Surrealism in North Africa and Western Asia
Crossings and Encounters- Autor:innen:
- |
- Reihe:
- Beiruter Texte und Studien (BTS), Band 141
- Verlag:
- 2021
Zusammenfassung
Der vorliegende Band beschäftigt sich mit dem Surrealismus in Literatur und Kunst in Algerien, Ägypten, Libanon, Syrien und der Türkei zwischen den 1930er und 1980er Jahren. In einer transkulturellen Perspektive erscheint die zu Beginn der 1920er Jahre von Frankreich ausgehende Bewegung gleichermaßen als globales wie als lokales Phänomen, das in den hier behandelten Regionen weniger auf kollektive als auf individualistische Weise, vornehmlich auf dem Gebiet von Poesie und Sprache, rezipiert wurde. Die Studien in diesem Band verfolgen das Ziel, ein klareres Bild von den Resonanzen des Surrealismus in diesen Regionen zu zeichnen und damit einen Beitrag zur Geschichte sowohl der Transmoderne als auch des Surrealismus zu leisten. Methodisch geht es darum, Verbindungen, Begegnungen und Austausch auf individuell-künstlerischer, politisch-institutioneller und soziohistorischer Ebene zu untersuchen. Ein neuer Blick auf den globalen Surrealismus muss diese Netzwerke und Verbindungen auf der Mikroebene berücksichtigen, wenn es um die Fragen geht, wann, wo und was Surrealismus war. Die Antwort könnte zeigen, dass der Surrealismus weitaus weiter verbreitet war als bisher angenommen.
Schlagworte
Publikation durchsuchen
Bibliographische Angaben
- Copyrightjahr
- 2021
- ISBN-Print
- 978-3-95650-858-5
- ISBN-Online
- 978-3-95650-859-2
- Verlag
- Ergon, Baden-Baden
- Reihe
- Beiruter Texte und Studien (BTS)
- Band
- 141
- Sprache
- Englisch
- Seiten
- 287
- Produkttyp
- Monographie
Inhaltsverzeichnis
- Titelei/Inhaltsverzeichnis Kein Zugriff Seiten 1 - 14
- Introduction. Surrealism in North Africa and Western Asia: Crossings and encounters Kein Zugriff Seiten 15 - 28
- Chapter 1. Three eccentric manifestos: Art et Liberté, the Arab Surrealist Movement in Exile and Habib Tengour’s “non-message” Kein Zugriff Seiten 29 - 50
- Chapter 2. The Paris—Istanbul axis and the paradox of Turkish surrealist painting Kein Zugriff Seiten 51 - 84 Eyüp Özveren
- Chapter 3. Looking past: Turkish surrealism in translation Kein Zugriff Seiten 85 - 116 Ambra D’Antone
- Chapter 4. Ūrkhān Muyassar’s pioneering role in translating surrealism into Arabic Kein Zugriff Seiten 117 - 136 Arturo Monaco
- Chapter 5. They entered art from the kitchen door – Being twenty in Beirut in the 1930s Kein Zugriff Seiten 137 - 154 Jad Tabet
- Chapter 6. Beyrouth – Paris. Georges Schehadé et le surréalisme Kein Zugriff Seiten 155 - 174
- Chapter 7. Unsī al-Ḥājj’s surrealist encounters Kein Zugriff Seiten 175 - 196 Alfred el-Khoury
- Chapter 8. Le surréalisme égyptien à la lumière de la presse francophone d’Égypte Kein Zugriff Seiten 197 - 216 Cléa Daridan
- Chapter 9. Joyce Mansour et le surréalisme. Un bestiaire partagé Kein Zugriff Seiten 217 - 228 Fabrice Flahutez
- Chapter 10. Surrealism, quarantine, Mediterranean plague: Artaud, Tengour, Abdel-Jaouad Kein Zugriff Seiten 229 - 258 Megan C. MacDonald
- Archives Kein Zugriff Seiten 259 - 259
- Newspapers, magazines, and reviews Kein Zugriff Seiten 260 - 261
- Films Kein Zugriff Seiten 262 - 262
- General bibliography Kein Zugriff Seiten 262 - 280
- Index Kein Zugriff Seiten 281 - 287
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