Always Different, Always the Same

Eoin Devereux; Martin J. Power

doi:10.5771/9781538165362

Zusammenfassung

The Fall, led by Mark E. Smith, were one of the most intriguing, influential, and prolific post-punk groups in British popular culture. Always Different, Always the Same: Critical Essays on The Fall is a thorough and critical account of the group, engaging with the often complex and challenging creative work. In this groundbreaking text, volume editors Eoin Devereux and Martin J. Power bring together contributions from a wide variety of disciplinary homes, including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies.

Contributors

Kieran Cashell, Brian Clancy, Matt Davies, Eoin Devereux, Samuel Flannagan, John Fleming, Gavin Friday, Mike Glennon, K. A. Laity, Ben Lawley, John McFarland, David Meagher, Michael Mary Murphy, Martin Myers, Martin J. Power, Suzanne Smith, Elaine Vaughan, Paul Wilson.

Schlagworte

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Bibliographische Angaben

Copyrightjahr: 2022
ISBN-Print: 978-1-5381-6535-5
ISBN-Online: 978-1-5381-6536-2
Verlag: Rowman & Littlefield, Lanham
Sprache: Englisch
Seiten: 272
Produkttyp: Sammelband

Inhaltsverzeichnis

KapitelSeiten

1. Contents Kein Zugriff
2. Foreword. The Fall’s Friendly Visitor Kein Zugriff
Introduction. Mr Sociological Memory Man . . . Kein Zugriff Seiten 1 - 8
Chapter One. Spoiling all the Paintwork: Mark E. Smith, Art Renegade Kein Zugriff Seiten 9 - 24
Chapter Two. Suzanne Smith in Conversation with Eoin Devereux Kein Zugriff Seiten 25 - 40
Chapter Three. ‘A letter so simple, yet disgusting in a stroke’: Writing-out the (Typo)Graphic Strangeness of The Fall Kein Zugriff Seiten 41 - 60
Chapter Four. Psykick Dancehall: The Paranormal Strategies of Mark E. Smith and The Fall Kein Zugriff Seiten 61 - 82
Chapter Five. ‘You can leave me on the shelf’: The Death of The Fall and Mark E. Smith Kein Zugriff Seiten 83 - 100
Chapter Six. Dead Beat Descendant: Mark E. Smith’s Life, Death, and Mourning as a Cult Hero (with Unlikely Peer Robert Forster of The Go-Betweens Used as a Support Act for Contrast and Shade) Kein Zugriff Seiten 101 - 118
Chapter Seven. “What’s a computer?” Intuition Meets the Science Law in a Complete Fall Lyrics Corpus Kein Zugriff Seiten 119 - 148
Chapter Eight. Searching for the Right Word or Phrase that Would Put a Chill Up the Spine: A Corpus-based Discourse Analysis of Mark E. Smith’s Lyrics Kein Zugriff Seiten 149 - 170
Chapter Nine. I Am Damo Suzuki Lost in Music (Dub) Kein Zugriff Seiten 171 - 184
Chapter Ten. Remembrancer/Rememorator/Amorator! The Remainderer EP and the Roots of The Fall’s Late Obscurity Kein Zugriff Seiten 185 - 202
Chapter Eleven. Linguistic Perversion: Ezra Pound and The Fall Kein Zugriff Seiten 203 - 230
Chapter Twelve. The Fall and Ireland: What a Manchester Band Can Tell Us about Ireland and Its Music Scene Kein Zugriff Seiten 231 - 244
Chapter Thirteen. The Madness in My Area: Montagu Lomax and the Psychodrama of The Fall: An Examination of the Use of Psychiatric Imagery in Early Fall ’77–’79 Kein Zugriff Seiten 245 - 256
Index Kein Zugriff Seiten 257 - 266
About the Editors and Contributors Kein Zugriff Seiten 267 - 272