in: A Companion to Dada and Surrealism, David Hopkins, ed., Chichester: Wiley Blackwell 2016, 131–143. Google Scholar öffnen doi.org/10.5771/9783956508592
- Richardson, Michael, “Surrealism Faced with Cultural Difference”, in: Cosmopolitan Modernisms, Kobena Mercer, ed., Cambridge, MA: MIT Press 2005, 68–85. Google Scholar öffnen doi.org/10.5771/9783956508592
- Richardson, Michael, and Krzysztof Fijałkowski, “Introduction: Surrealism as a Collective Adventure”, in: Surrealism Against the Current: Tracts and Declarations, Michael Richardson and Krzysztof Fijałkowski, eds., London: Pluto Press 2001, 1–18. Google Scholar öffnen doi.org/10.5771/9783956508592
- Roberts, John, Revolutionary Time and the Avant-Garde, London: Verso 2015. Google Scholar öffnen doi.org/10.5771/9783956508592
- Rodinson, Maxime, Marxisme et monde musulman, Paris: Éditions du Seuil 1972. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ruiz, Theofilo F., “The Mediterranean and the Atlantic”, in: A Companion to Mediterranean History, Peregrine Horden and Sharon Kinoshita, eds., Chichester: Wiley-Blackwell 2014, 412–424. Ṣāʾib, Saʿad, “Ūrkhān Muyassar: Adīb wa nāqid”, al-Maʿrifah 160 (June 1975), 172-182. Google Scholar öffnen doi.org/10.5771/9783956508592
- Said, Edward W., Orientalism, New York: Pantheon Books 1978. Google Scholar öffnen doi.org/10.5771/9783956508592
- Said, Edward W., Orientalismus, Frankfurt am Main: Fischer 2009. Saʿīd, Khālidah, Yūtūbiyā al-madīnah al-muthaqqafah, Beirut: Dār al-Sāqī 2012. Google Scholar öffnen doi.org/10.5771/9783956508592
- Salih, Tayeb, Season of Migration to the North, trans. Denys Johnson-Davies, London: Penguin Classics 2003. Google Scholar öffnen doi.org/10.5771/9783956508592
- Sallares, Robert, “Disease”, in: A Companion to Mediterranean History, Peregrine Horden and Sharon Kinoshita, eds., Chichester: Wiley-Blackwell 2014, 251–262. al-Samṭī, ʿAbd Allāh, “Tajārib awwaliyyah fī qaṣīdat al-nathr al-ʿarabiyyah”, Nizwā, 1 May 2011. Google Scholar öffnen doi.org/10.5771/9783956508592
- Şarman, Kansu, Türk Promethe’ler: Cumhuriyet’in Öğrencileri Avrupa’da (1925–1945), Istanbul: T. İş Bankası Kültür Yayınları 2015. Google Scholar öffnen doi.org/10.5771/9783956508592
- Sawin, Martica, Surrealism in Exile and the Beginning of the New York School, Cambridge, MA : MIT Press 1995. al-Sayyāb, Badr Shākir, Poesie, trans. P. Minganti, Rome: Istituto per l’Oriente 1968. Google Scholar öffnen doi.org/10.5771/9783956508592
- Sazyek, Hakan, Cumhuriyet Dönemi Türk Şiirinde: Garip Hareketi, Ankara: Akçağ Yayınları 2016. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, L’Écolier sultan [1950], Paris: Gallimard 1973. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, Étincelles. Poèmes, Paris : Éditions de la pensée latine 1927. Georges Schehadé, Monsieur Bob’le [1951], in Georges Schehadé, Œuvre complète, Le Théâtre, Tome 1, Beirut : Dar an-Nahar 1989. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, Poésies, Paris : G.L.M. 1938. Google Scholar öffnen doi.org/10.5771/9783956508592
- Schehadé, Georges, Rodogune Sinne, Paris : G.L.M. 1947. Google Scholar öffnen doi.org/10.5771/9783956508592
- Seggerman, Alex Dika, Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary, Cairo: American University in Cairo Press 2019. Google Scholar öffnen doi.org/10.5771/9783956508592
- Seyfioğlu, Ali Rıza, and Bram Stoker, Dracula in Istanbul: The Unauthorized Version of the Gothic Classic, trans. Necip Ateş, ed. Ed Glaser, n.p.: Neon Harbor Entertainment 2017. Google Scholar öffnen doi.org/10.5771/9783956508592
- Shalem, Avinoam, “Exceeding Realism: Utopian Modern Art on the Nile and Abdel Hedi al-Gazzar’s Surrealistic Drawings”, South Atlantic Quarterly 109 (2010), 577–594. Google Scholar öffnen doi.org/10.5771/9783956508592
- Shattuck, Roger, “Love and Laughter: Surrealism Reappraised”, in: Maurice Nadeau, The History of Surrealism [1945], trans. Richard Howard, Harmondsworth: Penguin Books 1978, 11–34. Google Scholar öffnen doi.org/10.5771/9783956508592
- Shaw, Wendy M.K., Ottoman Painting: Reflections of Western Art from the Ottoman Empire to the Turkish Republic, London: I.B. Tauris 2011. Google Scholar öffnen doi.org/10.5771/9783956508592
- Short, Robert S., “The Politics of Surrealism, 1920–1936”, Journal of Contemporary History 1 (1966), 3-25. Google Scholar öffnen doi.org/10.5771/9783956508592
- Siyavuşgil, Sabri Esat, Karagöz, Istanbul: Milli Eğitim Basımevı 1951. Google Scholar öffnen doi.org/10.5771/9783956508592
- Sönmez, Necmi, “Formation – Conceptualisation – Emancipation”, in: A Retrospective of Yüksel Arslan: Catalogue, Levent Yilmaz, ed., Istanbul: Santral İstanbul 2010, 61–74. Google Scholar öffnen doi.org/10.5771/9783956508592
- Sönmez, Necmi, Paris Tecrübeleri; École de Paris – Çağdaş Türk Sanatı: 1945-1965, Istanbul : Yapı Kredi Yayınları 2019. Google Scholar öffnen doi.org/10.5771/9783956508592
- Sontag, Susan, Under the Sign of Saturn, New York: Vintage Books 1981. Google Scholar öffnen doi.org/10.5771/9783956508592
- Sorin, Raphaël, « Georges Schehadé, le magicien », Le Monde, 8 mars 1985, http://abonnes.lemonde.fr/archives/article/1985/03/08/georges-schehade-le-magicien_2743197_1819218.html. Google Scholar öffnen doi.org/10.5771/9783956508592
- Stoker, Bram, Dracula [1897], Oxford: Oxford University Press 2011. Google Scholar öffnen doi.org/10.5771/9783956508592
- Stott, William, Documentary Expression in Thirties America, Chicago: University of Chicago Press 1986. Google Scholar öffnen doi.org/10.5771/9783956508592
- Suci, Hrant Melih, Türk Resim Sanatında Gerçeküstücü Ressamlar, Ankara: Pegem Akademi 2017. Google Scholar öffnen doi.org/10.5771/9783956508592
- Süreya, Cemal, Şapkam Dolu Çiçekle: Toplu Yazılar I, Istanbul: Yapı Kredi Yayınları 2006. Google Scholar öffnen doi.org/10.5771/9783956508592
- Tabet, Jad, “La Ville imparfaite: Le Concept de centralité urbaine dans les projets d’aménagement et de reconstruction de Beyrouth”, in: Reconstruire Beyrouth: Les Paris sur les possibles, Nabil Beyhum, ed., Lyon: Maison de l’Orient 1991, 85–120. Google Scholar öffnen doi.org/10.5771/9783956508592
- Taminiaux, Pierre, “Breton and Trotsky: The Revolutionary Memory of Surrealism”, Yale French Studies 109 (2006), 52–66. Google Scholar öffnen doi.org/10.5771/9783956508592
- Tansuğ, Sezer, Türk Resminde Yeni Dönem, Istanbul: Remzi Kitabevi 1995. Google Scholar öffnen doi.org/10.5771/9783956508592
- Tengour, Habib, “Maghrebian Surrealism [Essay & Manifesto]”, trans. Pierre Joris, 2017, https://jacket2.org/commentary/habib-tengour-maghrebian-Surrealism-essay-manifesto. Google Scholar öffnen doi.org/10.5771/9783956508592
- Tietze, Andreas, The Turkish Shadow Theatre and the Puppet Collection of the L.A. Mayer Memorial Foundation, Berlin: Mann 1977. Google Scholar öffnen doi.org/10.5771/9783956508592
- Topuz, Hıfzı, “Bedri Rahmi in Paris”, in: “Sevmek Güzel Meslek Reis”: B. Rahmi, exhibition catalogue, İzmir: Folkart Gallery Publishing 2017, 26–57. Google Scholar öffnen doi.org/10.5771/9783956508592
- Topuz, Hıfzı, Paris’te Bir Türk Ressam: Fikret Muallä’nın Yaşamı, Istanbul: Remzi Kitabevi 2014. Google Scholar öffnen doi.org/10.5771/9783956508592
- Trow, M.J., Vlad the Impaler: In Search of the Real Dracula, Stroud: History Press 2003. Unsī al-Ḥājj, al-mutamarrid, al-ḥālim, al-naqī: Shahādāt wa-aqwāl, unknown editor, Beirut: Muʾassasat Jūzīf Rʿaydī li-l-Ṭibāʿah and Dār al-Nahār 1995. Google Scholar öffnen doi.org/10.5771/9783956508592
- Varlık, Nükhet, Plague and Empire in the Early Modern Mediterranean World: The Ottoman Experience, 1347–1600, New York: Cambridge University Press 2015. Google Scholar öffnen doi.org/10.5771/9783956508592
- Veli, Orhan, Melih Cevdet Anday and Oktay Rifat, Garip: Şiir Hakkında Düşünceler ve Melih Cevdet, Oktay Rıfat, Orhan Veli’den Seçilmiş Şiirler, Istanbul: Yapı Kredi Yayınları 2014. Google Scholar öffnen doi.org/10.5771/9783956508592
- Veli, Orhan, Garip (2nd ed), Istanbul: Ölmez Eserler, 1945. Google Scholar öffnen doi.org/10.5771/9783956508592
- Westbrook, John, “Reorienting Surrealism”, The French Review 81, no. 4 (2008), 707–718. Google Scholar öffnen doi.org/10.5771/9783956508592
- Wilson, Simon, Surrealist Painting, Oxford: Phaidon 1982. Google Scholar öffnen doi.org/10.5771/9783956508592
- Yağbasan, Eylem, “Ressam Halife Abdülmecid Efendi (1868–1944)”, in: Hanedandan Bir Ressam: Abdülmecid Efendi, Ömer Faruk Şerifoğlu, ed., Istanbul: YKY 2004, 23–62. Google Scholar öffnen doi.org/10.5771/9783956508592
- Yaman, Zeynep Yaşa, D Grubu 1933–1951, Istanbul: Yapı Kredi Yayınları 2002. Google Scholar öffnen doi.org/10.5771/9783956508592
- Yıldız, Esra, “A Yüksel Arslan Biography”, in: A Retrospective of Yüksel Arslan: Catalogue, Levent Yilmaz, ed., Istanbul: Santral İstanbul 2010, 567-580. Google Scholar öffnen doi.org/10.5771/9783956508592
- Yazar, Mehmet Behçet, Genç Şairlerimiz ve Eserleri, Istanbul: Kanaat Kitabevi 1936. Google Scholar öffnen doi.org/10.5771/9783956508592
- Yilmaz, Levent, “Without Following the Beaten Path”, in: A Retrospective of Yüksel Arslan: Catalogue, Levent Yilmaz, ed., Istanbul: Santral İstanbul 2010, 11-30. Google Scholar öffnen doi.org/10.5771/9783956508592
- Yilmaz, Levent, ed., A Retrospective of Yüksel Arslan: Catalogue, Istanbul: Santral İstanbul 2010. Google Scholar öffnen doi.org/10.5771/9783956508592
- Young, Robert J.C., White Mythologies, London: Routledge 2004. Ze’evi, Dror, Producing Desire: Changing Sexual Discourse in the Ottoman Middle East, 1500–1900, Berkeley: University of California Press 2006. Google Scholar öffnen doi.org/10.5771/9783956508592
- Ziadeh, May, “Something about Art”, in: Modern Art in the Arab World: Primary Documents, Anneka Lenssen, Sarah Rogers and Nada Shabout, eds., New York: Museum of Modern Art 2018, 45–47. Google Scholar öffnen doi.org/10.5771/9783956508592
- Zürcher, Erik J., Turkey: A Modern History, London: I.B. Tauris 2004. Google Scholar öffnen doi.org/10.5771/9783956508592





