Queer Males in Contemporary Cinema

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1. Contents Kein Zugriff
2. Foreword Kein Zugriff
3. Preface Kein Zugriff
4. Acknowledgments Kein Zugriff
1. 1 The Love Between Warden and Prew That Dare Not Speak Its Name: Containing Homosexuality as Subtext in From Here to Eternity Kein Zugriff
2. 2 Gay Male Spectatorship, Textual Flexibility, and Mainstream American Cinema Kein Zugriff
1. 3 “Out of the Closets and into the Shadows”: Cruising with the Boys in the Band Kein Zugriff
2. 4 Queering the Teen Movie: Exploring Groundbreaking Representations of Nonheterosexual Adolescents in Gregg Araki’s Teen-Apocalypse Trilogy Kein Zugriff
3. 5 Gay Men, Self-Representation, and AIDS Documentaries Kein Zugriff
4. 6 When Style Becomes Substance: The Form and Function of a Rap Aesthetic in the AIDS Movie Chocolate Babies Kein Zugriff
5. 7 Increasing Visi(bi)lity: Bisexual Men in Contemporary U.S. Cinema Kein Zugriff
6. 8 Transamerican Cinema: Representing Gender Dysphoria on Film Kein Zugriff
7. 9 Retrograde Storytelling or Queer Cinematic Triumph? The (Not So) Groundbreaking Qualities of the Film Brokeback Mountain Kein Zugriff
8. 10 Back to the Future: Queer Representations and the Films of John Cameron Mitchell Kein Zugriff
Bibliography Kein Zugriff Seiten 149 - 156
Queer Filmography Kein Zugriff Seiten 157 - 166
Index Kein Zugriff Seiten 167 - 182
About the Author Kein Zugriff Seiten 183 - 183