This unique volume presents the undocumented practices and histories of Documentary Theatre in India. Set against India’s contested political landscape, where legal documents determine one’s life, the contributors highlight the relevance of Documentary Theatre, challenging dominant concepts and offering new frameworks for understanding its cultural significance. Essays, conversations, and creative contributions from renowned scholars and artists from India and beyond are complemented with practical theatre exercises – making this volume a vital resource for academics and anyone interested in the potential of theatre. With contributions from YS Alone, Rustom Bharucha, Zuleikha Chaudhari, and others.
