Cover des Buchs: Paradoxes of Interactivity
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Paradoxes of Interactivity

Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations
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Verlag:
 2015

Zusammenfassung

Current findings from anthropology, genetics, prehistory, cognitive and neuroscience indicate that human nature is grounded in a co-evolution of tool use, symbolic communication, social interaction and cultural transmission. Digital information technology has recently entered as a new tool in this co-evolution, and will probably have the strongest impact on shaping the human mind in the near future. A common effort from the humanities, the sciences, art and technology is necessary to understand this ongoing co- evolutionary process.Interactivity is a key for understanding the new relationships formed by humans with social robots as well as interactive environments and wearables underlying this process. Of special importance for understanding interactivity are human-computer and human-robot interaction, as well as media theory and New Media Art. »Paradoxes of Interactivity« brings together reflections on »interactivity« from different theoretical perspectives, the interplay of science and art, and recent technological developments for artistic applications, especially in the realm of sound.

Schlagworte


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Bibliographische Angaben

Auflage
1/2015
Copyrightjahr
2015
ISBN-Print
978-3-89942-842-1
ISBN-Online
978-3-8394-0842-1
Verlag
transcript, Bielefeld
Reihe
Kultur- und Medientheorie
Band
0
Sprache
Englisch
Seiten
344
Produkttyp
Sammelband

Inhaltsverzeichnis

KapitelSeiten
  1. FrontmatterSeiten 1 - 5
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  2. ContentsSeiten 6 - 7
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  3. The Co-Evolution of Humans and Machines: A Paradox of InteractivitySeiten 8 - 23
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  4. Does the Body Disappear? A Comment on Computer Generated SpacesSeiten 26 - 43
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  5. Transparency and Opacity: Interface Technology of Mediation in New Media ArtSeiten 44 - 61
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  6. Where the Action is: Distributed Agency between Humans, Machines, and ProgramsSeiten 62 - 91
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  7. Surface, Interface, Subface: Three Cases of Interaction and One ConceptSeiten 92 - 109
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  8. Double Cross Playing Diamonds: Understanding Interactivity in/between Bigraphs and DiamondsSeiten 110 - 139
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  9. Where Art and Science Meet (or Where They Work at Cross-PurposesSeiten 142 - 159
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  10. Time, Magma, Continuity: Some Remarks on In-Formation and the Fabrication of "Poiesis"Seiten 160 - 173
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  11. Implications of UnfoldingSeiten 174 - 191
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  12. UNORTKATASTER: An Urban Experiment Towards Participatory Media DevelopmentSeiten 192 - 217
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  13. Modelling and Analysing Expressive Gesture in Multimodal SystemsSeiten 218 - 247
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  14. Interaction Computer Dance: The Resonance Paradigm 1900/2000Seiten 250 - 265
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  15. Staging of the Thinking Space: From Immersion to Performative PresenceSeiten 266 - 281
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  16. From Interactive Live Electronic Music to New Media ArtSeiten 282 - 297
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  17. Extending the Musical Experience: From the Physical to the Digital and BackSeiten 298 - 325
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  18. Virtual Musical Instruments and Robot Music PerformancesSeiten 326 - 335
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  19. Authors'' BiographiesSeiten 336 - 344
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